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Sunday, January 27, 2019

Crystal Ballroom's 105th Birthday Free-For-All

1 p.m. doors

Free

All ages welcome

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Crystal Ballroom's 105th Birthday Free-For-All

Party on the Crystal Blocks!

Crystal Ballroom's 105th Birthday Free-For-All

We will be flinging our doors open to this FREE all-ages birthday wing-ding. With the Crystal Hotel open, the birthday fun covers two city blocks: Music in four different rooms; music in Al's Den; kids fun; food and drink specials; tastings of our spirits, wine and beer; and of course a special birthday brew will pour throughout the properties. Make it a long weekend and get yourself a room at the Crystal Hotel! The party starts in the afternoon and will parade long into the evening.

Schedule: 

Brewery
Brewery Tours and tastings featuring our 105th birthday Beer • 2 - 5 pm 

Annex
Edgefield Wine Tasting • 2 - 5 pm

Crystal Mezzanine
Distillery and cocktail tasting • 2 - 5 pm 

Lola’s Room
Passport redemption • 2 - 7 pm 

Ballroom Music
Video Dance Attack (all ages) • 6 – 8 pm
Ukeladies • 4:30 - 6 pm
Mo Phillips • 3 - 4:30 pm
History • 2 - 3 pm 

Ringlers
The Coastline • 3 - 6 pm 

Al’s Den
Todd Clouser w/special guest • 7 - 10 pm 

**Discovery hunt and stamp

Todd Clouser w/special guest

Rock Jazz Open Eyed Music

Todd Clouser w/special guest

 

Todd Clouser is a composing guitarist, songwriter and performer based out of Mexico City. Combining elements of rock, jazz blues, spoken word and improvised musics, Clouser has toured the world with his group A Love Electric, as a solo act and performed alongside luminaries from John Lurie to John Zorn, Flea, Cyro Baptista, John Medeski, Keb Mo, and more, performing at rock, jazz and world music festivals across the globe.

Clouser's prolific output and genre-evading creativity had NPR call Todd "a fascinating musician ..... (he) doesn't belong to any scene and doesn't want to", Time Out NYC hailing his rock jazz trio A Love Electric as "illuminating", and Mexico City's La Jornada mentioning the group as "one of the most important acts of recent years". A native of Minneapolis, MN, Clouser grew up traveling the USA following his favorite artists and self publishing poetry and recordings before being signed to Ropeadope Records for his first "proper" release, entitled "A Love Electric". As time and tours passed, A Love Electric became a band, first an instrumental act joined by NYC downtown scene heroes Steven Bernstein, Cyro Baptista, and Billy Martin, eventually settling as a trio that explores Clouser's songwriting while honoring the inquisition and fearlessness or jazz tradition, with Hernan Hecht on drums and Aaron Cruz on bass. The trio has gone on to release 6 records on labels in the US and Mexico while performing nearly 1,000 concerts in the span of 7 years.

While Clouser is perhaps most recognized in his Mexico City home as the leader of A Love Electric, he has also released the "psychedelic naked lunch" (Distorsioni Magazine - Italy) record "Butterfly Killer" with the group Magnet Animals (featuring Shanir Blumenkranz, Eyal Maoz, and Jorge Servin) on Rarenoise Records (London, UK). An experimental offering, CHANT found Todd collaborating with street singers, friends, and artists from Mexico City and Minneapolis, the live CHANT show turning into a freewheeling conduction experiment calling the audience to the stage. Clouser also writes songs for a duo project with Mexican singer Renee Mooi, the two performing at festivals and in clubs throughout latinAmerica. His solo song record entitled "Man With No Country" was produced by Anton Fier (Golden Palominos) and released on Billy Martin's Amulet records. A record of "music for unmade film" entitled "Cinema" was self released with pianist Alex Mercado in 2017.

Clouser's most recent release is "You The Brave : Live at Icehouse" in trio with John Medeski and JT Bates

Philanthropy and community outreach work have been an important of Clouser's work in Mexico and beyond. With the founding of his "Music Mission" initiative, Todd and patrons have donated thousands of dollars worth of instruments, education materials, workshops and basic needs support to communities in Nicaragua, Chiapas, Oaxaca, Mexico City, Durango, and more. Todd is also the founder of Ropeadope Sur, a record label based out of Mexico City with a focus on Mexican acts in search of increased projection of their music, the first act signed being Los Cardencheros de Sapioriz, an acapella group singing slave-era songs on the ranches on northern Mexico.

 

 

 

Website:
http://www.toddclouser.com/

Facebook:
https://www.facebook.com/toddclousermusic/

Video Dance Attack

Dance to '80s music & video

Video Dance Attack

Portland's longest running theme-night dance party is in Lola's Room every Friday! Dance to music videos projected onto multiple 10-foot video screens all night long, complete with a quality sound and light show. 

 

Round up your friends and check out our website below to see what theme we're featuring this Friday! Rotating themes include: 80s Night, 80s and Beyond, '70s VS '80s, '80s VS '00s, Madonna, Prince VS MJ, Hip Hop/Funk Night, New Wave and many more!

 

Website:
http://www.videodanceattack.com

Facebook:
http://www.facebook.com/videodanceattack

Instagram:
http://www.Instagram.com/videodanceattack

Twitter:
http://www.Twitter.com/VDAPDX

The Coastline

The Coastline

The Coastline is a Portland-based trio founded in 2014. The influence of a wide variety of genres has resulted in performances that range from lounge rock to synth-driven electro pop. After playing their first McMenamins show at Ringlers Pub in 2015, The Coastline have since performed at Hotel Oregon, Kennedy School, the Crystal Ballroom, The Winery at Edgefield and more. You may have even enjoyed a pint of The Coastline Fresh Hop IPA during a visit to the Ringlers Pub.

 

Facebook:
https://www.facebook.com/TheCoastlinemusic?fref=ts

Mo Phillips

Mo Phillips

"I'm diggin' the lo-fi movement goin' on in Kids' Music right now: Kimya Dawson's Alphabutt, String Bean Jones' Live from the Bathtub, Mr. David's Jump in the Jumpy House, and now Mo Phillips' Train Beard. Now, lo-fi doesn't mean low quality, as evidenced by the great material and performances on all the above CDs. It just means presenting songs from a different angle, thinking outside the musical box, so to speak. ... Great kids' debut from a unique talent."

- Warren Truitt, Kids Music That Rocks review of Mo Phillips' Train Beard

 "We've spent the last few years following Kindie musicians around the city. Our goal has been to find artists that our kids can cut a rug to, and that we like, too. One of our favorites is Mo Phillips. The kids love Mo because he's fun and makes them feel like dancing, catching air, and laughing all at once. His songs are original, not syrupy sweet, and he's usually good for a toe tapping rendition of a song from our youth."  - NW Kids Magazine

Beloved by families in Portland, Oregon, independent musician Mo Phillips is ready to burst onto the national scene with the April release of his third kids'/family CD, Monster Suit.

The uncomplicated charm of Monster Suit stems from its refreshing connection to what was happening in the late '50s, when rock 'n' roll was evolving from a cultural mix of country, folk, and African-American influence. With a style and delivery sometimes reminiscent of Woody and Arlo, Mo Phillips offers classic acoustic rock 'n' roll with a minimum of electric effects in a finely tuned but fiery blend of Americana, soul and blues.

Enhanced by contributions from a gaggle of gifted Portland musicians, Monster Suit's variety is beyond impressive. With music ranging from "Rollerskate Banana Peels" (a super jam of crazy energy) to "All Okay" (the album's "lullaby" ballad), each song has its own sound, beat, and artistic space that does not impinge on the other tracks. Monster Suit is exceptionally well balanced, the fidelity is first class, the players all have their acts together, the back-up singers are delightfully hip, and (the best part for many parents) the lyrics are never obscured by the energy of their setting.  Mo Phillips feels strongly about not dumbing down lyrics or melodies for kids, and he sings about topics whole families can appreciate.  On Monster Suit, these include being exactly who you want to be ("The Princess and The Cowboy"), a party gone awry ("The Worst Party Ever Thrown"), bad hair days ("Bed Head"), a surprising fact about ducks ("Ducks Don't Get Wet"), and more.

Says Mo, "Sanity can be hard to come by in the parental world, and I'm just trying to offer a small dose with my music. Monster Suit is my third album for families and the first done in a proper studio (and not in my basement)! This CD covers a lot of sonic ground and contrasting subject matter but still hangs together.  I wanted to create an album for parents to jam to with their kids."

Red Tricycle recognizes this: "Don't be ashamed if you find yourself humming Mo Phillips songs even after the kids are in bed. This Portland dad has kids and parents in mind when writing his songs. Fans of indie rock will like his quirky melodies and both generations can relate to topics like bad dreams and the joy of riding a bike."  

Mo continues, "My main influences include Neil Young and The Rolling Stones, although many of my compositional ideas stem from my undergraduate years studying with jazz wizard Dan Balmer at Lewis & Clark College. Part of the reason I write kids' music the way I do is because I'm tapping into whatever I was doing in my earlier life as a songwriter and performer for adults. I haven't really changed my melodic approach, just the lyrics.  One song on Monster Suit, "To The Zoo," is actually a re-working of one of my old band charts. All that I changed were the lyrics. Literally. Form, chords, melody, harmonies, all are exactly as they were done 10 years ago, just different words."  

An early childhood educator as well as a musician, Mo Phillips doesn't hesitate to credit his initial inspiration to the kids he's taught. He explains, "When I was teaching a class of three-year-olds in 2005, some of the curriculum ideas for what later became my "Rock 'N' Roll Kindy" program were born.  The kids had been doing a lot of role-play as musicians, so we made a project out of it.  They named their band Fire Guitars.  We wrote songs, recorded a CD, and put on a show for the parents.  By 2008 - after an expatriate experience soaking up the sounds of my wife's native Australia -- I was again teaching preschool in Portland. This was when I really began playing around with my own songs for kids.  One day, while sitting in the sandbox with some little friends, I wrote the song "Pizza In A Cup" after being offered the umpteenth cup of sand advertised as pizza.  All of a sudden these afternoon playground sessions started producing some serious songwriting opportunities. The influence of the kids and whatever games they were playing at the time had an undeniable effect on my lyrical content and song direction."

When not creating bands populated by young rockers in settings ranging from schools and libraries to community centers and children's museums, Mo performs - with insouciant wit and breezy style - interactive shows that respect the intelligence of young people.  As an artist affiliated with Young Audiences, Inc., he gives performances and residencies in schools throughout the greater Portland area.  Mo was recently selected to pilot a songwriting residency program for the Beaverton, Oregon school district.

Mo Phillips has released two previous kids'/family albums albums, Train Beard (2009), and Robot Rodeo (2010).  He lives in Portland, Oregon with his wife, Kate, and sons, Henry and Owen.

Monster Suit will be available online at www.mophillips.com, cdbaby.com, and itunes.

MONSTER SUIT TRACK LIST:

Toes
The Worst Party Ever Thrown
The Princess and The Cowboy
Hot Lava
Droolin'Big Red Truck
Rollerskate Banana Peels
All Okay
Bed Head
To The Zoo
Ducks Don't Get Wet
Suction Cup
Twirlin'
Monster Suit

 

Website:
http://www.mophillips.com/

Facebook:
www.facebook.com/MoPhillipsMusic

History Presentation: Peter Langston- “A look back at Portland in the 1960’s”

History Presentation: Peter Langston- “A look back at Portland in the 1960’s”

A strong and imaginative player, Peter Langston plays anything with strings on it, and is equally adept at backup and hot improvisation. He has played in respected bands on both the East Coast (Metropolitan Opry, Wretched Refuse) and the West Coast (Puddle City, Entropy Service, Portland Zoo), and has performed with such notables as Doc Watson, Reverend Gary Davis, Tony Trischka, Peter Rowan, Alison Brown, Johnny Gimble, and Mike Seeger. Peter has led a double life as a musician and a computer whiz kid and has taught both audio recording and computer science at the college level. Peter has been a frequent member of the staff of various music and dance camps, including the California Coast Music Camp, Sierra Swing, the Festival of American Fiddle Tunes, the Northeast Heritage Music Camp, Alta Sierra, and the American Banjo Camp.

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

 

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
Get Started Here

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

*Get 15% off room rates at Crystal Hotel, Sunday through Thursday with a ticket purchase. (Must mention at time of booking, must verify ticket at check in for discount) *restrictions apply. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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