Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Friday, January 10, 2020 Portland's Folk FestivalAnna TivelJeffery MartinHaley JohnsenCedar TeethMaitaGlitterfoxNick Delffs Ben LarsenJacob MillerTara Velarde 5 p.m. doors, 6 p.m. show $25 advance, $30 day of show, $40 two day passes All ages welcome Share this event Add to Calendar Portland's Folk Festival Anna Tivel singer/songwriter Anna Tivel's wide-eyed celestial folk songs belong in a similar ballpark with Anais Mitchell, Gregory Alan Isakov and Laura Veirs, where gentle picking plucks among occasionally unconventional sounds and a gorgeous voice tells stories of life in a world of natural wonders. The resulting music is incredibly honest, lyric-driven, and deeply affecting.Website:http://www.annativel.com/ Jeffery Martin singer/songwriter While I was earning an English degree, Josh Ritter came to my college and put on a small solo concert. Watching Ritter on stage was like watching someone trying to make sense of their existence, in real time, with a guitar and words. It seemed to be less of a performance and more of one man's necessity, which happened to be on public display that night. I had written songs before then, but certainly all that followed became something else entirely. I strive to find those songs, to write those songs, that exist in that perfect place perched between my own experience and the common experience that everyone can relate to. This rarely happens (in fact, I don't even know if it's happened yet.) I also think that I take myself much too seriously, and I have a lot to learn about writing songs that make people feel good; that make people want to shake around a little bit. When I'm not playing music I substitute teach high school students. People love to ask how I balance music and teaching, which one I'm more passionate about; would I leave teaching behind entirely to pursue music? Does teaching influence my music? I don't know the answer to any of these things. I am passionate about music and I am passionate about teaching. Some days I can't stand music, some days I can't stand teaching. Both can feel like work, and both can leave me feeling like a crook for getting paid to do what I do. I grew up a little bit in Texas, and then mostly in Oregon. My parents read to me at night and took me to the library and flooded my ears with music that meant something. My mom made me learn the cello at a young age. My dad took me to see John Gorka and Leo Kotke. I have a dog, a yellow lab named Ben, who has toured more than 10,000 miles with me over the past few years (human miles.) I play an old 1970′s Takamine gifted to me by my uncle. -Jeffrey Martin has released two albums. Gold in the Water (2009) and Build A Home EP (2012.) In 2011 he was invited to the Sisters Folk Festival as an emerging artist, and then returned in 2012 as an officially showcased artist. In fall of 2012 Jeffrey was a finalist in the Mountain Stage / New Song contest in New York City. And he has earned songwriting mentions in American Songwriter Magazine, as well as the 2009 Kerrville Folk Fest songwriter contest. Website:http://jeffreymartinmusic.com/ Haley Johnsen The daughter of a professional drummer, 26 year-old Haley Johnsen grew up in the rain-soaked atmosphere of the Northwest surrounded by musicians in the industry, but managed to keep her own love of music and perfect pitch a secret. Shy and fearful about her ability to sing when a child, Johnsen kept her obsession with finding the perfect harmonies to herself; she would only sing hidden in her closet or when she knew she was home alone. "I couldn't handle attention...I never knew what to do with it," she remembers, " I was so self-conscious for so much of my life, even raising my hand in class left my heart pounding. Being the center of attention was my worst nightmare and my greatest dream at the same time." It would be a dedication to gymnastics that would take this shy girl who preferred to blend in with the background and turn her into a daredevil, dancer, and performer. "This sort of athletic expression didn't feel as nerve wracking to me. I could be silent and allow my physical my strength and flexibility to do the talking. As strange as it sounds, hurling my body around rather than my voice just felt safer." Whether she knew it or not at the time, Johnsen was building not just physical strength, but discipline and self-confidence that that would ultimately challenge her to put herself out in front of a million people to face her biggest fear - singing. It was a last minute decision to join the thousands of people in line that February afternoon in Portland, Oregon in 2011 when American Idol auditions rolled into town, and she knew what a long shot it was. Still, she could afford to roll the dice; she was on the cusp of finishing her degree at Oregon State University where she had spent four years slowly cultivating a discipline for singing and performance through classical vocal training and performance as a hobby alongside her studies and really had no plans post graduation. Johnsen would be cast into the national spotlight when she captivated American Idol Season 11 viewers making it all the way through to the Top 24 semifinals before conceding. For artists that come through the Idol machine, the experience can be either a make it or break it one. What it did for Johnsen was confirm that she could - and should - pursue a professional music career based on the response judges and audiences had to her performances. "Idol was the stepping-stone that persuaded me to believe in myself as an artist and performer, and it confirmed that I had the talent to make music my ultimate focus," Johnsen reflects. "Being surrounded by so many other gifted and passionate musicians ignited a fire in me to carry out my dream as a singer/songwriter that I hadn't thought I was capable of before." Over the course of the last three years, Johnsen has written and recorded over 100 songs. With the help of Portland-based producer, Rob Daiker (Katy Perry, The Fame Riot, Christian Burghardt), the two began a collaborative process of selecting the ones that would best represent Johnsen's range and songwriting abilities. "The songs are mostly about the extremes in life that I was faced with - sort of like a scrapbook of what I was going through: leaving Hollywood to come back home to Oregon; figuring out what I wanted my life to look like; and finding my own authenticity as a songwriter. My best songs are the blatantly honest ones. Sometimes my lyrics are things that I wanted to say to someone, but couldn't find the words in the moment. Later those words show up perfectly as the chorus to a song. Other times, I was just trying to work out a problem or express to myself a sense of acceptance of whatever I was going through. They are cathartic that way," Johnsen revealed. Johnsen's influences range from the eccentricities of bands like Radiohead and Pink Floyd; to classic, folk and indie-rock vocalists such as of Eva Cassidy, Nicole Atkins, Florence Welch and Brandi Carlile - all artists with a flair for the dramatic in their delivery. "From a melodic standpoint, I have a hard time writing songs that don't build to an epic moment. As a naturally a loud singer, it is really fun for me to play with intricate melodies that reach a point where I can just belt it out with a big lunged chorus, taking the song in a direction the listener wouldn't expect it to go. I visualize my songs in a linear way when I write them, but imagine the places where the song needs to rest, climb, and then soar - sort of like a journey to a destination." The final result of Johnsen and Daiker's collaboration is a seven song EP Through the Blue written by Johnsen, arranged and produced by Daiker and recorded with guest instrumentalists including drummer Joe Mengis (Priory, Climber, Casey Neill and the Norway Rats). It serves as a personal reflection upon this season in Johnsen's life - the transitions she faced, the relationships that were impacted, and the lessons that came from her experiences. "What I have discovered in writing these songs is that there is peace in struggle. As I grow, I am learning to accept the ambiguity of life."Soundcloud:https://soundcloud.com/haley-johnsen/sets/through-the-blue/s-7lFRFFacebook:https://www.facebook.com/HJohnsenAI11/info Cedar Teeth Rustic roots rock Cedar Teeth didn't plan to start a band around the campfires that lit up their Oregon youths in the forests of the Cascade foothills that form a clear-cut divide between Portland and the surrounding wilderness. The genre bending roots troupe owe their inception to bassist Rayson Gordon, who forged a musical link between friends and provided their secret headquarters: a cedar shed on his grandparents' 40 acre forestland on Green Mountain Road. In their new practice space, campfire tunes turned into intricate songwriting and friendships became a partnership. Following their 2014 debut album, Hoot, Cedar Teeth built their reputation on stage, whether at festivals like Summer Meltdown and Wildwood, or at clubs throughout the Pacific NW, where they have joined bands like Fruition, Shook Twins, Motopony, Hot Buttered Rum, and Magic Giant. On their 2017 EP, Farewell To Green Mountain, Cedar Teeth explore everything from indie rock and grunge to psych folk and bluegrass, reflecting the diversity inspired by their lives on the dividing line of societal opposites. Produced by Larry Crane (Elliot Smith, The Decemberists), the EP leans heavily on backwood harmony, allowing complex song structures and off-kilter melodies to support tales of love and war and the moments in between. In one sense, Farewell to Green Mountain is a goodbye to both their formative practice space and the vanishing wilderness and community they knew growing up; a sense of loss that makes its way into songs such as "Cancer" and "Mama's Mourning". But then again, a voice of defiance emerges in songs like "Winter" and "Echoes Grounding", testaments to renewal and resilience in the face of the dying light. While their range of sonic interests and influences defy easy classification, it is difficult not to hear Levon Helm, Rick Danko and company, The Band, hollering from the grave. Indeed, imagery reflecting organic flesh and bone, mingling with gnarled old-growth roots music, is what this band is all about. Call 'em whatever you like: they are harmonizers and collaborators and Cedar Teeth won't let the fire go out.Website:http://www.cedarteethband.comFacebook:http://www.facebook.com/cedarteethbandTwitter:https://twitter.com/CedarTeethBandInstagram:https://www.instagram.com/cedarteethband/ Maita singer/songwriter MAITA (Maria Maita-Keppeler) is a Portland songwriter, visual artist, and creative writer. She is currently working on her debut EP with Matthew Zeltzer (The American West) and John Askew (Neko Case, Lost Lander, Richmond Fontaine).Website:https://maita.bandcamp.com/releases Glitterfox Indie Folk After taking home the grand prize win at Buskerfest (Long Beach's largest and longest-running battle-of-the-bands competition) and being named "Best Folk Act" by the OC Weekly, the on-stage bandmates and off-stage girlfriends of Glitterfox (formerly Bearcoon) made a bold decision: to sell 95% of their possessions, quit their jobs, give up their apartment, and begin touring the country full-time. The duo spent the next two years living in their Chevy G20 van, touring the country full-time, and making appearances at some of Southern California's most noteworthy festivals - Joshua Tree Music Festival, Music Tastes Good, and multiple appearances at the Long Beach Folk Revival Festival. Glitterfox has released two studio albums, the first of which, El Guapo, reached the #1 spot on amazon.com's "Hot New Releases" list and would later go on to be voted "Long Beach Album of the Year." Summed up best by Live Rock Gig: "El Guapo is a collection of poetic lyrics combined with spellbinding harmonies... a profoundly heartfelt collection of recordings." Glitterfox is currently finishing up their third studio album with plans to release in September 2019. Website:https://www.glitterfox.orgYoutube:https://youtu.be/yi5XnYYs-GE Nick Delffs Nick Delffs (formerly Death Songs, The Shaky Hands) is creating a divine fusion between Townes Van Zandt and James Brown by means of his own mighty, highly original soul. There is that deep love and physicality of rhythm and syncopation married to the studied lyricism of folk. It is a potent combo -- a truly alchemical vision that deserves the world's utmost attention. Nick Delffs is a seeker. He'd never identify himself that way. He's unassuming and self-effacing, careful to discuss song meanings and biographical details without indulgence or melodrama. Delffs cut his teeth playing basement shows in Portland a dozen years ago, just before that city's cover was irreversibly blown. It was a time when being musically ambitious meant impressing other local musicians. You were a joke, in that world, if you proclaimed yourself an artist or promoted your band with any zeal. So Delffs would probably find "seeker" a rather grandiose title. But Nick Delffs is, in fact, a seeker. He's an old-school rustler of the human condition; a tireless navigator of social and spiritual landscapes; a genuinely curious and wide-eyed, mankind-enthusiast. Soon after meeting him, one gets the impression that Delffs could be dropped in some far corner of the Earth and he'd not only survive, but he'd make a lot of friends-maybe even start a new band. In both casual conversation and his songwriting, Delffs gravitates to the universal. That's his search. His life's work is in the identification and removal of our shared illusions. And that is, largely, what Delffs writes songs about. Songs come to him when he's "feeling detached from the world but totally in love with it at the same time," he says. "Mostly they come when I am patient and I don't need them or care about them too much." They happen to be pretty catchy songs. Delffs first emerged in 2003 as the frontman for the seminal Portland band The Shaky Hands, known for their jangly, pulsing and introspective songs and their high-energy live shows. The band would sign to the venerable Kill Rock Stars imprint and tour internationally with bands like The Shins and Meat Puppets. The Shaky Hands went on hiatus in 2011, and the changes came fast and furious for Delffs. He released a stripped-down, self-titled EP as Death Songs. He became a father. He relocated to Idaho. He took odd jobs and worked as a landscaper. All the while, he was strengthening his musical chops by collaborating with artists like Luz Elena Mendoza (Y La Bamba) and Ali Clarys-both of whom play important roles on his new LP, Redesign. Living in Boise, Delffs remained a beloved figure throughout the Northwest-traveling often and moonlighting in friends' touring bands. Slowly, through collaboration and time off, the pressure of being a full-time songwriter subsided and a thrilling new confidence emerged in Delffs' own work. "I like to disassociate myself with being a songwriter," he says. "I like to forget I even do it. In the past that would have freaked me out, but I have a healthier relationship with my songs now. It's less codependent." Redesign is the first full-length album Delffs has ever released under his own name. He first shed the Death Songs moniker in 2015, when he unceremoniously dropped a four-track EP of fantastic story-songs simply titled Home Recordings, and last year Mama Bird released Delffs' reworking of the traditional English Christmas carol, "As I Sat on a Sunny Bank". But Redesign is a self-contained universe of songs that play with themes that, on the surface, seem at odds with one another: longing for nature ("Somewhere Wild", an ode to off-the-grid living) and learning to take responsibility ("Song for Aja", a sweet and percussive tune about Delffs' now six-year-old son that recalls Cat Stevens and Paul Simon). Musically, these themes are stitched together by the album's warm, organic production and Delffs' playing-he's behind every instrument on the record-but Delffs also connects those seemingly disparate dots under the heading of Redesign. Heading into wilderness provides the insight for dealing with life's heaviness; the responsibility of being a parent is also an opportunity for endless imaginative self-exploration. The title track "Redesign" was written during a rafting trip in Eastern Oregon. "I couldn't go for the full three days, so I went for one day and hiked back to my car alone," Delffs says. "It took maybe nine hours, and I had no shoes, and there were rattlesnakes. I took naps, I sang in caves. I felt like I let a lot of things go on that walk." A redesign means "to change out the parts of yourself that don't work, or don't serve anyone," Delffs explains. "And if you are changing and growing, your relationships have to as well. It seems like redesigning our relationship with the world-and staying open to change and curious about the future-is more important now than ever." This is what you can depend on from Nick Delffs. In a world of noise and madness, he will use his music to try and scratch at something human and real. Something helpful. Nick Delffs is a seeker. He shares his discoveries. Redesign is his greatest gift yet. Redesign will be released on July 21st from Mama Bird Recording Co. Facebook:https://www.facebook.com/nickdelffs/ Ben Larsen singer/songwriter Ben Larsen is a long time resident of Portland, OR where he began his music career thirteen years ago. A singer-songwriter, and multi instrumentalist, Larsen has been busy developing and producing his solo project. His new, self produced album Turn, was developed with the support of many mainstays of the Portland music scene. With roots in acoustic music, Turn grew into a multi genre project creating both an honest and humbling space for Larsen to expand his musical palette. Sounds on the project range from a full string quartet and horn section, to Larsen alone in front of one mic with a guitar. Always on the search for a deeper and more genuine understanding and connection to music and listeners, Larsen is constantly expanding and examining his role as an musician, artist and creator. Look for the new record out everywhere on November 27th Website:http://benlarsenmusic.com/Facebook:https://www.facebook.com/benlarsenmusic/timeline Jacob Miller A Wisconsin native, Jacob Miller left his hometown for Portland, OR the summer of 2009 via Amtrak; bringing with him only a suitcase and a Fender Jaguar guitar. After one year in the city - he left to travel North America to study and perform music while working on farms and ranches between travels. Time spent as a farm hand in the Blue Ridge Mountains of North Carolina shaped his devotion to the finger-picking style of the region. Playing along with old recordings and locals in the surrounding areas of Appalachia, Miller delved into the inner workings of the music's practice and history.After 7+ years of leading a 6-piece jazz band, performing both throughout North America and internationally - Miller now focuses his efforts on a different kind of songwriting and storytelling.With an affinity for minimalist pop and firm roots planted in American traditional music, Jacob Miller crafts a timeless sound unique to his style and abilities.In 2019, Jacob will release and tour a debut album which displays his abilities as a performer, writer and composer. Recorded and performed entirely by Miller in a SE Portland living room turned studio - songs and ideas come together to form an album that is hard, honest and heartfelt. Tara Velarde Diva Folk Diva Folk artist Tara Velarde combines commanding vocals and thought-provoking lyrics into a genre distinctly her own. Part soul, part singer-songwriter, part blues-rock, and with a splash of the theater, Velarde takes the stage with charm, sass, and a quest to find the far reaches of her vocal abilities. Listeners liken her performance to Adele, Brandi Carlile, and Carole King - great female powerhouses with a lot to say. Glide Magazine says: "While rooted in folk and pop, the [new] album finds Tara tapping into a more soulful sound, which suits her well as she definitely has the vocal chops. It also displays a young artist with a soaring sense of confidence who isn't afraid to step outside her musical comfort zone and take risks for the sake of the song." With the recent release of "Rise" (EP, 2019) following her freshman “Get Out and Walk” (LP, 2016), Velarde stays active on the road and in the studio. She tours both solo and with her full band throughout the Western US, and in 2018 made her European debut with a 3 week tour of Italy. VIDEOS: "Feel Like a Human" Live (2018) "Touch You" Live (2018) "Such an Island" Live (2017) PRESS “Tara Velarde embodies that elusive combination of swagger and sensitivity. She writes songs with a sharp sense of poetics and vulnerability, and then steps up to the mic to her deliver words and vocal melodies with powerhouse pipes.” — Screams MediaWebsite:http://taravelardemusic.comFacebook:http://facebook.com/taravelardemusicYouTube:http://youtube.com/taravelarde Upcoming Events Similar Events Upcoming Events at Crystal Ballroom Issues Monday, November 18 Crystal Ballroom Sleater-Kinney Tuesday, November 19 Crystal Ballroom Sleater-Kinney Wednesday, November 20 Crystal Ballroom Petty Theft - San Francisco Tribute to Tom Petty and the Heartbreakers Friday, November 22 Crystal Ballroom Nahko And Medicine For The People Saturday, November 23 Crystal Ballroom Nahko And Medicine For The People Sunday, November 24 Crystal Ballroom Shpongle Friday, November 29 Crystal Ballroom Kikagaku Moyo Saturday, November 30 Crystal Ballroom Similar Events at Crystal Ballroom Issues Monday, November 18 Crystal Ballroom Sleater-Kinney Tuesday, November 19 Crystal Ballroom Sleater-Kinney Wednesday, November 20 Crystal Ballroom Petty Theft - San Francisco Tribute to Tom Petty and the Heartbreakers Friday, November 22 Crystal Ballroom Nahko And Medicine For The People Saturday, November 23 Crystal Ballroom Nahko And Medicine For The People Sunday, November 24 Crystal Ballroom Shpongle Friday, November 29 Crystal Ballroom Kikagaku Moyo Saturday, November 30 Crystal Ballroom Issues Monday, November 18 5:30 pm doors, 6:30 pm show All ages welcome at Crystal Ballroom Sleater-Kinney Tuesday, November 19 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Sleater-Kinney Wednesday, November 20 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Petty Theft - San Francisco Tribute to Tom Petty and the Heartbreakers Friday, November 22 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom Nahko And Medicine For The People SoldOut Saturday, November 23 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Nahko And Medicine For The People Sunday, November 24 5:30 pm doors, 7 pm show All ages welcome at Crystal Ballroom Living Prism Presents Shpongle Friday, November 29 8 pm doors, 8:15 pm show 21 and over at Crystal Ballroom Monqui Presents Kikagaku Moyo Saturday, November 30 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Breakfast with Santa Sunday, December 1 8:30 am All ages welcome at Crystal Ballroom Breakfast with Santa Sunday, December 1 11 am All ages welcome at Crystal Ballroom Spoon Wednesday, December 4 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom The Raconteurs Thursday, December 5 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Vampire Weekend Unplugged: A rare 60 minute acoustic set Friday, December 6 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom The Dandy Warhols Saturday, December 7 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Catfish and the Bottlemen Monday, December 9 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Phantogram Tuesday, December 10 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Of Monsters and Men Wednesday, December 11 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom The Head and the Heart Thursday, December 12 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Rock and Roll Playhouse plays Music of Phish for Kids Holiday Celebration Saturday, December 14 11:00 am doors, 11:30 am show All ages welcome at Crystal Ballroom Silversun Pickups Saturday, December 14 7:30 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Local Natives Monday, December 16 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom J-Fell Presents Stone In Love - Journey Tribute Saturday, December 28 7 pm doors, 8 pm show 21 and over at Crystal Ballroom The Polish Ambassador"2020 : A Space Oddity" Tuesday, December 31 7:30 pm doors, 9 pm show 21 and over at Crystal Ballroom Elizabeth Mollo Presents The BIGGEST Clothing Swap in the NW Sunday, January 5 12 pm doors All ages welcome at Crystal Ballroom Portland's Folk FestivalAnna Tivel Friday, January 10 5 p.m. doors, 6 p.m. show All ages welcome at Crystal Ballroom Portland's Folk FestivalHorse Feathers Saturday, January 11 5 p.m. doors, 6 p.m. show All ages welcome at Crystal Ballroom The Rock and Roll Playhouse plays Music of The Beatles for Kids Sunday, January 12 11:00 am doors, 11:30 am show All ages welcome at Crystal Ballroom Monqui Presents Cold War Kids Thursday, January 16 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom The Infamous Stringdusters Friday, January 17 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Crystal Ballroom's 106th Birthday Free-For-All Sunday, January 26 1:30 pm doors All ages welcome at Crystal Ballroom Monqui Presents Wolf Parade Monday, January 27 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom True West Presents Mike Gordon Friday, January 31 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Saturday, February 1 7:30 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Queensrÿche Tuesday, February 4 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom An evening with Sinead O'Connor SoldOut Wednesday, February 5 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Live Nation & FPC Live Present The Marcus King Band Saturday, February 8 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Monqui Presents Violent Femmes Tuesday, February 11 7 pm doors, 8:30 pm show 21 and over at Crystal Ballroom Monqui Presents Dashboard Confessional: 20 Year Celebration Wednesday, February 19 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Mike Thrasher Presents Raphael Saadiq Thursday, February 27 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Friday, February 28 6 pm doors, 7:30 pm show All ages welcome at Crystal Ballroom Showbox Presents Marc E. Bassy - PMD Tour Friday, March 6 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Hayley Kiyoko Tuesday, March 10 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom A Bowie Celebration: Bowie Alumni Play Diamond Dogs & Ziggy Stardust Wednesday, March 11 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom True West Presents The Wood Brothers Thursday, March 12 7:30 pm doors, 9 pm show 21 and over at Crystal Ballroom Grace Potter Friday, March 13 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Chelsea Cutler Tuesday, March 17 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Galactic Saturday, March 21 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom Bikini Kill SoldOut Sunday, March 22 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Bikini Kill SoldOut Monday, March 23 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Allen Stone Saturday, March 28 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Fleshgod Apocalypse featuring the Veleno Quartet Thursday, April 2 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox presents Jacob Collier Thursday, April 16 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Monqui Presents Mura Masa Wednesday, April 22 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Showbox presents Dance Gavin Dance Thursday, April 23 5:30 pm doors, 6:30 pm show All ages welcome at Crystal Ballroom Live Nation Presents James Arthur Tuesday, May 12 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Circa Survive Tuesday, May 19 6 pm doors, 7:30 pm show All ages welcome at Crystal Ballroom The Shakti Journal presents the 2020 edition of Shakti Speak Easy (taking place in 2020) Thursday, August 20 4:30 p.m. doors, 5 p.m. VIP Dinner, 7 p.m. General Admission All ages welcome at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $900 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 6 p.m. The box office is open later on nights when there is a performance. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Contact our sales team to inquire or book your event. Get Started Here Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.