Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Thursday, December 12, 2019 The Head and the HeartKyle Craft 6:30 pm doors, 8 pm show $37.50 advance, $42 day of show All ages welcome Share this event Add to Calendar The Head and the Heart Folk rock, indie & pop It wasn't that long ago that the members of Seattle's The Head and the Heart were busking on street corners, strumming their acoustic guitars, stomping their feet and singing in harmony as they attempted to attract the attention of passersby. That unbridled energy informed their earliest original material, which was honed in local clubs before eventually being captured on the band's 2011 debut album for hometown label Sub Pop. Then, something unexpected happened. That music began to reach audiences all over the United States and the rest of the world, and The Head and the Heart went from playing open mic nights to selling out headlining shows in prestigious venues. The album became one of Sub Pop's best-selling debut releases in years. And slowly but surely, ideas began to form for the band's second album, imbued with the experiences of traveling the world and cultivating a listenership with a deep connection to the music. "There is a certain level of confidence gained from having such an amazing fan base," says group member Jonathan Russell. "You start to trust yourself more. When we were busking, we were filling so much space to keep the listener from walking away. Now we are in a very different situation." Adds group member Josiah Johnson, "We wanted to write songs that felt bigger, and didn't need to be so frantic. I think for the most part we wanted to record an album that sounds like the way we play now." Indeed, The Head and the Heart's new release, Let's Be Still, is a snapshot of a band that didn't exist just four short years ago. Virginia native Russell and California transplant Johnson formed the core songwriting partnership, which was rounded out by drummer Tyler Williams, keyboardist Kenny Hensley, vocalist/violinist Charity Rose Thielen and bassist Chris Zasche, who'd met Russell and Johnson while tending bar at an open mic they frequented. The nascent group dove headfirst into writing, recording and performing, and even moved into the same house to ensure that inspiration could strike at any moment. "The first record was very thematic. It just had to do with all of us being together and writing songs, and leaving home to come to Seattle," says Thielen. "I honestly don't know if there is a theme this time around. There are things that stick out, like the idea of going from busking to becoming a full-on band and touring like crazy." Adds Williams, "Before we started recording, I wondered, 'What if this doesn't work? What if the momentum dies down?' But once we got in there, we realized that we felt so good together doing it. The weight was lifted. It was like, 'Right! This is what we do.'" Let's Be Still was recorded at Seattle's Studio Litho with assistance from prior production collaborator Shawn Simmons. Later, the band traversed the country to mix the album in Bridgeport, Conn., with Peter Katis, revered for his work with bands such as the National, Interpol and the Swell Season. The 13 tracks here build naturally on both the sounds and themes of the debut, from the piano and violin-dappled opener "Homecoming Heroes" and the heartfelt "Josh McBride" to vibrant, bouncy future concert staples "Shake" and "My Friends." "The first record was written and recorded with a lot of limitations. It's almost easier that way," says Zasche. "This time around, with more time and resources, there were few limitations, so we had to be in charge of keeping a focus and not getting distracted but at the same time exploring the options available. It wasn't easy, but from this I think a clearer, more focused record has been made." Band members point to "Another Story" as a moment that embodies their collective creative spirit. Russell wrote the song shortly after the elementary school shooting in Sandy Hook, Conn., but hadn't showed it to anyone in the band except Johnson. "One day everyone was taking a break from tracking and I was sitting in my booth and started to play this song," Russell recalls. "You could hear what I was doing in the control room and then one by one, a bandmate would walk in, grab their instrument and start playing along. We didn't talk about it. We didn't have to go back and rearrange anything. It was all there." Adds Williams, "Jon is so smart about waiting to introduce new ideas. He knows when the mood will be right." Says Johnson, "The song was undeniable, and the vibe didn't change from when he was playing it acoustically. Everybody just lifted it up, in the way that this band does." On the opposite end of the spectrum was "Gone," which dated back to sessions for the debut album but didn't make the cut the first time around. The band wrestled with the arrangement while performing it live for several years, and finally cracked the code after adding a laid-back bass-and-drum groove to the beginning. Described by Thielen as "striking" in its solo acoustic form, Johnson's "Fire / Fear" underwent similar revisions until the rest of the band settled on a new progression to link the verses together. "There is a lot more patience in the music," says Russell. "I think that has a lot to do with feeling more comfortable as a songwriter and a performer." During the mixing process, Katis was tasked with polishing what Johnson describes as "a beautiful mess" of finished tracks. Says Williams, "We have a certain energy when we play shows that didn't translate to the first record. I was getting worried about that before we went to Peter's. Things seemed a bit muted and dry to me. But I didn't realize how much mixing could change a record. Peter actually went in and messed with tones, had some production suggestions and wound up really being the right guy to help us finish the record." "His mixes turned the songs around, and breathed vibrancy into them," says Thielen. "He added some auxiliary details that helped make things more full-bodied, but still within the realm of what we do. It was really refreshing." With Let's Be Still ready for release, The Head and the Heart is eager to return to the road to further hone the musical bond its members formed in such whirlwind fashion. "When I think about the two records together, the first one feels like we all wanted to fulfill this dream we'd had about playing music, meeting people and traveling around," says Williams. "This one feels like the consequences of doing that -- what relationships did you ruin? What other things did you miss? You always think it will all be perfect once you just do 'this.' And that's not always the case." Adds Russell, "Has there been an impact on our lives since we have become full-time musicians? Sure. No band wants to write that second record about how hard they have it. But it's hard to get around all of it. There are a few songs on this record that express the band's hardships for sure. On one hand, it's everything you have ever wanted. On the other hand, you start to miss the things you've lost and had to give up. And that's just life. My job is to write about it."myspace:http://www.myspace.com/theheadandtheheartwebsite:http://www.theheadandtheheart.com/facebook:http://www.facebook.com/theheadandtheheart Kyle Craft Moonstruck rock 'n' roll There is this curious equilibrium to existence: In order to create balance, the universe must giveth, and the universe must taketh. Kyle Craft, along with his now solidified backing band dubbed Showboat Honey, know this all too well. And this is why their self-titled album, the contemplative yet restless Showboat Honey (Sub Pop Records, July 12, 2019) reflects that Sturm und Drang. “This is basically an album centered around bad luck and good fortune hitting at the same time,” Craft explains, “then, out of nowhere, I find love. Everything went to shit except that. I guess that’s how life works.” No track better captures this duality than the sweeping “Sunday Driver,” about sticking to your guns, despite a universe of blowback. “At this point, you get baptized by certain fires and start to walk with the dead a little bit, like nothing can harm you anymore,” says the Portland-based musician. “That’s what self-love sounds like to me, as aggressive as that sounds.” The sticky-sweet title of the album is lifted from the brightly choral “Buzzkill Caterwaul” (“Once you were the showboat honey / But your ship sailed out”). “I wanted to make something that sounded like a raucous collision of Leon Russell and Patti Smith,” he says, “but ‘Buzzkill Caterwaul’ was the only tune that ended up showcasing that vision.” Though aesthetics veer from song to song, Showboat Honey’s steadfast formula remains the same. Drummer Haven Mutlz holds down the machine with a ’60s/’70s fast-molasses groove that locks in with the slinky rolling bass of Billy Slater. When Kevin Clark isn’t bouncing across the piano, his mellotron strings swell in and out of frame. Jack of all trades Ben Steinmetz’s organ parts well up from the deep of the songs, while lead guitarist Jeremy Kale’s solos rip through them like electricity. On top of it all, sits the tongue-in-cheek phantasmagoria created by Craft’s lyrics. Lyrically, perspectives shift to imbue life into a cast of intriguing, mysterious characters, à la Bob Dylan. “There is not a single thing in my life that has affected me more than the first time I heard Dylan,” says Craft. “It immediately changed my life.” “Johnny (Free & Easy)” is seemingly about a date gone awry at a swinger’s party in the Hollywood Hills. And the twangy pop of “O! Lucky Hand” appears to shadow a poor sod desperate to elude a hex. Its antidote is the stunning, cinematic “Deathwish Blue,” which sounds like a deep cut from the book of John Lennon, about the lovesick salvation found in his bride to be, Lydia. If that’s not head-trippy enough, the carefree sing-along “2 Ugly 4 NY” features a lyrical reference to a previous incarnation of Craft. Its lyrics — “Don’t wanna see Death strum for cash downtown / Or the look on his face when the change hits the case on the ground” — call out his early days in Portland when he went by the moniker of Hobo Grim. Busking downtown, he’d cover country tunes while dressed as the Grim Reaper so as to conceal his true identity. Craft started writing about as soon as he could play the guitar at the age of 15. He grew up in the isolated Mississippi River town of Vidalia, La., where his chops weren’t honed in a woodshed, but rather an old, dingy meat freezer that was out of commission. When asked about the first song he’d ever written, he laughs, saying it was an “angsty-rock tune” and “a rare bird of how bad a song could be.” After years of touring, two LPs with Sub Pop Records, and solidifying the band, he’s since grown into a prodigious songwriter, to say the least. The band recorded Showboat Honey — co-produced by Craft, Clark and Slater — at their own Moonbase Studios in Portland over 2018. “We approached this record differently for sure,” Craft says. “I’d make a demo, and after putting the songs together, shoot it to the band for ideas.” Tracks such as “Broken Mirror Pose” ended up being highly collaborative, while others settled into Craft’s original vision. “Deathwish Blue,” for instance, was tracked in a similar fashion to his solo debut, Dolls of Highland, with Craft tracking every instrument by himself. Kyle and the members of Showboat Honey worked at such a feverish wine-fueled pace that they actually ended up with two completely different albums. But at the end of the day, they decided to combine the two into what is now Showboat Honey, a moonstruck rock ’n’ roll record teeming with reckless abandon. “We thought we had the album done at one point. But at the last minute, I was like, ‘Shit, this isn’t the album. This isn’t it,’” Kyle says. “It was just a gut feeling. I’m glad for that because I feel like I ended up writing some of the best songs I’ve ever written.” Upcoming Events Similar Events Upcoming Events at Crystal Ballroom The Dandy Warhols Saturday, December 7 Crystal Ballroom Catfish and the Bottlemen Monday, December 9 Crystal Ballroom Phantogram Tuesday, December 10 Crystal Ballroom Of Monsters and Men Wednesday, December 11 Crystal Ballroom Music of Phish for Kids Holiday Celebration Saturday, December 14 Crystal Ballroom Silversun Pickups Concert for Kids Saturday, December 14 Crystal Ballroom Silversun Pickups Saturday, December 14 Crystal Ballroom Local Natives Monday, December 16 Crystal Ballroom Similar Events at Crystal Ballroom The Dandy Warhols Saturday, December 7 Crystal Ballroom Catfish and the Bottlemen Monday, December 9 Crystal Ballroom Phantogram Tuesday, December 10 Crystal Ballroom Of Monsters and Men Wednesday, December 11 Crystal Ballroom Music of Phish for Kids Holiday Celebration Saturday, December 14 Crystal Ballroom Silversun Pickups Concert for Kids Saturday, December 14 Crystal Ballroom Silversun Pickups Saturday, December 14 Crystal Ballroom Local Natives Monday, December 16 Crystal Ballroom The Dandy Warhols Saturday, December 7 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Catfish and the Bottlemen Monday, December 9 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Phantogram Tuesday, December 10 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Of Monsters and Men Wednesday, December 11 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom The Head and the Heart Thursday, December 12 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Rock and Roll Playhouse plays Music of Phish for Kids Holiday Celebration Saturday, December 14 11:00 am doors, 11:30 am show All ages welcome at Crystal Ballroom 94/7fm presents Silversun Pickups Concert for Kids Saturday, December 14 5 pm doors, 5:30 pm show All ages welcome at Crystal Ballroom Silversun Pickups Saturday, December 14 7:30 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Local Natives Monday, December 16 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, December 21 9 pm 21 and over at Crystal Ballroom J-Fell Presents Stone In Love - Journey Tribute Saturday, December 28 7 pm doors, 8 pm show 21 and over at Crystal Ballroom The Polish Ambassador"2020 : A Space Oddity" Tuesday, December 31 7:30 pm doors, 9 pm show 21 and over at Crystal Ballroom Elizabeth Mollo Presents The BIGGEST Clothing Swap in the NW Sunday, January 5 12 pm doors All ages welcome at Crystal Ballroom Portland's Folk FestivalAnna Tivel Friday, January 10 5 p.m. doors, 6 p.m. show All ages welcome at Crystal Ballroom Portland's Folk FestivalHorse Feathers Saturday, January 11 5 p.m. doors, 6 p.m. show All ages welcome at Crystal Ballroom The Rock and Roll Playhouse plays Music of The Beatles for Kids Sunday, January 12 11:00 am doors, 11:30 am show All ages welcome at Crystal Ballroom Monqui Presents Cold War Kids Thursday, January 16 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom The Infamous Stringdusters Friday, January 17 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Monqui Presents The Green Wednesday, January 22 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Crystal Ballroom's 106th Birthday Free-For-All Sunday, January 26 1:30 pm doors All ages welcome at Crystal Ballroom Monqui Presents Wolf Parade Monday, January 27 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom True West Presents Mike Gordon Friday, January 31 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Saturday, February 1 7:30 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Queensrÿche Tuesday, February 4 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom An evening with Sinead O'Connor Wednesday, February 5 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Red Cube Presents Minnesota Friday, February 7 7 pm doors & show 18 and over only at Crystal Ballroom Live Nation & FPC Live Present The Marcus King Band Saturday, February 8 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Monqui Presents Violent Femmes Tuesday, February 11 7 pm doors, 8:30 pm show 21 and over at Crystal Ballroom Monqui Presents Dashboard Confessional: 20 Year Celebration Wednesday, February 19 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Karl Denson's Tiny Universe Friday, February 21 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Mike Thrasher Presents Raphael Saadiq Thursday, February 27 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Friday, February 28 6 pm doors, 7:30 pm show All ages welcome at Crystal Ballroom Joy Now Benefit Show with MarchFourth Tuesday, March 3 6 pm doors, 7 pm show All ages welcome at Crystal Ballroom MarchFourth Anniversary Extravaganza Wednesday, March 4 7 pm doors, 8 pm show 21 and over at Crystal Ballroom Showbox Presents Marc E. Bassy - PMD Tour Friday, March 6 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Hayley Kiyoko Tuesday, March 10 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom A Bowie Celebration: Bowie Alumni Play Diamond Dogs & Ziggy Stardust Wednesday, March 11 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom True West Presents The Wood Brothers Thursday, March 12 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom Grace Potter Friday, March 13 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Chelsea Cutler Tuesday, March 17 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Galactic Saturday, March 21 6:30 pm doors, 8 pm show 21 and over at Crystal Ballroom Bikini Kill Sunday, March 22 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Bikini Kill Monday, March 23 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Allen Stone Saturday, March 28 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Fleshgod Apocalypse featuring the Veleno Quartet Thursday, April 2 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox presents Jacob Collier Thursday, April 16 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Monqui Presents Mura Masa Wednesday, April 22 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom Showbox presents Dance Gavin Dance Thursday, April 23 5:30 pm doors, 6:30 pm show All ages welcome at Crystal Ballroom Live Nation Presents James Arthur Tuesday, May 12 7 pm doors, 8 pm show All ages welcome at Crystal Ballroom Emporium Presents Apocalyptica Wednesday, May 13 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Citizen Cope Thursday, May 14 6:30 pm doors, 8 pm show All ages welcome at Crystal Ballroom Showbox Presents Circa Survive Tuesday, May 19 6 pm doors, 7:30 pm show All ages welcome at Crystal Ballroom Monqui Presents The Airborne Toxic Event Sunday, June 28 7 pm doors, 8:30 pm show All ages welcome at Crystal Ballroom The Shakti Journal presents the 2020 edition of Shakti Speak Easy (taking place in 2020) Thursday, August 20 4:30 p.m. doors, 5 p.m. VIP Dinner, 7 p.m. General Admission All ages welcome at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $900 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 6 p.m. The box office is open later on nights when there is a performance. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Contact our sales team to inquire or book your event. Get Started Here Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.