Elizabeth Moen
Folk-Rock
With a sultry and intoxicating voice, Elizabeth Moen lures you in. Paired with introspective lyrics that echo both bitter and sweet, her music will captivate you then stay with you. "Moen is one of those rare artists whose voice, from the first moment you hear it, consumes your entire being, doing away with all previous thoughts and concerns, and leaving you short of breath (The Culture Trip)." Hailing from the small town of Vinton, Iowa located in the middle of the heartland, Moen taught herself how to play guitar as a teenager. It was peer pressure that caused her to write her first song and shortly thereafter, she immersed herself in the writing community of Iowa City while finishing up her studies in French and Spanish at the University of Iowa. Inspired by a mix of modern artists such as Alabama Shakes, Sharon Van Etten, Angel Olsen and Lake Street Dive (who she has supported), and older influences like Stevie Nicks and Joni Mitchell, Moen isn't locked into a single style.
On her sophomore LP A Million Miles Away her songs shift fluidly; Opener "Red" and "Best I Can Do" portray the soulful side of her voice while "Triple Scoop" and "Matilda" recall folky, summer pop. "Don't Say I" and "Bad to Myself" pull in heavier tones, augmented by her 1968 Gibson ES-340, while the final tracks, "Time is a Shitty Friend" and "Planetarium," act as closing arguments for the album. The two tracks encapsulate aspects of each preceding track, at times both heavy and soft - equal parts whimsy ("Cuz I'm high and I'm reading about stars and shit") and sadness ("...and it's feeding / My thoughts about us together in some other universe"), while the echo of a longing to be "a million miles away" plays out. A Million Miles Away follows Moen's 2016 (self-titled EP) and 2017 (That's All I Wanted LP) releases that took her on tour throughout the Midwest and Western United States alongside Europe. During this time she has acted as direct support for Lake Street Dive, Margaret Glaspy, Lucy Dacus, Houndmouth, William Elliott Whitmore (featured on her 2017 LP), and has had her music placed in films including the Netflix original movie "Candy Jar."
Released September 1, Moen's new album is a testament to its theme: growth. A Million Miles Away is a moving, passionate exploration of internal and external change. In Moen's own words, "the base of the eight tracks revolves around the idea that there needs to be and will be growth. That can be for someone you love, for yourself, for a new relationship, or for closure from an old one. I've grown a lot writing these. I hope that these songs will make you feel that way or another too."
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