836 N. Russell St. / Portland, OR, 97227
Sunday, June 24, 2018
White Eagle Saloon & Hotel - White Eagle Saloon
$10 in advance, $12 day of show
21 and over
7 p.m.$10 in advance, $12 day of show21 and over
Luke Winslow-King is a New Orleans-based guitarist, singer, composer, producer, and songwriter. His work is an eclectic mix that combines Mississippi delta blues, folk music, traditional jazz, and roots rock & roll. His alchemical songs blend contemporary ideas with styles from bygone eras producing a sound that is rusticand urbane, elegant and entirely his own. It is a sound that looks to the past to move to the future. This along with his burgundy voice, dapper attire and versatile guitar playing have earned him a reputation as a musician who delivers soulfully energetic and dynamic performances.
Originally from the northern Michigan town of Cadillac, LWK began studying and performing music at a young age. He started performing weekly in a local bar band at 14, formed The Winslow-King Blues Band at 16 and earned a diploma from the renowned Interlochen Arts Academy, where he majored in jazz guitar.
He first came to Louisiana at age 19 and ended up staying there almost by chance; after only a few days in town, his car - filled to the brim with a band's worth of instruments - was stolen while parked overnight on Ursulines Street in the Tremé. During the weeks spent trying to recover his vehicle and instruments LWK fell in love with the city that he now calls home.
After recording his first self-titled debut album in 2007, he continued paying his dues, busking on Royal Street during the day and working in the clubs on Frenchman Street at night.
In 2008, LWK recorded ‘Old New Baby' mostly live at Preservation Hall in New Orleans. He learned gospel and jazz standards accompanying John Boutté, picked up bottleneck slide guitar watching blues maestro Roberto Luti, performed in John Sinclair's Blues Scholars, and immersed himself in the trad. jazz songbook while playing with Ben Polcer and The Loose Marbles Jazz Band. During this time he was also a member Meschiya Lake's Little Big Horns and is featured on her album Lucky Devil.
This non-stop woodshedding helped Winslow-King hone his sound and become a leader among the vibrant scene of young traditionalists in New Orleans. After performing years of weekly gigs on Frenchmen Street, he now consistently tours the United States, Europe, Canada and Australia. In 2015, he was named "Best Blues Performer" in Gambit Magazine's Best of New Orleans.
He joined the Bloodshot Records roster in 2013 with the release of The Coming Tide, and followed with 2014's Everlasting Arms and 2016's I'm Glad Trouble Don't Last Always.
Luke was married to his long time music partner Esther Rose King in December 2013, the couple divorced in October of 2015.
Super excellent trivia: LWK worked as an extra in Bill Murray's Groundhog Day as a child. Can you spot him?
Like the steady pendulum of a land oil rig, Americana songwriter Kory Quinn has tapped inspiration-and greater purpose-with his new EP, Black Gold Blues. Sharp and critical, Black Gold Blues swings between misery and pride of the working class. He explores the complex relationships inherent in the immorality of modern capitalism and the individual purpose found in the work. With uncanny awareness he understands the exact point where two disparate paradigms collide.
Black Gold Blues bobs between the melancholy and the irrepressibility of humanity in the face of widespread corruption and exploitation, and the greater implications of society's current reliance on oil and fossil fuels, corrupt political leaders, and fear. But even as it tackles such heaviness, it's music is boisterous and driving, a perfect rallying call for humanity from the heart of a working man
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