836 N. Russell St. Portland, OR, 97227
Saturday, January 4, 2020
White Eagle Saloon & Hotel - White Eagle Saloon
$10 advance, $14 day of show
21 and over
9 pm$10 advance, $14 day of show21 and over
Danny Barnes is already known as an iconic American musician, a banjo playing innovator who's earned high praise from everybody from Bill Frisell and Dave Matthews to Steve Martin, who presented Danny with the Prize for Excellence in Banjo in 2015. From the days with his groundbreaking Austin band, the Bad Livers, to his two decade solo career experimenting with electronic music, jazz, old time string band music and more, he's a genre bending, rule breaking original who prefers to color outside the lines. With Stove Up, out March 3, 2017, Danny's showing us that it was always a choice, that he's always had the chops to play straight ahead bluegrass banjo with the best of them. With a top-flight band backing him up, Danny turns in an amazing set of tunes that demonstrate his respect for tradition and his commitment to his own musical voice. "Happily, with Stove Up, our five-string hero steps out of the lab and into the sunlight where his pre-war Gibson can really shine," says Tim O'Brien. "Producer and guitarist Nick Forster wisely loosens the reins and lets his pack of thoroughbreds set a fast pace around the bluegrass track. Mandolinist Chris Henry, with his bone-dry tone and expanded traditional approach, is a particularly inspired foil to Barnes. Along with Forster, much decorated fiddler Jason Carter, and everyone's favorite bassist, Mike Bub, they cut through some beautiful territory, including two Don Stover's compositions-"Black Diamond" and "Rockwood Deer Chase." Three vocal tracks peek through the instrumentals and give new listeners a look into the quirky mind of Barnes... These are live and lively performances where you can almost hear the musicians smile." Recorded in eTown Studios in Colorado, Stove Up was produced by Nick Forster and engineered by James Tuttle. The mixing and editing were done by the great banjo player Scott Vestal and it was mastered by David Glasser at Airshow. Danny says, "After 45 years of practicing, this is the first acoustic bluegrass record I've ever made. Nick, Mike, Jason, and Chris are bluegrass royalty! It was a sure enough honor to be able to make Stove Up, a loving homage to the great Don Stover." One of his banjo heroes, Don Stover, was the inspiration for this project simply because Don knew how to play bluegrass banjo in a way that fit the style, showed respect for Earl Scruggs and others, but it still sounded like him, had his own voice. Danny delivers on all fronts here, from scorching banjo fiddle duets with Jason Carter ("Paddy on the Turnpike," "John Hardy," and "Bill Cheatum") to faithful versions of Scruggs ("Flint Hill Special" and "Fireball"), or a Grandpa Jones tune ("Eight More Miles To Louisville") to a reinterpreted Rolling Stones song ("Factory Girl") or his own originals ("Isotope 709," "Charlie," and "Get It While You Can"). This generous set of music sounds like what it is - great musicians having fun playing music in real time. Danny says, "All these tunes on here (except the ones I made up), I've been playing and working on since I was a young boy. I'm STILL working on this stuff. My plan = never give up." If you're looking for an antidote to the world's problems, go find Stove Up, this new Danny Barnes record, and turn it up loud. It's a thing of joy and beauty! Kind words about Danny and Stove Up"My friend Danny. The truth. This is the thing that struck me most strongly when I first heard Danny Barnes and is something that continues to grow stronger and clearer. What we hear from Danny is true. It can be coming from no one else. His story. Whether it's the songs he writes himself or those he chooses to play. He has lived it. He's not playing ‘at' it. He ‘is' it... Danny's love of, connection to, and history with this music is long and deep. What a joy now to listen to these songs transformed through his lifetime of experience. It is a wonderful thing... Thank you Danny. Sincerely." --Bill Frisell "Danny Barnes represents all that is good about heartfelt music. He has deep passion, exemplary technique, great abilities as a songwriter, richly burnished vocals, and the fearsome desire to break through boundaries while still staying solidly rooted in tradition. He's as fine as they come." --Tony Trischka "For years I've said Danny Barnes is the world's greatest banjo player. It's the truth, but now with fake news and all the puffery, words have lost their meaning. But that's okay because the truth is in the music. Listen to DB's banjo if you wanna hear the truth." --Robert Earl Keen "Like Superman squeezing a lump of coal, Danny Barnes can transform crumbling musical remnants into cutting edge innovations, but avid fans have long known that Barnyard Electronics' chief engineer has some serious traditional banjo chops." --Tim O'Brien
Austin Quattlebaum is no stranger to the stage. He's been performing solo all over the country since 2012. His childhood home of Savannah, GA shines through in the swampy tones and sleepy Southern lilt of his banjo and melodies. And in his titling, as well-it doesn't get much more Savannah than The Ghost Tangled in the Oaks, the name of his 2013 LP.His solo performances blend gritty originals and tasteful covers; weaving 3 finger banjo, clawhammer and flat-picking guitar songs into his sets seamlessly. Sung with a bit of gravel in his throat, his tunes are sure to get the crowd's attention. When Quattlebaum's adventures landed him in Portland nearly 3 years ago he quickly dove into the local music scene and founded the up and coming bluegrass band, Crow and the Canyon. (C.&.t.C. hit the Portland scene with a bang, achieving many accolades and notoriety in their short history.) In addition to Crow and the Canyon, Quattlebaum can also be seen with the 8 headed folk monster band from San Francisco, The Sam Chase and the Untraditional. Raising a ruckus at festivals like Outside Lands, Hardly Strictly Bluegrass, and High Sierra. Whether taking the stage with one of his projects or all on his own, Quattlebaum isn't shy and always brings a good time.
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