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Friday, February 28, 2020

True West Presents

Umphrey's McGee

Andy Frasco & The U.N.

6 pm doors, 7:30 pm show

$35 advance, $40 day show

All ages welcome

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Umphrey's McGee

Jam musical alchemists

Umphrey's McGee

The music of Umphrey’s McGee unfolds like an unpredictable conversation between longtime friends. Its six participants — Brendan Bayliss [guitar, vocals], Jake Cinninger [guitar, vocals], Joel Cummins [keyboards, piano, vocals], Andy Farag [percussion], Kris Myers [drums, vocals] and Ryan Stasik [bass] — know just how to communicate with each other on stage and in the studio. A call of progressive guitar wizardry might elicit a response of soft acoustic balladry, or a funk groove could be answered by explosive percussion. At any moment, heavy guitars can give way to heavier blues as the boys uncover the elusive nexus between jaw-dropping instrumental virtuosity and airtight song craft.

The conversation continues on their eleventh full-length album, it’s not us [Nothing Too Fancy Music] — which was released January 12, 2018.

“It represents the band because it basically runs the gamut from prog rock to dance,” says Brendan. “We’ve mastered our ADD here. The record really shows that.” “No matter what you’re into, there’s something on it’s not us that should speak to you,” agrees Joel. “This is a statement album for Umphrey’s McGee. The sound is as fresh as ever. The songs are strong as they’ve ever been. We’re always pushing forward.”

It’s also how the band is celebrating its 20-year anniversary. Instead of retreading the catalog, they turn up with a pile of new tunes.

“It’d be easy to play the hits from our first five or ten years,” continues Joel. “We’ve never been a band to rest on our laurels though. New music is key to our continued development. We’re known as a strong live band, but we take so much pride in our writing. This album distinguishes us because the focus is on that writing.”

Appropriately, this idea gestated on a sunny May afternoon at Wrigley Field. Six months before The Cubs won their first World Series since 1908, Brendan took in a game on a rare day off.

“I can pinpoint the actual a-ha moment,” Brendan goes on. “My wife was out. My kids were at daycare. I walked to Wrigley, bought a standing room ticket, and enjoyed the game. Halfway through it, I thought to myself, ‘If we can get into the studio by the end of the year, we can have a brand new record.’ That’s where it all started.”

Bringing things full circle, Umphrey’s McGee entered I.V. Labs Studio in Chicago ready (and maybe a little hungover) a week after that historic game seven. For the first time since recording Local Band Does O.K. in 2002, five of the six members roomed together in a rental condo with Brendan staying a stone’s throw away at home.

“We would wake up, bounce ideas off each other, and go to the studio together,” recalls Joel. “We did all of this as a unit. There was something really special about our group ethos coming together for this project. We decided to go in for a week, live, eat and breathe Umphrey’s McGee. It’s the most fun we’ve had in the studio. It really was a blast. Having that camaraderie was really cool.”

That camaraderie shines through in their inimitable interplay, which finds them at the pinnacle of their craft and groove as a band. That chemistry defines the approach — which sees Umphrey’s McGee hone their songwriting to its sharpest point to date. “I feel like we’re getting better and better at writing succinct, concise musical pieces,” Brendan elaborates. “When we started out, we were trying to figure out how to fill time. We didn’t have much of a catalog, so we had to extend things and repeat parts in order to make up space. Since our catalog is so big now, we don’t feel the need to make everything ten minutes long. We’ve really trimmed the fat. Everything seems to be the right length.” It’s definitely the case with the first single from it’s not us, “The Silent Type.” Powered by a bombastic beat, funkified rhythms, fiery fretwork and a chantable refrain, this anthem introduces it’s not us with a bright and brilliant bang.

“It’s super simple,” explains Brendan. “This character is in the wrong place at the wrong time making the wrong decisions. Everybody has to deal with temptation. That’s a part of life. This guy goes out, and he blows it after a girl offers him a cigarette. You see it all the time.” “Half Delayed” builds from airy guitar into an iridescent refrain that serves as “a reminder to stop and smell the roses.” Meanwhile, the bass strut, anthemic beat production and percussive wallop of “Looks” could be the love child of Nine Inch Nails and Talking Heads. Then, the metallic shredfest outro of “Remind Me” bleeds effortlessly into the gorgeous acoustic love song “You & You Alone.”

“We called the record it’s not us, because it’s really not about us,” adds Joel. “This is for the fans.”

Over 2,200 gigs and five million tracks sold later, they’ve enjoyed countless milestones. 2002 saw them perform at the first-ever Bonnaroo and sell more CDs than any other act on the bill. They became the “first group to launch its own single artist streaming service” with UMLive.net, which houses recordings of every gig since 2005. The service has since grown and now lives on through Nugs.net, which is used by the likes of Pearl Jam, Bruce Springsteen and more. They recorded ten tracks in one day at Abbey Road for The London Session in 2015. Notably, 2016’s ZONKEY mashed-up the strangest of bedfellows into a critically acclaimed collection that unites Radiohead and Beck, The Weeknd and Fleetwood Mac, Talking Heads and Bob Marley, Metallica and Gorillaz, and more.

That adventurousness extends to their legendary audience immersion experiences. From their initial bar gigs in 1998 to three-nights playing to packed crowds at the legendary Red Rocks Amphitheatre in 2017, the group have simultaneously remained intensely committed to their fans. Beyond intimate backstage encounters and ski trips with their most diehard fans, Umphrey’s McGee instituted the groundbreaking “Headphones & Snowcones” program, granting fans access to professional headphones and a soundboard-quality mix at shows. At their UMBowl, they empowered the audience to vote on the setlist in real-time and choose favorite improv themes via text message. In 2017, they stepped into another realm altogether by integrating themselves into the VR Platform Endless Riff.

Most recently, Umphrey’s McGee dropped a 10-track surprise album, it’s you, which serves as a companion piece to it’s not us. The band's virtuosity and encyclopedic knowledge of diverse styles is front and center once again, punctuated with snarling guitar riffs and teeming with crisp acoustics. By harnessing the world-class musicianship and energy of their live performances into the precision of their studio craft, it’s you encapsulates a range that is rarely found in a single band. From the fresh and vibrant opening single “Triangle Tear,” to the ACDCinspired rhythm chiming through “Attachments,” to the iridescent personal tune “Push & Pull,” the album offers something for Umphrey’s McGee’s legion of fans and newcomers alike.

“It was almost like we had two of everything,” said Joel. “I feel like “You & You Alone” [from it’s not us] and “Push & Pull” [from it’s you] are these kind of nice, more pastoral, acoustic-based songs. We have “Dark Brush” [it’s not us] and “Nether” [it’s you], these sort of heavier, more aggressive pieces of music. Once we got to the point where we decided we were gonna do two, we felt like we wanted to break these up so that there was a balance between the two albums. “Speak Up” [it’s not us] is something that’s a little bit funkier and dancier. I don’t know if we really have something that goes along with that on the new one but with “Hanging Chads” you can tell that we’re having a good time being ridiculous in the studio. It’s just nice that there’s an element of levity there. This is 20 years into Umphrey's McGee, and not only do we have one new album of music, we have two albums of music. We’re more fired up than we ever have been about the stuff that we’re putting out.”

“There’s something uniquely Umphrey’s McGee that could never be mistaken for another band,” Joel concludes. “I hope it makes people think a little bit or shed a tear or two. Maybe, you smile or laugh. Life is hard. We still believe music can heal and motivate.”

“We’re here,” Brendan leaves off. “We’re not going anywhere. We’re starting to find our identity. I think if you give it a chance, you’ll be pleasantly surprised.”

website:
http://www.umphreys.com

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
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Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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