Dance Gavin Dance
Show moved from August 5, 2020 and again from April 22, 2021.
Dance Gavin Dance fully indulges the extremes of creativity.
They mine the outer reaches of the rock music landscape with thrilling abandon.
Their ambitious blend of heady progressive rock and post-hardcore became
something uniquely their own.
Dance Gavin Dance fans have streamed "We Own the Night"
nearly 12 million times on Spotify alone, with staple catalog anthems "Chucky
vs. the Giant Tortoise," "Young Robot," "Inspire the Liars," and "Deception"
accounting for another 30 million streams on top of that. Their albums regularly
chart in the Billboard 200, each of the last three progressively higher than
the last, from Top 40 to the Top 15.
An international touring act for over a decade, Dance Gavin
Dance has done Vans Warped Tour three times, toured with the likes of
Underoath, A Day To Remember and Pierce The Veil, performed at major festivals,
and headlined sold out club tours.
Where most bands erroneously claim wholly distinct
identities, Dance Gavin Dance truly defies categorization. The Sacramento based
outfit possess the kind of artistic compass shared with broadminded but heavy
metal and hardcore-punk rooted iconoclasts like The Mars Volta and Coheed &
Cambria, but use it to diverge wildly, charting a new course that incorporates
the melodic screamo of Thursday or Taking Back Sunday, with a taste of the
earnest pop melancholy of Death Cab For Cutie.
The current and most definitive incarnation of Dance Gavin
Dance is responsible for half of the band's albums, including their most recent
effort, Artificial Selection. The new
record is the strongest and most wondrously diverse showcase yet for the lauded
post-hardcore experimentalists, equal parts intense, melodic, and unbound.
There's the angelic and R&B infused highs of the sweet
voiced Tilian Pearson; the unhinged guttural growls and chaotic screams of
cofounder Jon Mess; the dizzyingly unpredictable arpeggio-led guitar crunch of cofounder
Will Swan; the soulful poly-rhythmic backbone of longtime bassist Tim Feerick;
and the mind-blowingly powerful nuanced foundation laid by drummer and
cofounder Matt Mingus.
It's all even bigger than ever on Artificial Selection, brought to life by close collaborator and producer
Kris Crummett (Sleeping With Sirens, Crown The Empire, Issues). Dance Gavin
Dance's ambitious adventurousness and experimental spirit continues to differentiate
them from the pack, from the funkier slow jam of "Count Bassy" to the heavy
screamo of "The Rattler." There's a throwback to the Death Star era of the
band's sophomore album, "Shelf Life," complete with former singer Kurt Travis.
"Midnight Crusade" and "Bloodsucker" are guaranteed crowd pleasers. "Son of
Robot" goes on an epic musical journey, from mournful to vengeful full stop.
As the Boston Globe
astutely observed, "Dance Gavin Dance resists pigeonholing... heavy, ambitious,
and sometimes witty rock that seizes on the past few decades of edge-dwelling
music, places it all in a blender, and puts the speed on high." (There's even
Motown, funk, pop, dance, and heaping helpings of indie rock in that blender.)
Now more than a dozen years on from their inception, Dance
Gavin Dance celebrates an insurgent career, in the tradition of iconoclastic
artists from Frank Zappa to Nirvana who did what they wanted, how they wanted,
confident that an audience would catch-up. Eight studio albums deep, a thriving
fanbase champions the band's irreverent diversity and propulsive power.