Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Sunday, October 18, 2020 Einstürzende NeubautenThe Year of the Rat Tour 6:30 pm doors, 8 pm show $30 advance, $35 day of show All ages welcome Share this event Add to Calendar Einstürzende Neubauten Industrial avant-garde rock Many young and creative people living amid the state of emergency in West Berlin during the 1980s perceived it as a kind of normality. It was a period in which anything seemed possible. When Blixa Bargeld was asked if he wanted to perform at the Moon Club on April 1, 1980, he thought up the band Einstürzende Neubauten, accepted the gig and called a few friends. The initial members of the band turned out to be musicians who happened to have time that evening. The official birth of Einstürzende Neubauten is generally linked to this concert. Certainly, no one could have dared to predict back then that the band would continue to be so highly productive and still be going strong after almost four decades. A Greatest Hits Tour, beginning in January 2017, with a double concert in the spectacular Elbphilharmonie venue in Hamburg – which sold out in record time – demonstrates that the band Einstürzende Neubauten is still very much alive after nearly 37 years of the most intensive musical ecstasy. The following outline of the eventful history of an evocative band shows why this course should not be taken for granted. With the release of its debut album Kollaps in November 1981, Einstürzende Neubauten declared war on all conventional listening habits. The album is actually an “inaudible” record; it is a frontal attack on expectations and ways of listening that have been blunted by mainstream sound. For lack of money, among other reasons, the range of instruments consisted of “found” and self-made objects, created from sheet metal and including drills, hammers, a “non-voice” that snatched shreds of German words from a text, and professional studio equipment, which was consistently used to undermine its actual technical purposes. This nonconformist mixture itself would become the foundation of a completely new understanding of music that would later influence countless artists, and would highly stylize the band’s subsequent albums into milestones of the industrial scene. As a construct or entity, Einstürzende Neubauten is one of the few German bands that internationally sends out a genuine impulse via its trendsetting mix. It has affected numerous other bands and art genres – from dance theater to the visual arts; and has also inspired film up to the present-day – from Schlingensief to Tarrantino. Although the media mocked the band in the beginning as a bizarre “curiosity in the divided city,” it quickly established itself around the world as one of the renowned greats of the present and of pop culture. It has influenced an entire generation and even today it provides often copied blueprints for experimental sound art and performance. Characterized by its original and radical redefinition of the term “music,” Einstürzende Neubauten often takes part in unusual and pioneering collaborations, as for instance with the Japanese director Sogho Iishi. The band has also shared far-reaching experiences through theater projects with well-known directors and dramaturges, including Peter Zadek, Heiner Müller and Leander Haussmann, all euphorically documented by the art press. And the band members have received invitations to highly regarded international cultural events, such as documenta 7, the Biennale de Paris and the EXPO in Vancouver. Always ahead of its time, around the turn of the millennium the band developed an Internet-based, independent production platform with the help of Erin Zhu. It was called the “Supporter Project” and was free from any ties to the rest of the music industry. It made an enormous output of releases possible for the band from 2001 to 2008, and turned the group into early inventors of what has become the ubiquitous “crowdfunding” today. Another impressive highlight in the very eventful and unprecedented history of Einstürzende Neubauten is marked by the band’s highly symbolic performance at Berlin’s “Palast der Republik” on November 4, 2004. This building, which has been torn down since then, was the former seat of power of the once imposing German Democratic Republic. The impressive live material – including background vocals of a 100-person “supporter choir” – was released on the enthusiastically received “Palast der Republik” album and DVD. In the interim, the material has taken on a documentary quality; bearing testimony to an epoch that is now long gone. Since 2014, the band has received recognition through a worldwide traveling exhibition on German art of the 1980s. Organized by the Goethe-Institut, a section of the exhibition is dedicated to Einstürzende Neubauten. In the same year, “LAMENT,” a newly composed musical work, commissioned by the region of Flanders to commemorate the start of World War I, was released as an album. It made its specially-conceived, debut performance on November 8, 2014 in Diksmuide, Belgium, the 100th anniversary of the outbreak of the war. The resonance for the album and live performance were overwhelmingly positive worldwide, and the work was celebrated as a masterpiece on the extensive tour through Europe that followed. The band’s first, long-awaited Greatest Hits album was released in November 2016. It is a successful, carefully selected and “audiolicious” cross-section that represents 35 years of the band’s work. All of the songs are remastered and “Haus der Lüge” is also remixed. As originally intended – but was not possible at the time for a lack of financial resources – this piece is now enhanced with string and wind instruments. Of course, the title Greatest Hits should be taken in the ironic, tongue-in-cheek spirit in which it is intended. Thus, Einstürzende Neubauten once again offers evidence for the lasting effectiveness of the band’s philo-acoustic long-term therapy. Blixa Bargeld, Alexander Hacke, N.U. Unruh, Rudolf Moser and Jochen Arbeit have completely outgrown the former Berlin Wall malaise, and the apocalyptic visions and death longings of earlier days are already a thing of the past. Meanwhile, the same ardent desires still drive the tireless spirit of its pioneers: Einstürzende Neubauten will continue its search on an eternal quest for the still undiscovered sound.Website:http://www.neubauten.org/Facebook:http://www.facebook.com/EinstuerzendeNeubauten Upcoming Events Similar Events Upcoming Events at Crystal Ballroom Dashboard Confessional: 20 Year Celebration Wednesday, February 19 Crystal Ballroom Karl Denson's Tiny Universe Friday, February 21 Crystal Ballroom 8th Annual Brazilian Carnaval Ball - INFINITE LIGHT! 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Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $900 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 6 p.m. The box office is open later on nights when there is a performance. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Contact our sales team to inquire or book your event. Get Started Here Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.