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Friday, February 13, 2026

Monqui Presents

SPRINTS

7 pm doors, 8 pm show

21 and over

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SPRINTS

SPRINTS

There's a lyric burnt into ‘Abandon' - the slow, searing scorch of an opening track that begins SPRINTS' gargantuan second album ‘All That Is Over' - that cuts to the core of the incendiary Dublin quartet right now: "I don't grow old / I grow unrecognisable".

Not only does it kick the door down to a record that wrestles with the horrors outside and the strengths within, planting its feet in the ground and fighting for the necessity of art and hope and love amidst an incomprehensible world on fire, it also neatly winks at SPRINTS' own thrilling trajectory. Having underlined their status as one of the UK and Ireland's most exciting breakthrough bands with their universally-acclaimed 2024 debut ‘Letter To Self', now vocalist and guitarist Karla Chubb, bassist Sam McCann, drummer Jack Callan and new guitarist Zac Stephenson are returning for their second act as an evolved entity: stronger, sharper and fully assured. "I think we came out of 2024 as quite literally different people and a completely different band to how we entered it," says Karla. "There was a lot of growing and a lot of work on myself, and in the background we did a lot of work as friends and on being there for each other as a band. Album One was so riddled with self-consciousness and a need to prove myself in a very male-dominated industry that really held me back in a lot of ways. And now, on this album, I could not give less of a fuck."

The groundwork that SPRINTS laid down with their debut marked them out as a musical triple threat amongst the alternative landscape: a visceral live band capable of selling out increasingly sizeable tours, who could earn five star reviews (NME, DIY and more) and an Irish Choice Music Prize nod from critical corners but also land themselves on BBC Radio One. Throughout 2024 alone, they toured the UK, Europe and America twice, ending the year with a celebratory, sold-out show at London's O2 Forum Kentish Town.

All the while as their crowds were growing, however, SPRINTS were having to reconfigure themselves from the inside. At the end of their April UK tour, original guitarist Colm O'Reilly stepped back from the band; with a full summer of festivals ahead, the remainingembers had barely two weeks to figure out a plan. "Zac had already filled in at The Great Escape so he knew five songs and it was like, ‘Great, that's five more than anyone else knows!'" Karla laughs. "And honestly, I think it was the most serendipitous thing where the universe was conspiring with us." "I was about to start my first big boy job the day before Karla messaged me. It felt like there was some deeper meaning to that," Zac nods.

‘All That Is Over' is a remarkable record in itself - a second album that pushes the dynamics of the band into richer territory, finding new space and nuance but also going harder than ever. However there's a potency born from the "baptism of fire" beginnings of their current line-up that infuses SPRINTS' second with a whole new energy. "By the time we ended up working on new stuff, we'd played so many shows together that the natural chemistry me, Karla and Sam had built up over years, Zac had very quickly developed too," Jack says. Where many bands would find themselves burnt out and needing a break after such a hectic period of time, in the midst of the whirlwind, Karla found herself becoming more prolific than ever. "There was just so much happening and so much to process," she explains. "I was going through a big break up with my partner who I'd been with for eight years; Colm had left the band; we'd really progressed into being professional musicians, and I was at the start of a new relationship. But then you'd look outside and it's like the world has never been uglier. I was writing every day because there was so much going on."

It's into this landscape of duality and disparity, anger, ambition and a thousand feelings in between that ‘All That Is Over' lays out its cards. Its title is taken from a lyric at the centre of ‘Beg': an uncompromising slice of propulsive punk that seeks the cleansing of new beginnings. Written on tour buses, in soundchecks and very much in real time, it's an album set against the backdrop of a litany of atrocities - the war in Gaza, the wildfires in LA, Trump's executive order denying the rights of trans people - that sees SPRINTS trying to make sense of a society gone mad.

"We're very fortunate that we have this beautiful little dysfunctional, insane family that we've built and we're all really madly in love with each other," Karla continues. "It's this liberal, creative bubble, and pursuing the arts is so innately beautiful, but then you step out of it for a second and look at your phone and you're like, ‘What is happening out there?!' The world is so dystopian and we're on the edge of a fucking apocalypse."

First single ‘Descartes' distills this idea into a nerve-shredding blast of sonic ferocity that holds the importance of art and expression high. Inspired by a line in Rachel Cusk's novel Outline - "Vanity is the curse of our culture" - it switches up the philosopher's famous "I think therefore I am" into Karla's own raison d'etre: "I speak so therefore I understand". "A lot of the negativity you see in the world is rooted in vanity and the ego that your beliefs or identity are more important than somebody else's," she says. "‘Descartes' explores the idea that writing for me is not just a tool to make music but a tool to process the world."

‘Abandon' simultaneously channels Dante's Inferno and the nine circles of hell, but also a smaller, sadder sense of displacement from home. "There's the line ‘I used to live here/ I used to love here'," Karla notes. "Sometimes you almost feel like a stranger in your city because you see it change and not always for the better." Meanwhile the self-described "cowboy gothic" musical sensibilities of both ‘Rage' and ‘Desire' began to make sense once these lyrical themes of dystopia started to rear their heads. The former, a Dandy Warhols-esque psych swagger that marks totally new territory for the quartet; the latter, a closing track that combines Radiohead-like build ups and "spaghetti Western noodles" into an outpouring of lust for a new love, both are testament to the bold new ground that SPRINTS' musically tread this time.

On the My Bloody Valentine-influenced shoegaze haze of ‘Better', Sam and Karla share vocals on a towering "anti-love song" that builds to a cathartic, climactic wall of sound. The spidery, sinuous ‘To The Bone', meanwhile, has already become a new live highlight. Produced once more by Daniel Fox of Gilla Band, this time at the residential La Frette studio just outside of Paris, the playfulness and spark that rings through the record shows both the band's wealth of ideas and willingness to break fresh ground, but also a new, hard-won confidence.

For Karla, it has been an exercise in shutting down the negative voices, both external and internal: an idea that comes to a head on the fizzing eyeroll of ‘Need'. "We played a headline show in France and, a few days after, I was tagged in a review of the gig where the whole first paragraph was the guy commenting about my weight: ‘Compared to the picture we saw online, she's lost a lot of weight and it definitely suits her better'," she recalls. "Now it's like, I don't really fucking care anymore. People are gonna write articles about the way I look. They're gonna write about my political opinions, they're gonna talk shit anyway. It's always gonna be about me, it's never gonna be the guys, so I might as well fucking embrace it and give them something fun to talk about." Sticking two fingers up whilst doubling down on the visceral spirit of fierce artistic honesty that's always been at the heart of the band, ‘All That Is Over' finds SPRINTS entering their second chapter with nothing left to hold them back.

Events

About Mission Theater

Experience a slice of Portland history. What is now known simply as “the Mission” was originally home to the Swedish Mission Covenant congregation in the early 20th century, and despite its staid, buttoned up appearance, this place now hosts live music, video dance nights and special events on select nights each month. 

For ADA accommodations please contact us by email at boxoffice@mcmenamins.com. Please note we are only able to accommodate in this section until it is at capacity.

House Rules

As our guest, please respect the house and ensure the safety and comfort of those around you by observing our House Rules. 
  • Backpacks are not permitted.
  • Re-entry policy is determined on the day of the show, and we can't guarantee that re-entry will be permitted.
PATRONS WILL BE DENIED ENTRY OR WILL BE ESCORTED OUT OF THE BUILDING WITHOUT REFUND OF TICKET IF ANY OF THE FOLLOWING IS OBSERVED:
  • Possession or use of illegal substances
  • Possession or use of permanent markers or paint pens
  • Possession of any type of weapon
  • Possession or use of false identification
  • Willful damage to the property
  • Cursing or verbal harassment towards other customers or staff
  • Inconsiderate behavior towards other customers or staff
  • Any form of inappropriate, racial or physical harassment , including displaying symbols that the venue deems to be threatening
  • Intoxication before entry
  • Consumption of any alcoholic beverage not purchased on premise
  • Smoking in non-designated areas
  • Violence of any nature
  • Thank you for your help in making the Mission Theater safe, comfortable and fun for all.

Box Office

Box Office Information
Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning), by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.
 
Tickets bought directly at the Crystal box office or any of our ticket outlets will only incur a $2 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)
 
Resend Ticket Confirmation Email
 
Crystal Ballroom Box Office Hours
1 hour before door time on concert days only
 
Will Call
Will call is located at the box office.
 
Refunds
Refund requests may be directed to refunds@etix.com. If a show is cancelled or rescheduled, ticketholders will be emailed with their refund options. We will also post show information on our website (crystalballroompdx.com) and social media platforms. 
 
Accessibility
For ADA accommodations please contact us by email at boxoffice@mcmenamins.com. Please note we are only able to accommodate in this section until it is at capacity.

Frequently Asked Questions

I have questions about your box office and ticketing … where do I find that info?
Scroll up and check out our Box Office info! If you can’t find the information you’re looking for, you might find your answer below, and if not then feel free to shoot us an email.

What seating is available?
The Mission Theater specializes in open-floor shows, but also has a mezzanine on three sides with seating throughout. Occasionally the main floor will feature seating as well, and we will indicate this by referring to the event as a “seated event.”

The mezzanine sounds cool! Can I reserve seats there? 
No, our seats are all first-come, first-served. 
 
I don’t like to buy tickets online; where can I buy in person at the Mission? 
The Mission does not have its own outlet, but tickets for Mission shows (and any McMenamins music events) are available at the location described above in the Box Office section. 
 
Help, I can’t find my tickets! Can you resend/email them to me?
Even better, just go to www.etix.com/ticket/resend and provide your email address as well as the last 4 digits of the card used for purchase. A ticket confirmation will be sent to you.
 
I have a printed at home ticket … can you just scan the original email from my phone? 
We’re able to scan ticket barcodes from most phones…. Make sure your brightness is turned up for best results! If that doesn’t work we will be able to enter your ticket’s order number into the system and get you into the show that way. 
 
I can’t make the show; can I get a refund? 
We are not able to offer refunds. If you opted to purchase insurance through our ticketing company as part of your ticket purchase, you should have received an email from Allianz Global  Assistance and you can file a claim with them directly. You are also welcome to sell your tickets.

Someone sold two tickets to me for tomorrow's show. When I arrive at the venue, will there be any issues since I wasn't the original buyer? 
We are unable to determine the validity of third party tickets. Also, a ticket may be scanned only once for entry. If your ticket was purchased from someone who sold the tickets to multiple parties, only the first person who shows up will be granted entry. 

Are there still tickets / VIP tickets to a show?
You can check this by finding the show on the Mission Theater online calendar and clicking the ticket link, where availability information will be displayed. 
 
I couldn’t get a ticket for a sold-out show. Is there any way I can get one?
The best we can say is that sometimes the artist or promoter will release some tickets that they’ve been holding onto. We can’t predict, however, if or when that might happen. 
 
How do you accommodate for ADA?
For ADA accommodations please contact us by email. Please note we are only able to accommodate until the ADA section is at capacity.

I understand there are stairs leading into the Mission’s main floor. Do you have accessibility options? 
Yes, we are wheelchair accessible. We have a ramp leading to our side entrance on 17th Avenue; just let security at the front door know you need ramp access. 
 
Can I bring my camera to a show? 
While we don’t have specific house policy, we do enforce the band’s policies, and we don’t typically know those policies until the day of the show. Usually only phones or small handheld cameras are allowed, but all attendees are subject to the stipulations from the band. Professional camera gear is almost never permitted. 
 
Are Light Gloves allowed?
Yes.

 Is there a coat check?
There is no coat check at the Mission Theater. 
 
What’s your re-entry policy?
Due to a variety of factors in play for each performance, re-entry policy is determined on the day of the show, and we can’t guarantee that re-entry will be permitted. Please see our House Rules (above) for additional important entry-based information.
 
I’m interested in performing at your venue; who can I contact?
You can email booking@mcmenamins.com.
 
I want to work at the Mission Theater! 
We want to hear from you! Please check out our employment page and apply there!
 
I want to hold a private event in that glorious space!
Please visit our private event page for details! We have a dedicated staffer that can help with weddings, meetings, parties, you name it!
 
What is the venue capacity?
300 standing, 200 seated
 
Do you have air conditioning?
We do indeed have air conditioning, but there’s a LOT of air in the room and it can be tricky to keep the space cool. We set up water stations at our shows, and you are permitted to bring your own empty water bottle to fill there so you can stay hydrated. 
 
How do I get my McMenamins passport stamped?
Mission Theater stamps are only provided at the bar in the venue, and you must attend an event in order to receive one! If there’s no show or a show is sold out then you’re out of luck for that night, so plan ahead and pick a show from our fine selection of upcoming events! Another option is to wait for our occasional open houses or other free events, as we issue stamps for those events as well. 

History

The location that serves as one of McMenamins favorite neighborhood theater pubs was the locus of great spiritual zeal beginning in the 1890s. That's when the Swedish Evangelical Mission established its church here....

From a church to a theater-pub to event space, the Mission's history ain't exactly saintly. Click here for more info!

Photos

Use the arrows to scroll through the photos, or click on any image to view the gallery in flickr.


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