Make your plans now for New Year's Eve hoopla & live music with us – and make it extra special with our New Year's Eve package offering lodging for two, two keepsake sparkling wine flutes, bottled water and festive surprises! Check out live music below…

To add the New Year's Hotel Package to your stay:
When booking through our website, select your location and dates, then your room + rate, and a list of additional offerings will appear under "Package Options," including the New Year's Eve room package

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Live Music

Blackberry Hall
My Siamese Twin * 8pm doors, 9pm show * $25 advance, $30 at door * 21 and over

Join the party at Blackberry Hall with sparkling wine toast and a midnight balloon drop!

Loading Dock
Cedar Teeth * 9-10:30pm * Free * 21 and over
Family Worship Center * 11-12:30am * Free * 21 and over

Winery Tasting Room
How Long Jug Band * Free * 7-9pm

My Siamese Twin is a Portland based band that plays songs by your favorite alternative bands of the 80's. Bands such as The Smiths/Morrissey, The Cure, New Order, Echo & the Bunnymen, The Cult, The Church, Psychedelic Furs, REM, and many more! 

facebook:

https://www.facebook.com/MySiameseTwin

Origin Story

In a time when he was spiritually and artistically aimless, Family Worship Center’s shamanistic figurehead Andy Krissberg took a brief hiatus from creating music. He embarked on a freewheeling, soul-searching journey inspired by the late ethnomusicologist Alan Lomax. Krissberg visited remote places across the country, creating field recordings of musicians he met straight to vinyl on a 1940s record lathe.

His adventures led him to fleabag motels, sketchy back alleys, lonely restaurants, and dive bars. His crusade had him rummaging through old record stores, antique stores, swap meets for long forgotten albums, singles, artwork, and books. On one of his expeditions, in a now-defunct record store in Nashville, Tennessee, Krissberg stumbled upon a 21-page bible for a strange cult-like collective that billed themselves as Family Worship Center.

Leafing through the yellowed pages, he felt a strange resonance with the Family’s communal quest for Groove enlightenment. Family Worship Center proposed a simple prescription to achieve a utopian existence: Surrender material possessions. Walk to the beat. Never hurt another Family Member. In a private mystical moment, Krissberg vowed to adhere to these beliefs, and is now eager to share the message with others through song as the band, Family Worship Center.

Music

Family Worship Center specializes in a strain of redemptive, 1970s-styled rock n’ roll that recalls the Rolling Stones, Leon Russell, The Band, and Delaney & Bonnie. The band formed in 2017 in Nashville, Tennessee founded by prophetic visionary, singer-songwriter and keyboardist Krissberg, but it has since relocated to Portland, Oregon. In 2020, Family Worship Center released the EP Sunday A.M. (2020) recorded by Grammy-winning producer Eddie Spear (Rival Sons, Blackberry Smoke, Lukas Nelson), and featuring musicians associated/who have played with The Band, Deer Tick, Ringo Starr, James Brown, Keith Richards, and Foxygen, among others. The Family’s latest offering—it’s first long player—Kicked Out Of The Garden, features a core band of devoted musicians, and was produced by Portland go-to producer Cameron Spies (Spoon Benders, Shivas) who specializes in what he calls “mid-fi.” Kicked Out Of The Garden was tracked in Portland with additional recording done in Philadelphia and Ukraine,

Cedar Teeth didn't plan to start a band around the campfires that lit up their Oregon youths in the forests of the Cascade foothills that form a clear-cut divide between Portland and the surrounding wilderness.  The genre bending roots troupe owe their inception to bassist Rayson Gordon, who forged a musical link between friends and provided their secret headquarters: a cedar shed on his grandparents' 40 acre forestland on Green Mountain Road. In their new practice space, campfire tunes turned into intricate songwriting and friendships became a partnership. 

Following their 2014 debut album, Hoot, Cedar Teeth built their reputation on stage, whether at festivals like Summer Meltdown and Wildwood, or at clubs throughout the Pacific NW, where they have joined bands like Fruition, Shook Twins, Motopony, Hot Buttered Rum, and Magic Giant. 

On their 2017 EP, Farewell To Green Mountain, Cedar Teeth explore everything from indie rock and grunge to psych folk and bluegrass, reflecting the diversity inspired by their lives on the dividing line of societal opposites.  Produced by Larry Crane (Elliot Smith, The Decemberists), the EP leans heavily on backwood harmony, allowing complex song structures and off-kilter melodies to support tales of love and war and the moments in between. In one sense, Farewell to Green Mountain is a goodbye to both their formative practice space and the vanishing wilderness and community they knew growing up; a sense of loss that makes its way into songs such as "Cancer" and "Mama's Mourning".  But then again, a voice of defiance emerges in songs like "Winter" and "Echoes Grounding", testaments to renewal and resilience in the face of the dying light. 

While their range of sonic interests and influences defy easy classification, it is difficult not to hear Levon Helm, Rick Danko and company, The Band, hollering from the grave. Indeed, imagery reflecting organic flesh and bone, mingling with gnarled old-growth roots music, is what this band is all about.  Call 'em whatever you like: they are harmonizers and collaborators and Cedar Teeth won't let the fire go out.

Website:

http://www.cedarteethband.com

Facebook:

http://www.facebook.com/cedarteethband

Twitter:

https://twitter.com/CedarTeethBand

Instagram:

https://www.instagram.com/cedarteethband/

Inspired by the classic jug bands of the 1920's and 30's, the How Long Jug Band blends kazoos, washboards and jugs seamlessly with conventional guitars, mandolins and banjos. Since their start in 2010, they've released three albums, have performed at the National Jug Band Jubilee in Louisville, Kentucky four times and were inducted into the Jug Band Hall of Fame. While they sometimes slip a modern song into the mix, the How Longs mostly draw from early blues, ragtime and jazz, digging into obscure songs to find lyrics and arrangements that are too good to be forgotten.