836 N. Russell St. / Portland, OR, 97227
Saturday, September 16, 2017
White Eagle Saloon & Hotel - White Eagle Saloon
$8 in advance, $8 day of show
21 and over
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9 p.m.$8 in advance, $8 day of show21 and over
The Harmed Brothers are an Americana/Folk-Rock/Indiegrass
trio, based out of Eugene, Oregon. The group's eclectic line up, which consists of Ray Vietti
(guitar/vocalist), Alex Salcido
(banjo/vocals/piano) and percussionist Adam Morehouse, creates a sound both melodic, and raucous,
both gutsy and vulnerable. Often, the
Brothers are compared to groups such as The Avett Brothers and Uncle Tupelo,
and display that dynamic well, in both
their spirited, energetic live performances, and their heartfelt songwriting,
which equally showcases both songwriters Vietti and Salcido.
Their most recent release, 2010′s All The Lies You Wanna Hear,
has since garnered many gracious reviews, turning many heads and calling an
ever-growing attention to these ambitious up and comers. Surely, bringing to light, a group of
as well as stellar performers.
M. Lockwood Porter's songs toe the line between country-tinged Americana and straight-up rock-and-roll, with poetic storytelling front and center. A SF Bay Area transplant from rural Oklahoma, Porter's sound recalls his birthplace and a childhood spent exploring the far reaches of the rock canon. The result is something close to timeless - reminiscent at times of Neil Young, Wilco, Ryan Adams, and Bruce Springsteen.
Porter first caught the attention of many fans and critics with the release of his home-recorded debut LP Judah's Gone in July 2013. At the time, Independent Clauses called him "a talent to watch", and The Bay Bridged wrote that he was "poised to join... the national Americana scene with the release of his debut LP, Judah's Gone." On October 14th, Porter follows up his promising debut with 27, the bold, carefully crafted work of a talented young artist.
On 27, we find Porter (who himself turned 27 in July) wrestling with a growing awareness of life's limited possibilities with a mixture of melancholy and defiance similar to that of Carter-era Springsteen, describing failing relationships with a nuanced poignancy reminiscent of Ryan Adams and Lucinda Williams, and eulogizing Big Star founder Chris Bell - who died at age 27 (like Kurt and Jimi, as Porter reminds us) - while name-checking Paul Westerberg and arguing with Neil Young on "Chris Bell".
In other words, 27 is a confident-sounding record. That's a bit ironic for an album that - half breakup record, half quarter-life crisis - is all about the disillusionment and sense of "Is this really all there is?" characteristic of one's late twenties. But Porter's willingness to write and sing about the travails and uncertainties of life with courage and honesty is exactly what makes 27 such a compelling album.
27 was primarily recorded in San Francisco's Hyde Street Studio C - where classic albums like CCR's Cosmo's Factory, Grateful Dead's American Beauty, and CSNY's Deja Vu were recorded. Showcased on these songs is Porter's new live band. The band is both tight and spontaneous - sounding something like a cross between Tom Petty's Heartbreakers, The Band, and Wilco - bringing a rawness and intimacy to the performances that a home recording never could. Porter's vocals, too, are stronger and more confident - honed by a year of gigging in support of Judah's Gone.
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