Saturday, 28 March 2026

McMenamins Presents

My Life With The Thrill Kill Kult

Light Asylum

Die Sexual

Devora

Heavy Halo

6pm doors, 7pm show

All ages welcome

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About My Life With The Thrill Kill Kult

My Life With The Thrill Kill Kult

Hailing from Chicago's renowned Wax Trax! Records stable of arCsts, MY LIFE WITH THE THRILL KILL KULT have been conjuring up sonic tales of sex, blasphemy and kitschy horror since 1987. The band was instrumental in developing the industrial dance music genre, yet have conCnued to expand their style, creaCng one of the most diverse repertoires in modern music. Electronic rock, heavily in?uenced by both disco and funk can best describe their sound, while spoken-word samples liRed from B-movies gives the band their signature mark. They have released 14 studio albums, a slew of remix compilaCons, and have contributed to a variety of soundtracks and ?lm scores, including a cameo performance in the 1994 cult movie classic The Crow.

ArCst Franke Nardiello and musician Marston Daley, two Chicago neighbors who enjoyed late night binges watching trashy exploitaCon ?lms and horror ?icks, wanted to make their own movie to be called "My Life With The Thrill Kill Kult". While the project never came to fruiCon, they wrote some music to be the accompanying soundtrack. Both worked at the Wax Trax record store, and when label founders Jim Nash and Dannie Flesher heard the songs, they were intrigued. Using the ?lm Ctle as the name of the band, they released a 3-song EP in early 1988. The response was overwhelming, and it was clear fans wanted to hear more.

Taking the stage names Groovie Mann (Nardiello) and Buzz McCoy (Daley), the duo began to focus on music full Cme. They created an occult meets leather biker image to compliment the band's name which included enlisCng a bevy of voluptuous back-up singers/dancers known as the BOMB GANG GIRLZ. The New York Times wrote, "Sex, blasphemy, big beats and go-go dancing; they're all in a day's work for My Life With The Thrill Kill Kult". This agracted the agenCon of indie fans, as well as the ire of the PMRC and conservaCve religious groups in pracCcally equal measure. By the Cme of their sophomore release, Confessions Of A Knife (1990), they were far and away one of the biggest selling acts on the label.

1991 saw the release of their third album Sexplosion!, a calculated sonic and visual departure from their previous work. 1950's pin-up models replaced the demonic imagery, while sleazy stripper horns, disco beats and house diva vocals (provided by arCst Shawn Christopher) took prominence over the more abrasive musical elements. They put together a provocaCve stage show, complete with spinning police lights, mirror balls and a stocked bar with bartender to serve the scanCly clad musicians and dancers while they performed. AlternaCve Press reviewed the show as "Sin-saConal!", while Melody Maker described it as "A Cabaret from Hell". It was a huge success, and the album sold so well (fueled by the phenomenal radio hit "Sex On Wheelz") that the group signed a deal with Interscope Records.

Hollywood also embraced the KULT, recognizing the unique cinemaCc aspect in their sound. Most notably they scored music for animator Ralph Bakshi's Cool World (1992) and director Paul Verhoven's saucy Showgirls (1993), while comedic ?lms such as Baseketball and The Flintstones Movie prominently featured songs from their album Hit & Run Holiday.

The band moved to Rykodisc in 1997 and re-released their enCre remastered / repackaged catalog, along with ?ve more studio albums, including an homage to 70's disco era called Gay Black & Married, and the sultry and decadent Filthiest Show In Town 2007). They also formed their own label SleazeBox Records in 2001, enabling the release of a growing number of side-projects in addiCon to new TKK material.

Buzz and Groovie sCll record and perform live along with veteran band mates Mimi Star (bass) and JusCn Thyme (drums), all the while maintaining a de?ant spirit that refuses to be con?ned by musical norms. They've in?uenced countless arCsts in electronic, industrial, and dance music scenes, creaCng a reputaCon for themselves as one of the most notorious and controversial cult bands of their generaCon.

Facebook:
https://www.facebook.com/thrillkillkult

YouTube:
https://www.youtube.com/user/thrillkillkultx

Spotify:
https://open.spotify.com/artist/7FfAD7EYZbQ7aHPy9ujduD

Instagram:
https://www.instagram.com/mythrillkillkult/#

Bluesky:
@thrillkillkult.bsky.social

Website:
https://thrillkillkult.com

About Light Asylum

Light Asylum

LIGHT ASYLUM is the internationally revered, dark, electronic music project of anti-disciplinary performance artist, founder, vocalist and producer Shannon Funchess.

Founded in Brooklyn, New York in 2007 Funchess would begin captivating audiences with cathartic and frenzied performances in Brooklyn’s D.I.Y. haunts Glasslands, 285 Kent and underground art galleries, warehouses and nightclub events Weird, China Chalet and Santos Party House in Manhattan in 2009. European music festivals and press would follow with the debut EP which included the gothic-synth anthem “Dark Allies” and self-titled LP release in 2011 and 2012 respectively to much success. With a passion for collaboration, Funchess has gone on to join forces with peers around the globe, lending her vocals to studio albums and live performances for artists The Knife, Tv On The Radio, Elysia Crampton Chuquimia, LEECH, LCD Soundsystem, !!! (chk, chk, chk), ADULT., Yves Tumor and Laurie Anderson to name just a few of her many contributions to multiple genres of music. Funchess, also a novice actor appears in the art films of artists Michelle Handelman and A.K. Burns and has established herself as a force in the film, music and art worlds continuing to act, DJ, produce, remix and perform as LIGHT ASYLUM and side project Healing Xrisis.

YouTube:
http://youtube.com/@LightAsylumOfficial

Facebook:
https://www.facebook.com/LIGHTASYLUM

Instagram:
https://www.instagram.com/light_asylum/#

Spotify:
https://open.spotify.com/artist/2y98d6N81pArQNXYvkupr8

About Devora

Devora

Raised in the desert of Arizona, Devora draws inspiration from her roots, growing up around desert creatures in a western town, experiencing the sinister lawless side of desert life, and the characters she's met along the way. In her modern goth-western vignettes she conjures images of ghost towns, dark rodeos, the haunted desert, abandoned motel rooms, skylines on fire, the open road and reckless tales of love and loss in a modern wild west. These influences have made her into a desperado of modern culture. Her sound bridges Alternative Country melodies with dark pop and rock hooks drawing you into her surrealist western world.

Coining her own genre, "Outlaw Pop," she weaves visual soundscapes from a moody surrealist wild-west dream world. Tales of eerie backroad encounters, Route 66, neon-laden casinos, Silver City sunsets and midnight bandits are all intricately enmeshed with strong visceral imagery and cinematic scenes straight out of the ‘dark side' of the American southwest. Owning the road as her home, Devora's fierce femme fatale spirit trail-blazes the way for a new frontier in contemporary culture.

Devora is not just music, but also an ethos of the Wild West re-imagined for our current chaotic times. It's not just her story - it's all of our stories: To choose and be immersed in your own adventure; to harness your own inner outlaw. Her music celebrates life in the fast lane while marking the beginnings of a wild expedition ahead and the spiritedness of riding off into a pitch-black sunset.

Devora's debut EP, ‘Outlaw', celebrated life in the fast lane, offering an inner glimpse into a mad world of exile and rebellion, love and lawlessness, and the side roads and back alleys of modern American life.

It was her first installment of a fierce collective of stories and art that illustrate a perfect portrait of her dark wild west. The EP saw support at radio, peaking top five on the SubModern Commercial Specialty Charts, and press write-ups at places like AltPress, Inked, and Earmilk. The ‘Outlaw' EP has garnered 2.3 million streams to date.

Devora has toured the US and was direct support on a sold-out series of dates with The Warning in the spring of 2022, as well as support for BUSH on their sold out US tour in 2023.

 

YouTube:
https://youtu.be/9t6ZWa45tlg?feature=shared

Facebook:
https://www.facebook.com/devoramusicxo/

Instagram:
https://www.instagram.com/devoramusicxo/

About Heavy Halo

Heavy Halo

Heavy Halo is conflict: darkness vs. light, noise vs. melody, machine vs. skin and bone.

It is wide-eye idealism dragged down to the dirt by harsh reality.

Heavy Halo is a Goth-Grunge blood-pact forged in the NYC underground between McKeever and Gosteffects.

The band takes the spirit and existential angst of Alternative and Industrial and passes it through the shattered prism of the internet age, refracted and made new.

Jagged guitars and raw electronics explode over gut-rattling 808's. But at their core, Heavy Halo are melody junkies, lacing tracks with shameless hooks and McKeever's 100% unfiltered vocals.

As direct as the music is, the origin of the band is anything but straightforward...

McKeever spent years studying composition at Columbia University while playing every sweat-soaked DIY venue possible. Gosteffects was banging out weaponized techno at illegal raves across the country. Finally, the two met and immediately felt something in common: both would be dead if they didn't create music.

But Heavy Halo wouldn't come together until after McKeever went through a chaotic spiral that sent him to New Orleans, Los Angeles, a psychiatric ward, and back.

They regrouped in New York's pandemic wasteland, holed up in Gosteffect's studio built in a former hospital. Driven by desperation and claustrophobia, clawing up the walls as they closed in, they ended up crafting the most emotional songs either had ever recorded. The resulting debut album was pure catharsis.

After releasing the self-titled LP on Negative Gain, the duo exploded onto the NYC live scene, performing relentlessly at venues like Elsewhere, LPR, and TV Eye. In just a year after putting out their 1st single they were already ranking on lists of "Hardest Working Bands in NYC" and "Unmissable New York Live Acts" as well as being covered in publications such as Alt Press, Post-Punk.com, and New Noise.

Feeling the pressure to annihilate any possibility of a sophomore slump, the band dug even deeper inward to write, record, and produce the follow up record themselves. They aimed for even further extremes, reaching towards apparent opposites: aggression & beauty, violence & romance, heaviness & melody - doubling down on their philosophy that songs need conflict to exist. This process almost broke them, but the resulting album, "Damaged Dream," surpasses the debut in every way. The dream may be damaged but it's not dead in the water quite yet.

Heavy Halo is getting up after life beats the shit out of you and spitting back in its face.

In all this conflict, Heavy Halo is the revenge.

Instagram:
https://www.instagram.com/heavyhalo.nyc/

YouTube:
https://www.youtube.com/@HeavyHaloNYC

Website:
https://www.heavyhalonyc.com/

Facebook:
https://www.facebook.com/HeavyHaloNyc

Spotify:
https://open.spotify.com/artist/3UkKMWes3rtrf3koA2A7s5

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