Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Tuesday, October 24, 2017 Monqui presents Broken Social SceneHug of Thunder TourBelle Game 7 p.m. doors, 8 p.m. show $31 advance, $33 day of show All ages welcome Add to Calendar Broken Social Scene "I don't want to go out there being presumptuous," Kevin Drew says, "because, I've worn those presumptuous shoes before, and you don't want it to feel like, 'Oh, what a let-down.'" That's the fear when you bring back one of music's most beloved names seven years after their last album. But with Hug of Thunder, the fifth Broken Social Scene album, Drew and his bandmates have a right to feel presumptuous. They have that right because they have created one of 2017's most sparkling, multi-faceted albums. On Hug of Thunder the 15 members of Broken Social Scene - well, the 15 who play on the record, including returnees Leslie Feist and Emily Haines - refract their varying emotions, methods and techniques into something that doesn't just equal their other albums, but surpasses them. It is righteous but warm, angry but loving, melodic but uncompromising. The title track on its own might just be the best thing you will hear all year - a song that will become as beloved as "Anthems For a Seventeen-Year-Old Girl" from their breakthrough album, You Forgot It In People. Its title, Drew says, captured what he wanted people to feel about the group's comeback, and how they sound playing together again: "It's just such a wonderful sentiment about us, coming in like a hug of thunder." Broken Social Scene had reconvened, in varying forms, several times over the past four years - the odd festival show here and there, preferably ones that involved the least possible travelling. But the idea that they might turn their hand to something more than greatest-hits sets had been stirring since November 2014, when producer Joe Chiccarelli told Drew the group needed to make a new album. "He started showing up at our label, asking if we were going to make an album," Drew recalls. "He just didn't give up; he just kept saying, 'You've got to strike, you've got to do this, the time is now,' and so finally we agreed." As might be expected to be the case with a many-headed hydra of a group, getting all the principals to agree wasn't easy. Drew's co-founder Brendan Canning was keen, but Drew and fellow BSS lifer Charles Spearin took more persuading. A turning point for Drew came with the Paris terror attacks of November 2015, which made him feel the world needed an injection of positivity: "It just sort of made us want to go out there and play. Because I think we've always been a band that's been a celebration." Canning picks up the story: "By autumn of 2015 we had started getting together and trying some ideas out, just getting back in that jam space, in Charles' garage. Then we set up shop in my living room and we were starting to come together in a very familiar kind of way, jamming in the living room, eating meals in the kitchen together, because that's what the band is about: 'Hey, let's all get on the same page and get the energies flowing in the same direction.'" Recording finally began in April 2016 at The Bathouse studio on the shores of Lake Ontario, with later sessions in Toronto and Montreal, before the group went right back to basics. "It was very beautiful the way that it ended in Charlie's little rehearsal garage space," Drew says, "after going to all these studios. We just worked there, doing back-up vocals and handclaps and all the shit we used to do when we were younger." And then it was to Los Angeles, where the album was mixed. The result is a panoramic, expansive album, 53 minutes that manages to be both epic and intimate. In troubled times it offers a serotonin rush of positivity: "Stay Happy" lives up to its title, with huge surges of brass that sound like sunshine bursting through clouds. "Gonna Get Better" makes a promise that the album is determined to deliver. That's not to say it's an escapist record: Broken Social Scene are completely engaged, wholly focussed, and not ignoring the darkness that lurks outside. But there is no hectoring, no lecturing, but a recognition of the confusion and ambiguity of the world. As the title track closes with Leslie Feist murmuring "There was a military base across the street," the listener is caught in the division between the notional security provided by national defence, and the menace of the same thing. The gestation of Hug of Thunder was no idyll. When You Forgot It in People made their name, Broken Social Scene were young men and women. Fifteen years on, they were adults in or on the cusp of middle age, and - as Drew puts it - "all the adult problems in the world were happening around us individually, whether it was divorce or cancer". Three members of the band lost their fathers while the album was being recorded, "and it seemed like the days of going in the studio, getting stoned, drinking five beers and saying, 'Who gives a fuck?' were over". Then there's the fact of the size of the ensemble, and the number of competing voices. "You don't always get the final say with Broken Social Scene," Canning says, with a certain degree of understatement. He compares the process of getting everyone to agree on a song to party politics: "It's like you're trying to get a bill passed through the House - you have to be really committed to wanting to win." But, still, if they were to return, it had to be with everybody, no matter if that meant things might get unwieldy. "I'd like to believe that Broken Social Scene can be whatever it can be," Canning says, "but I think the fact we'd gone away for so long meant we really, we really couldn't have done the same thing without everyone involved, you know?" The story of Broken Social Scene, he insists, was built on the involvement of everyone, and so if the story was to be continued, those same people had to return. "The thing that has changed is that the relationships between us are established," Drew suggests. "And in a family, you ebb and flow and you come and you go and you're in love and then you're annoyed - but it's established now, the relationships aren't going anywhere, you know? And I think through time, because we've been through so much together, personally and professionally, when we're all on stage, everybody knows what they're doing, everybody has a melody to back up someone else, you feel supported, you're a crew, there's nothing but protection all around you." Canning picks up the theme: "Before we were making this record, I said to everyone: 'We all basically want the same thing, we might just have slightly different road-maps on how to get there. So how do we stray off on certain country roads but get back onto the main thoroughfare?'" That Broken Social Scene were a family again, driving along the same main road, became apparent to UK fans in September 2016, when the group - with Ariel Engle the latest woman to assume the role of co-lead vocalist - came over for less than a handful of festival shows, to test the waters. Their Sunday teatime appearance at End Of The Road - an ecstatic hour of maximalist music, physically and emotionally overwhelming - ended up being one of the biggest hits of the festival. It achieved what Drew has always felt music needed to do: it created transcendence, a pocket of time where everyone present was living only in the moment. "My 11 year old nephew asked me, 'Uncle Kev, why do adults get drunk?' and I looked at him and thought, 'OK, brilliant question, I'm going to give a brilliant answer,'" Drew recalls. "And I looked at him for about 10 seconds and I said, 'Because they want to feel like you. Because they want to feel like a kid again, they want to forget everything, they want to be innocent.' We are built in a way now where you can't do that, because you're walking around with the anti-transcendence box in your pocket, and in your hand, and in your home, and on your bedside table: it's the anti-transcendence. It's called your phone! And we're getting killed, we're getting killed!" So what do Broken Social Scene want listeners to take from Hug of Thunder? Canning wants it to make them "pause for the cause and maybe just leave things in your life alone for 53 minutes". For Drew, it's about what it's always been about: making the connection. "I just hope they understand that there's others out there, that they're not alone," he says. "I know that's silly! But you'd be surprised how many times I've had to tell people, 'Hey, you're not alone on this, you're not alone thinking these things.' I mean, with the title Hug of Thunder, I want to hold people. I want to fucking hold them. And when we do shows, I'm not: 'Look at me, I'm elevated up on the stage,' It's: 'We're here with you, this is us together.' Broken Social Scene is about the people, and it's always been about the people."Twitter:https://twitter.com/bssmusicFacebook:https://www.facebook.com/brokensocialsceneWebsite:http://www.brokensocialscene.ca/Instagram:https://www.instagram.com/brokensocialscene/ Belle Game Vancouver's Belle Game return with their sophomore record, Fear/Nothing. Produced by Kevin Drew (Broken Social Scene) and David Hamelin (The Stills), Fear/Nothing yields 10 spacious tracks, balancing the lavender glaze of dream pop with reverberating feedback and pop-star massive choruses. Over 3 years writing and recording in apartments, studios, derelict houses between Vancouver, Toronto and Montreal, the band discovered an entirely new sound which they describe as "crush pop". The mood of Fear/Nothing, due September 8 through Arts & Crafts, is malleable - with moments of triumph meeting feelings of doubt. One moment buckling under pressure or existential confusion and the next you feel yourself soaring through the clouds with Andrea Lo's expansive vocals. A songwriting residency at the Banff Centre in 2014 was meant to yield a follow-up to the band's acclaimed debut Ritual Tradition Habit. However, once they got going, the sessions proved less about the traditional music industry "follow-ups" and more about the creative process of layering textures, experimenting with sounds, improvising and discovering a new voice. Inspired by this move away from logic, they decided to scrap previous sessions and guitarist Adam Nanji, vocalist Andrea Lo, keyboardist Katrina Jones and then-guitarist Alex Andrew opted to rebuild. Andrew sold his six-string electric guitar to sit down behind the drum kit/electronics. The rejuvenating songwriting periods that followed at a run-down house in Vancouver saw them relearning what they loved most about their band: each other. Picture the dark nights, the low lights, echo pedals, electronic gear scattered everywhere. No song written without every band member present. This ultimately led to the breakthrough that shaped the sounds and themes for Fear/Nothing. Singer Andrea Lo summing up of the post-Banff transformation, "It was a really exceptional, amazing experience in the sense that it helped us move from logic to a feeling." Nanji explains of re-contextualizing Belle Game, "It was a weird thing because it was about growing, but also returning to the original intent of four friends in a room making songs together." Motivated by both this atmosphere and a desire to strengthen her voice, Lo's vibrato lands more assertively than before, becoming a powerhouse weapon for Belle Game that Lo emits with ease. The album's first single "Spirit" sparkles with phosphorescent washes of keyboard and Lo's lyrical reflections on growing wiser -- not to mention guest vocals from co-producer Drew. Lo's newfound control over her voice also gave her more confidence to open up on Fear/Nothing. While older material had her exploring familial bonds and patterns, Fear/Nothing see's Lo plunge into visceral first-person vulnerability. She hints that "Low" is the pain-and-pleasure anthem sung from the perspective of "a glutton for self-deprecation and personal abhorrence." On the flip, "Bring Me" is the four-on-the-floor pop-pummel has her tapping into the side of herself that wants "to take life on as a dare." "A theme that's constantly touched upon, in a very broad and universal sense, is the nature of duality in life, and how these things all somehow, maddeningly so, coexist with each other," Lo reveals of her range of emotion on the LP. "It fucks with your head, that's the way life goes. " "It's not some message of 'everything's great,' or 'everything's terrible,'" Jones reiterates, "it's about co-existing with all those parts of yourself, and still moving on in the face of what might hold you back. It's just about continuing to move forward, and living with all the aspects of yourself." Upcoming Events Similar Events Upcoming Events at Crystal Ballroom Excision Monday, January 22 Crystal Ballroom Excision Tuesday, January 23 Crystal Ballroom Josh Ritter & The Royal City Band Wednesday, January 24 Crystal Ballroom Meshuggah Thursday, January 25 Crystal Ballroom 80s Weekend Night #1: 80s Video Dance Attack Friday, January 26 Crystal Ballroom 80s Weekend Night #2: 80s Tribute Bands Saturday, January 27 Crystal Ballroom Crystal Ballroom's Birthday Free-For-All Sunday, January 28 Crystal Ballroom Phil Lesh & The Terrapin Family Band Friday, February 2 Crystal Ballroom Similar Events at Crystal Ballroom Excision Monday, January 22 Crystal Ballroom Excision Tuesday, January 23 Crystal Ballroom Josh Ritter & The Royal City Band Wednesday, January 24 Crystal Ballroom Meshuggah Thursday, January 25 Crystal Ballroom 80s Weekend Night #1: 80s Video Dance Attack Friday, January 26 Crystal Ballroom 80s Weekend Night #2: 80s Tribute Bands Saturday, January 27 Crystal Ballroom Crystal Ballroom's Birthday Free-For-All Sunday, January 28 Crystal Ballroom Phil Lesh & The Terrapin Family Band Friday, February 2 Crystal Ballroom Showbox Presents Excision Monday, January 22 6:30 p.m. Doors, 8 p.m. Show 18 and over at Crystal Ballroom Showbox Presents Excision Tuesday, January 23 6:30 p.m. Doors, 8 p.m. Show 18 and over at Crystal Ballroom True West present Josh Ritter & The Royal City Band Wednesday, January 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Live Nation and McMenamins present Meshuggah Thursday, January 25 6 p.m. Doors, 7:30 p.m. Show All ages welcome at Crystal Ballroom Video Dance Attack and J-Fell 80s Weekend Night #1: 80s Video Dance Attack Friday, January 26 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom J-Fell Presents and 80s Video Dance Attack 80s Weekend Night #2: 80s Tribute Bands Saturday, January 27 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Crystal Ballroom's Birthday Free-For-All Sunday, January 28 2 p.m. doors All ages welcome (Al's Den is 21+) at Crystal Ballroom Phil Lesh & The Terrapin Family Band SoldOut Friday, February 2 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Phil Lesh & The Terrapin Family Band SoldOut Saturday, February 3 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Friday, February 9 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Monqui Presents Dan Auerbach and the Easy Eye Sound Revue Sunday, February 11 7 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom Monqui Presents Walk The Moon Monday, February 12 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Presents Walk The Moon Tuesday, February 13 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Abstract Earth Project Presents Lotus Thursday, February 15 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom McMenamins, Portland Mercury, do503 and XRAY-FM present "Sabertooth Micro Fest" Friday, February 16 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom McMenamins, Portland Mercury, do503 and XRAY-FM present "Sabertooth Micro Fest" Saturday, February 17 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom McMenamins, Portland Mercury, do503 and XRAY-FM present "Sabertooth Micro Fest" Sunday, February 18 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom Elizabeth Mollo Productions Presents "Fade To Light" - A Multidimensional Fashion Event Wednesday, February 21 6:30 p.m. doors, 8 p.m. show All ages welcome, Bar with ID at Crystal Ballroom Mat Kearney Thursday, February 22 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Typhoon Friday, February 23 7:30 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom True West Presents The Wood Brothers Thursday, March 1 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Live Nation BROCKHAMPTON Friday, March 2 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom MarchFourth Family Matinee Saturday, March 3 2 p.m. doors, 3 p.m. show All ages welcome at Crystal Ballroom MarchFourth Saturday, March 3 7 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom MarchFourth 15th Anniversary Spectacular Sunday, March 4 7 p.m. doors, 8:30 p.m. show 21 and over at Crystal Ballroom Showbox Walk Off the Earth Tuesday, March 6 6:30 p.m. Doors, 8 p.m. Show All ages welcome at Crystal Ballroom They Might Be Giants Thursday, March 8 7:30 p.m. doors, 9 p.m. show 14+ at Crystal Ballroom Monqui Presents The Infamous Stringdusters Friday, March 9 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Mike Thrasher Presents AWOLNATION Saturday, March 10 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Mike Thrasher Presents AWOLNATION Sunday, March 11 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Why Don't We Wednesday, March 14 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom Yonder Mountain String Band Thursday, March 15 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Friday, March 16 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Saturday, March 17 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Happy 32nd Birthday, Ruby! Wednesday, March 21 All day All ages welcome | 21 and over to drink at All Locations Galactic Saturday, March 24 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Monqui Presents Clean Bandit Wednesday, March 28 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Abstract Earth Project Presents Emancipator Ensemble Saturday, March 31 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox presents The Darkness Monday, April 2 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom An evening with Amanda Palmer Saturday, April 7 6:30 p.m. Doors, 8 p.m. Show All ages welcome at Crystal Ballroom Monqui Presents The Breeders Tuesday, April 10 6 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom Monqui presents The Neighbourhood Wednesday, April 11 7 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom AEG PRESENTS Kelsea Ballerini Thursday, April 19 6:30 p.m. Doors, 7:30 p.m. Show All ages welcome at Crystal Ballroom Showbox Bishop Briggs Sunday, April 29 7 p.m. doors, 8:30 p.m show All ages welcome at Crystal Ballroom Emporium Presents An Evening with Steven Wilson Wednesday, May 9 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents As The Crow FliesFeaturing Chris Robinson, Marcus King, Audley Freed, Andy Hess, Adam McDougal, Tony Leone Sunday, May 13 6:30 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom True West Presents The Weepies Wednesday, May 16 6:30 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom EELS Friday, June 1 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom King Gizzard & the Lizard Wizard Monday, June 4 7:30 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom New Found Glory Tuesday, June 12 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom Sasha Scarlett Presents Portland Erotic Ball Saturday, October 27 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $850 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 8 p.m. The box office is open later on nights when there is a performance. Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.