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McMenamins Music

303 S.W. 12th Ave., Portland, OR 97205

Saturday, December 31, 2016

Tony Furtado

Stephanie Schneiderman

9 p.m.
Free
21 and over

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Tony Furtado

"Tony Furtado is a major musical force without a doubt. He has his black-belt in voice and bottleneck guitar and his banjo playing scares the crap out of me."
- David Lindley, musical adventurer

Very few musicians of any stripe so personify a musical genre as completely as Tony Furtado embodies Americana roots music. Tony is an evocative and soulful singer, a wide-ranging songwriter and a virtuoso multi-instrumentalist adept on banjo, cello-banjo, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef (he's also an accomplished sculptor, but that's another story). All of the music of America is in Tony's music. Relix hit the nail on the head when writing of Tony: "True talent doesn't need categories."

A native of Pleasanton, California, who now makes his home in Portland, Oregon, Tony Furtado took up the banjo at age 12, inspired by the Beverly Hillbillies TV show and a sixth grade music report. He first attracted national attention in 1987, when he won the National Bluegrass Banjo Championship in Winfield, Kansas. Not long after that, Tony opted for the life of a full-time professional musician, joining Laurie Lewis & Grant Street. A second victory at Winfield, in 1991, bookended his years with Grant Street.

In 1990, Tony signed a recording deal with Rounder Records, one of the country's preeminent independent record companies. Beginning with Swamped in 1990, he recorded six critically acclaimed albums for the label, collaborating with such master musicians as Alison Krauss, Jerry Douglas, Tim O'Brien, Stuart Duncan, Kelly Joe Phelps and Mike Marshall. During this period, Tony also performed and recorded with the band Sugarbeat and the Rounder Banjo Extravaganza with Tony Trischka and Tom Adams.

Beginning in the late 1990s-influenced by such musical heroes as Ry Cooder, David Lindley and Taj Mahal-Tony added slide guitar, singing and songwriting to his musical toolbox and began leading his own band. He is a tireless road musician who performs in a dizzying variety of formats: solo, in a duo or trio or with his full five-person band. He especially values the opportunities he has had to tour with such legendary musicians as Gregg Allman and with such esteemed slide guitarists as David Lindley, Derek Trucks and Sonny Landreth.

Tony has performed throughout the world at top venues and appeared at such prestigious music festivals as the Telluride Bluegrass Festival, High Sierra Music Festival, Jazz Aspen, Kerrville Folk Festival, Strawberry Music Festival, Winnipeg Folk Festival, Sisters Folk Festival, San Jose Jazz Festival and countless others. "I love playing live," he says. "All my energy is focused on the love of playing music and rolling with the moment. It's a give and take from the audience to the stage, and back. And the music that is created is something that otherwise might not occur without that flow."

Tony has recorded and produced almost a dozen CDs for various labels such as Dualtone, What Are Records and Funzalo Records. Tony enthusiastically describes his newest CD, The Bell, as "the most personal of my career." To be released this summer on his own YousayFurtado Records, The Bell is an important release for several reasons: it represents a return to Tony's banjo-playing roots, with the banjo and cello-banjo more prominent than in recent years; the original songs concern such weighty themes as the loss of his father, the birth of his son and his own creative rebirth with the move to a new record label and management team; his working band is featured; and, most important of all, this is the first album in a long time on which Tony had complete artistic control. It's his music, done his way.

( Jon Hartley Fox )

 

"A talented multi-instrumentalist, cross-pollinating rambler, and budding songwriter, Tony Furtado is an eclectic musician with a knack for mining musical gold from the American folk tradition while also incorporating the best of contemporary rock music." ~ Jambase

Furtado started playing the banjo at about 12 years of age; by the time he was 19, he had established himself as a gifted musician. As he solidified his chops and sound by playing constantly, he was also raking in top awards for his banjo playing.

But Tony started to feel constrained by his instrument as his musical sensibilities broadened. He wanted to write songs that had lyrics and also wanted to try his hand at singing them, so he applied his considerable prowess to mastering the guitar and writing and singing his own material. His last studio effort, 2004's These Chains, was the product of an established artist's conscious expansion of his boundaries, and truly a joy to behold.

His tours have included stints with the likes of Gregg Allman, Taj Mahal, Susan Tedeschi, Derek Trucks, Eric Johnson, String Cheese Incident and many others. Whether or not you've seen him live, you'll want to catch a performance as soon as you can. Furtado's passion is playing his music live and bringing it out there to the people. Accordingly, he's wooed music lovers and won fans all over kingdom come.

 

website:
http://www.tonyfurtado.com/

Stephanie Schneiderman

Stephanie Schneiderman

Trying to pin down Stephanie Schneiderman to any one genre, talent or discipline is next to impossible. One thing is clear however- whether pursuing her prolific work as a solo artist, as member of the all star roots pop act Dirty Martini, stepping on the stage in the musical The Full Monty or producing a wildly successful humanitarian concert series for refugees in Uganda, Stephanie Schneiderman is hands down one of most diversely talented artists the Northwest has to offer.

She follows up her 2011 ambient/trip-hop album, Rubber Teardrop, with an acoustic CD release, Live at the Old Church. It's a departure from her most recent work with electronic producer Keith Schreiner, with Schneiderman stripping away the layers, undressing her songs, and bringing them back to their organic nature.  Playing piano and guitar, her latest offering satisfies fans with the simplicity of showcasing her songs and voice in their naked and raw form.

Recorded live at The Old Church in downtown Portland on October 22nd, 2011the new release features tracks from Schneiderman's past two CD's, Rubber Teardrop and Dangerous Fruit, as well as a cut from her sophomore full-length, 2001's Unbelievably Broken, a track from her band, Dirty Martini's Tea and Revenge, and the John Prine cover "Paradise," featured as an audience sing-a-long.  The album features guest appearances from the 45th Parallel String Quartet, The Roxy Consort choir, Tony Furtado on baritone ukulele, as well as Hank Araki on low whistle.

"Live at The Old Church is more about the songs and my voice. It's also the first album I produced on my own, so I'm very proud of it," says Schneiderman. "I decided to include strings and a choir on this CD release show and return to my roots in chamber music. My newer songs were written to live in the world of trip-hop, so it's been fun to recreate them and record them in their original acoustic form."

Since her solo career began with a coveted spot in the 1999 Lilith Fair, Stephanie has earned extensive NW radio play, a devout following and multiple appearances with some the nations top touring acts- including Aimee Mann, Hall & Oates, Heart, Train, Pat Benatar, Chicago and more. It's been a busy year for Schneiderman. The June 2011 release of Rubber Teardrop was released on Dan Reed's UK-based label Zero One Entertainment and distributed in both Europe and the United States. She toured both countries following, and ended the tour with an intimate show at The Old Church, which was recorded for this most current release. 

With seven solo recordings under her belt - Stephanie Schneiderman (1999), Unbelievably Unbroken (2001), Fall Sessions EP (2001), Touch Down (2004), Live at Kung Fu Bakery (2005), Dangerous Fruit (2008), and Rubber Teardrop (2011) - plus two releases with her collaborative band, Dirty Martini, Dirty Martini (2004) and Tea and Revenge (2007), Schneiderman has seen her music placed in numerous films and Primetime TV shows, as well as toured the world. Her second live album gives fans the core essence of her songwriting, and delivers a spellbinding live performance that old and new fans will revere.

PREVIOUS PRESS FOR SCHNEIDERMAN:

 "Dangerous Fruit reveals a confident singer boasting a collection of torchy techno pop in the vein of Zero 7 or Morcheeba... the result is a polished album that feels fully realized and amplifies the drama and sophistication..." - Washington Post

 "Multi-faceted singer/songwriter Stephanie Schneiderman...artfully combines pop, trip-hop, soul, electronica and folk."  - Brooklyn Rocks

"In Schreiner's hands, the tunes' subtle shadings and bits of texture take on a distinctly different character, one that is part Zero 7, part Beth Orton, but wholly Schneiderman's own."  - The Oregonian

 "With electronic producer Keith Schreiner,[Schneiderman] transformed from mere singer/songwriter to heartfelt electronica pop queen... moving through ambient background textures to upbeat dance tempos... Together they've found a formula that renews the relevance of a talented songwriter and expanding into the larger pop music realm." -Portland Mercury

"Her sound is distinct... her songwriting craft is very focused; it is clear that she has a vision... The songs blend soft acoustic, swaying vocals and electronic beats. Romantic, sensual lyrics top off the over all intimate mood. These tracks reveal her as an artist who is not afraid to experiment..." - Beat Crave

 "A record brimming with bass and pulsating drums... the tracks on Rubber Teardrop move her to a new level... She is quirky - She knows how to write a song... and boy can she sing... I'll shed more than rubber teardrops if the music-buying public doesn't wake up to the fact that she is a talent they need to hear." -Jewish Telegraph UK

 

Website:
http://www.stephanieschneiderman.com/

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About Al's Den

Head downstairs at the Crystal Hotel to hang out in this music venue named for Al Winter, Portland's gambling overlord who, in the 1940s, managed his vast empire that spanned the Pacific Northwest and into Las Vegas from this very location. Today, we hold live music, artist residencies, pre- and post-concert performances and more. 

 


 

 

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