No-No Boy
Sounds contain histories and prophecies. If
you listen closely, there are winding tales to be found in a string brushed by
a handmade bow, worlds to be uncovered in the trill of a bird about to take
flight, and truths to be reckoned with in the grain of an unknown voice. This
is the revelation at the core of Empire
Electric, the third album by No-No Boy, and its songs that examine
narratives of imperialism, identity, and spirituality. It tells stories rooted
in years of research and relationship-building, made vibrant and profound
through a rich congregation of instrumental, environmental, and electronically
manipulated sounds from Asia and America. Every single sound, from the gracious
swell of a pedal steel to the warbling pluck of a koto, becomes a part of the poetic recasting of shared
post-colonial trauma and the startling joys that can be wrung out of that
hardship.
Storytelling has always been at the root of
Julian Saporiti's music as No-No Boy. The project developed as the central
component of Saporiti's PhD at Brown University, drawing on years of fieldwork
and research on Asian American history to write folk songs with uncommon
empathy and remarkable protagonists: prisoners at Japanese American internment
camps who started a jazz band, Vietnamese musicians turned on to rock 'n' roll
by American troops, a Cambodian American painter who painted only the most
beautiful landscapes of his war-torn home. Along the way he started to draw on
his own family's history, including his mother's escape from Vietnam during the
war. His 2021 album 1975 was called
"a remarkably powerful and moving album," by Folk Alley and "gentle,
catchy and accessible folk songs that feel instantly familiar," by NPR - a
contrast that gets to the heart of Saporiti's songwriting.
After the completion of his PhD and the
release of 1975, Saporiti found
himself at an impasse. "My thinking had gotten incredibly deep," he says, "as
deep as we can train ourselves to get, really. But it was so narrow. I was
working on the belief that there was one very small path to walk down and I had
to take every footstep in that direction." Seeking refuge from a bleak future
of academic posturing, Saporiti, along with his wife and collaborator Emilia
Halvorsen Saporiti, decamped to Blue Cliff, a monastery in New York state
founded by celebrated Vietnamese Buddhist teacher and writer Thích Nh?t H?nh.
There, they recalibrated. Sitting and breathing opened up a calm space for
Saporiti to begin to reapproach many of the stories he'd collected as a part of
his research with a new perspective, one rooted in raw honesty and a rejection
of perfectionism. "The calcified mask of the intellectual professional began to
crack open," he writes in Empire Electric's
liner notes.
Empire
Electric is abundant with substantive storytelling.
Saporiti's knack for melody and the directness with which he sings make the
picture whole. Without pretension and preachiness, listeners are drawn into the
world of real people and their struggles while also being uplifted by melodies
that tug the heart and ears in several directions at once. With the sincerity
of a folk singer and a master producer's ear for minutia, Saporiti probes the
edges of pain for joy, using history and its remembered landscapes as a way to
understand the ground on which we now stand. Sings the little monk, "Pro-tip
for a good heart, be where your feet are now."
- Website:
- https://www.nonoboyproject.com/