w/special guest Luz Mendoza of Y La Bamba
- Mission Theater |
- Friday, September 21, 2012
- 8 p.m. doors, 9 p.m. show |
- $13 advance, $15 day of show |
- 21 and over
Tickets on sale now!
McMenamins and KBOO are proud to present the Shook Twins at the Mission Theater, a perfect setting for such a vibrant and entertaining act. They play on the heels of an extensive tour promoting their latest CD, Window.
About Shook Twins
"A unique, personal music that lights up the stage with its joy and enthusiasm." Mason Jennings
Identical twins Laurie Shook (vocals, banjo, percussion and beatboxing) and Katelyn Shook (vocals, guitar and mandolin), are two thirds of the quirky folk trio, Shook Twins. Rounding out the trio, often referred to as the "third twin," is Kyle Volkman on bass. The Shook Twins intertwine gorgeous "twin" harmonies with an eclectic and eccentric blend of folk, roots, pop and fun. Jeff Rosenberg of the Willamette Week says, "Their songs are witty and well-built, the performances poised, the production adventurous. Recently transplanted to Portland, Shook Twins are the most exciting local folk act I've heard in ages. Strike that word 'local' and the sentiment still stands."
Originally from Sandpoint Idaho, the twins have been making music together since childhood. Playful, warm and lighthearted, a Shook Twins show percolates with the twin's infectious radiant energy. Pristine vocals layered on top of traditional stringed folk instruments, create lovely aural imagery of two women with one sound.
But don't be fooled. The Shook Twins are not your average folk trio. They have a few tricks up their sleeves. Laurie may drop a beat-box in the middle of a song, while Katelyn plays the guitar, glockenspiel, mandolin, and sings into a telephone and bocks like a chicken. Laurie plays wah-wah Banjo and loops various melodies and beats to make it sound like more than just two identical twin sisters. Meanwhile Kyle lays down the groove adding resonant bass lines to the mix. It's a refreshing romp filled with unexpected surprises.
This past year the Shook Twins have been touring behind their sophomore CD Window, released in April 2011, taking them throughout much of the Northwest. Along the way, The Shook Twins have shared the stage with artists including Ryan Adams, Mason Jennings, Laura Veirs, Carolina Chocolate Drops, The Fruit Bats, Michelle Shocked, JJ Gray and MoFro, Crooked Still, Jason Webley, The Head and The Heart and many more.
(band photo by Patrick Orton)
About w/special guest Luz Mendoza of Y La Bamba
"... a collection of hazy, whispering ballads steeped in polarizing art-folk and sacred Mexican lore." -- Filter
"...doing Portland proud" -- Billboard
"Elena's voice floats like some kind of cirrus cloud over the oceanic psych-folk tones" -- The Tripwire
"...definitely one of the records you'll want to look out for this fall." -- Pop Tarts Suck Toasted
"Portland, Ore., quintet Y La Bamba makes fractured folk that sounds as if it comes from dog-eared diaries. The author is statuesque Luz Elena, the daughter of Mexican immigrants, whose vintage vocals seem to come from the 78-rpm era." -- Buzzbands.LA
"The Portland, Oregon, band mixes Devendra Banhart-influenced art-folk with hazy femme vocals and traditional Mexican sounds to weirdly entrancing effect" -- LA Weekly
"The songs were like mature lullabies, brooding and rich, playful but never lingering on the surface...It was difficult not to be seduced." -- The Stranger
"Lupon is a wide-ranging garden of styles, with gossamer folk and jangling indie-rock steeped in the influences of Mendoza's Mexican heritage. Her unearthly vocals-at times soft and frangible, at others hardily operatic-sound completely lost in time, like they're emerging from a dusty recording on an abandoned Victrola." -- Portland Mercury
"When you read about Y La Bamba, it's often a visual description--like an indie-pop Lady Gaga, tall-'n'-tattooed frontwoman Luz Elena has a steez that often overshadows her band's actual music. Which is a shame, because the group's sound has come a long way as of late. On the long-awaited debut full-length, Lupon, that point is underlined like 12 times, highlighted and circled with little hearts....it's physical proof that Y La Bamba is a lot more than a pretty face." -- Willamette Week
With Y LA BAMBA, Luzelena Mendoza draws from both her strict Catholic upbringing as an only daughter of a Mexican immigrant and a debilitating illness that led her to fall away from her faith, to create what LA Weekly calls "Devendra Banhart-influenced art-folk with hazy femme vocals and traditional Mexican sounds."
Mendoza's father immigrated to the Bay Area from the Michoacan region of Mexico after meeting her mother who had received her US citizenship as a teenager. Her father got a job at a southern Oregon sawmill and Luzelena would spend her childhood summers on a farm in California's San Joaquin Valley among peach, almond, and fig orchards. It was in these strong Mexican communities that she would soak up the melodies and the stories that were being told while, as she remembers it, "the men with tassel hats" strummed their guitars and sang their traditional folk songs in three part harmonies. "I remember singing along, mimicking my father's voice and dancing like a little wild child," she recalls. For Mendoza, this music was the only way she could relate to her father, and was a bright spot in a rough childhood.
In 2003, Mendoza traveled to New Zealand and India, in a quest for a deeper understanding of her spiritual growth as an active Christian, hungry for the tools to create a shift on this planet. During her trip to India, she contracted amoebic dysentery and giardia, causing her to suffer from insomnia, lose 60 pounds and fear her loss of sanity. "It shook me in ways I was not expecting, leading me to struggle with my prayer life and search for a healthy relationship with God, the universe, and with myself," says Mendoza of her condition (which was only complicated with a misdiagnosis). "I gave up on Christianity and what religion was starting to mean to me due to a natural awareness that was knocking on my door."
Upon her return to the US, she took in a white six-toed cat to keep her company as she fought to regain her physical, emotional and spiritual health. She christened her new feline companion La Bamba, a name that she incorporated into a moniker for her home recordings and performances at open mic nights in her new home, Portland. Bassist and vocalist Ben Meyercord caught some of Mendoza's open mic performances and the two quickly found a musical connection. In a whirlwind week that she said happened magically, Mendoza recruited Mike Kitson on drums and David Kyle on guitar. Luzelena played in an Ashland band with Kitson when she wanted a more quiet alternative to her early punk roots and Kyle was a musician she met online that shared her spiritual and eccentric philosophies. Intuition told her that she was going to meet the final piece in her musical puzzle and, sure enough, she stumbled upon accordion player Eric Schrepel playing the squeezebox at a puppet show.
With a raw songbook of home recordings under her belt and a new group of musicians to help Mendoza with her musical vision, Y LA BAMBA began to captivate audiences in Portland and tour stops around the US. Eventually, the quintet would attract the attention of The Decemberists guitarist Chris Funk, who offered his production skills for the band's first studio recording. Funk worked tirelessly to capture Y LA BAMBA's rustic tones, songs inspired by the traditional tunes of Mendoza's childhood, and her signature vocals that resemble the sounds spilling out of a 1930's Victrola. Dubbing the confidently stunning body of songs Lupon (after a nickname that Mendoza's father despised), Y LA BAMBA has emerged from the studio, ready to wow listeners everywhere. Lupon will be available during the fall of 2010 on Tender Loving Empire.