demo

Sunday, August 11, 2019

94/7fm Presents

The Revivalists

Dirty Revival

7:30 pm doors, 9 pm show

$50 advance, $50 day of show

All ages welcome

Share this event

Add to Calendar

The Revivalists

The Revivalists

Some people say 'luck is the intersection of hard work and opportunity'. On their fourth full-length album and first for Loma Vista Recordings, The Revivalists chronicle, catalog, and capture an unbelievable ride where ten years of tireless hard work would be unexpectedly revved up by the wrongly dubbed "overnight success" of the gold-selling number one single "Wish I Knew You." Like any enduring band worth its salt, they reacted the best way possible to newfound popularity - by buckling down and turning up with an album chock full of tunes worthy of even greater success. It's the result of a trip that unassumingly commenced in 2008 with hundreds of underground shows yearly and culminated 10 years later with not only "Wish I Knew You," but three years of back-to-back sold out headline tours. In life, like rock ‘n' roll, some questions get answered while others stay unanswered. Our personal backroads tuck, twist, and turn through ups, downs, and everything in between at light speed, sometimes without explanation or a moment for reflection. Mirroring the push-and-pull of the past few years, the boys-David Shaw [lead vocals, guitar], Zack Feinberg [guitar], Andrew Campanelli [drums], George Gekas [bass], Ed Williams [pedal steel guitar], Rob Ingraham [saxophone], Michael Girardot [keyboard, trumpet], and PJ Howard [drums, percussion]-deliver a bevy of anthems marked by moments of sonic complexity, celebration, and catharsis.

"As far as the music goes, sometimes I just have a feeling, and it comes through in a song," says David. "I don't know what it is, but it makes me feel something. I wanted this album to be simply about that. Making the new music has been a bit of a cathartic process for me-just to get some of these feelings out, lose myself in the art, and become someone else. Songwriting is the great escape. It's where I can be who I want to be. It's been three years of touring our asses off, writing in between, and honing our craft. Then, ‘Wish I Knew You' happened. Everything got even crazier. This album basically came together the way we always make records though. It's simply a collection of songs from where we were at that point in our lives. We didn't want to divert too much from what we've always been, but we wanted to take it to the next level and continue that trajectory of our artistry and creativity."

Simultaneously, life was rapidly changing around the band, and the music spoke to that.

"Everything going on these past few years certainly informed the direction," David continues. "I don't know if I was ready for some of what transpired emotionally. I got personal on some of the songs. I said some things I might not have otherwise. Thankfully, I have a good family network and amazing girlfriend to balance all of the changes."

"We were fortunate enough to have this ‘hit' on the last record, and things have changed," adds Andrew. "We had to keep pushing forward."

For the first time, The Revivalists recorded and co-wrote with multiple producers and writers, enlisting the talents of Dave Cobb [Sturgill Simpson, Chris Stapleton], Andrew Dawson [Kanye West, Fun., Sleigh Bells], and Dave Bassett [Elle King, Vance Joy] for sessions in New Orleans and Nashville, which became a hub for the band. They spent three weeks recording at the iconic RCA Studio B, soaking up the aura of one of the most storied studios in music and the city's rich musical history. Additionally, it would be the first record with drummer/percussionist PJ joining the band in the studio.

Bringing sixty songs to the table, the guys whittled the batch down to the best fourteen of the bunch.

Andrew continues, "On the first few records, we were figuring out what our identity is, so we were really involved in the minutia of recording. After all this time, we have an identity, and it's more based in our songs. We were able to let go and allow these producers to take us into a direction that we wouldn't go on our own. We got to explore a little more. Being ten years in empowered us to do that."

"We had the opportunity to work with more people, which was amazing," David goes on. "The main difference was having this team and the chance to co-write. It really elevated our craft in a way that I don't think we ever thought about previously. We were all working together in the studio, while keeping the true heart and soul of the band intact through the whole process."

The first single "All My Friends" speaks to that spirit. Driven by swaggering piano, boisterous horns, and bluesy leads, the track swings towards an unshakable chant, "All my friends take good care of me." Striking, sharp, and soulful, it introduces this chapter with confidence and charisma.

"I actually wrote those verses when I was 27," says David. "I met up with Dave Bassett in Malibu where I did some writing sessions, and I brought the lyrics to the table. It's a bit of a retrospective look back. You're in your twenties, staying out for three days, not contacting your significant other, and getting into some bad shit. Looking back, I realized, I had an amazing group of friends who stuck by my side."

"Musically, it bridges the gap between what we've been doing and what you're about to hear," explains Andrew.

Representing a vast swath of the country and defying regional pigeonholes, David's roots are in the Rust Belt, while Zack, Ed, and George hail from the Tri-States and Michael and Rob from the Southwest. Andrew cut his teeth bashing the drums in the DC scene and newcomer PJ made his bones in Chicago. However, The Crescent City would ultimately bring them together. Since forming in New Orleans, the group quietly grinded towards international ubiquity one gig, song, and album at a time. Seven years in, 2015's Men Amongst Mountains represented a high watermark. Its lead single "Wish I Knew You" became a slow-burning hit, racking up more than 200 million streams and ascending to #1 on Adult Alternative and Alternative radio. On the latter, it clocked a record for "most single-week spins ever at the format" before eventually receiving a gold certification from the RIAA. A mainstream phenomenon, the song found traction at Hot AC and Top 40 and bubbled up on to the Billboard Hot 100 for nine weeks as the band made the rounds on television with performances on Today, Jimmy Kimmel LIVE!, Ellen, and Conan. Acclaim came from USA Today, Entertainment Weekly, Forbes, Flaunt, Buzzfeed, Uproxx, Billboard, and more with Rolling Stone touting them among "10 Artists You Need To Know." Along the way, they garnered a Billboard Music Awards nomination and two nods at the iHeartRadio Music Awards. Between countless gigs, the musicians also ignited festival stages at Bonnaroo, Governor's Ball, New Orleans Jazz Fest, Outside Lands, and Pilgrimage, to name a few.

Looking back, the frontman smiles, "It's been quite the ride."

In the end, The Revivalists welcome listeners on this journey with them as they set out with a newfound depth and ambition.

"As we went along, we found there are more questions than answers, and we're all sort of figuring it out," concludes Andrew. "We're all doing the same thing. We hope people listen to the record and maybe can go out and keep making connections. That's what we're supposed to do. It's the human experience."

"We're in this together," David leaves off. "We love to take people on an emotional rollercoaster with us. That's what this record is. It's who we are. There's some real magic in that."

 

Website:
https://www.therevivalists.com/

Dirty Revival

funk and soul

Dirty Revival

Big, gritty, and honest. Our sound is unique but pulls elements of our
favorite genres: soul, funk, hip-hop, R&B, jazz, gospel, and rock," says
Sarah Clarke, the resounding, and resonating, front woman for Portland,
Oregon-based Dirty Revival.

Also comprised of Evan "evv'n'flo" Simko (M.C., guitar), Terry Drysdale
(drums), Karl Ludwigsen (keyboards), Jon Shaw (bass), Chris Hardin (tenor
sax), and Jon Clay (trumpet), the septet shines on their self-titled,
debut full-length.

"Someone once described us as Aretha Franklin, Stevie Wonder, Earth Wind
and Fire, and Rose Royce all blended up as one," Clarke says of the
comparisons her band has already started to receive. "I nearly fainted.
What a massive compliment."

Expanding on that, Simko says, "I think people will find a great variety
of influences or comparisons, to name a few: P-Funk, Aretha Franklin,
James Brown, Bill Withers, Charles Bradley, Jill Scott, Erykah Badu,
D'Angelo, and The Roots. It's hard to say. I think there are so many
influences that it won't quite sound like anyone in particular."

"Perhaps the strongest up and coming act in a quickly growing Portland R&B scene"

Dyami Clement, Alhambra Theatre

"Powerful vocals and precisely delivered rhymes..."

Cervante Pope, Oregon Music News

"Anyone who has seen Dirty Revival knows they don't mess around."

Runaway Productions

Website:
http://www.dirtyrevival.com/

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
Get Started Here

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

Contact Us  | Join Our List  |  Passport Program  |  Music Booking Inquiry  |  Employment  |  Privacy Policy  |  Accessibility  |  Gift Cards  |  Donations

Site handcrafted in Ashland, Oregon by Project A
Copyright © 2018 McMenamins Inc. All rights reserved.

Daily Fresh Sheet