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Monday, September 9, 2019

True West Presents

The Mountain Goats

Lydia Loveless

6:30 p.m. doors, 8 p.m. show

$31 advance, $36 day of show

All ages welcome

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The Mountain Goats

The Mountain Goats

THE MOUNTAIN GOATS ARE JOHN DARNIELLE, PETER HUGHES, JON WURSTER, AND MATT DOUGLAS. THEY HAVE BEEN MAKING MUSIC TOGETHER AS A QUARTET FOR SEVERAL YEARS. THREE OF THEM LIVE IN NORTH CAROLINA AND ONE HAS MOVED BACK TO ROCHESTER. THEIR SONGS OFTEN SEEK OUT DARK LAIRS WITHIN WHICH TERRIBLE MONSTERS DWELL, BUT THEIR MISSION IS TO RETRIEVE THE TREASURE FROM THE DARK LAIR & PERSUADE THE TERRIBLE MONSTERS INSIDE TO SEEK OUT THE PATH OF REDEMPTION. AS AXL ROSE ONCE MEMORABLY ASKED, IN THE SONG "TERRIBLE MONSTER": "WHAT'S SO TERRIBLE ABOUT MONSTERS, ANYWAY?" THIS IS THE QUESTION THE MOUNTAIN GOATS HAVE BEEN DOGGEDLY PURSUING SINCE 1991. THEY WILL NEVER LEAVE OFF THIS QUEST UNTIL EVERY OPTION HAS BEEN EXHAUSTED. THANK YOU.

 

 

Website:
http://www.mountain-goats.com

Facebook:
https://www.facebook.com/pages/the-Mountain-Goats/17314008126

Twitter:
http://www.twitter.com/mountain_goats

Lydia Loveless

Lydia Loveless

Blessed with a commanding, blast-it-to-the-back-of-the-room voice, the 25-year-old Lydia Loveless was raised on a family farm in Coshocton, Ohio-a small weird town with nothing to do but make music. With a dad who owned a country music bar, Loveless often woke up with a house full of touring musicians scattered on couches and floors. She has turned this potential nightmare scenario (eww....touring musicians smell...) into a wellspring of creativity.

When she got older, in the time-honored traditions of teenage rebellion, she turned her back on these roots, moved to the city (Columbus, OH) and immersed herself in the punk scene, soaking up the musical and attitudinal influences of everyone from Charles Bukowski to Richard Hell to Hank III.

Loveless's Bloodshot debut album Indestructible Machine combined heady doses of punk rock energy and candor with the country classicism she was raised on and just can't shake; it was a gutsy and unvarnished mash-up. It channeled ground zero-era Old 97s (with whom she later toured) but the underlying bruised vulnerability came across like Neko Case's tuff little sister. Indestructible Machine possesses a snotty irreverence and lyrical brashness that's an irresistible kick in the pants.

On her second Bloodshot album Somewhere Else, released after a few 7″ singles and an EP, Loveless was less concerned with chasing approval - she scrapped an entire album's worth of material before writing the set - and more focused on fighting personal battles of longing and heartbreak, and the aesthetic that comes along with them. While her previous album was described as "hillbilly punk with a honky-tonk heart" (Uncut), this one couldn't be so quickly shoehorned into neat categorical cubbyholes. No, things were different this time around-Loveless and her band collectively dismissed the genre blinders and sonic boundaries that came from playing it from a safe, familiar place. Creatively speaking, ifIndestructible Machine was an all-night bender, Somewhere Else was the forlorn twilight of the next day, when that creeping nostalgia has you looking back for someone, something, or just... anything.

2016's Real is one of those exciting records where you sense an artist truly hitting their stride, that their vision is both focused and expansive, and that their talent brims with a confident sense of place, execution and exploration. Whether you've followed Lydia's career forever, like us, or if you are new to her ample game, Real is gonna grab your ears.

On her first two Bloodshot albums, there were fevered comparisons to acknowledged music icons like Loretta Lynn, Stevie Nicks, Replacements, and more. She's half this, half that, one part something else. We hate math. But, now Real and Lydia Loveless are reference points of their own. Genre-agnostic, Lydia and her road-tightened band pull and tease and stretch from soaring, singalong pop gems, roots around the edges to proto-punk. There are many sources, but the album creates a sonic center of gravity all its own.

Always a gifted writer with a lot to say, Lydia gives the full and sometimes terrifying, sometimes ecstatic force of the word. Struggles between balance and outburst, infectious choruses fronting emotional torment are sung with a sneer, a spit, or a tenderness and openness that is both intensely personal and universally relatable. It is, as the title suggests, real.

Lydia Loveless has toured with artists such as Old 97's, Drive-By Truckers, Jason Isbell, Iron & Wine, Scott H. Biram, and the Supersuckers. Her music has been praised by Rolling Stone, NPR, Pitchfork, SPIN, Stereogum, Chicago Tribune, and more.

Loveless penned an original song for the 2015 film I Smile Back, starring Sarah Silverman, and was the subject of the 2016 documentary Who Is Lydia Loveless?, directed by Gorman Bechard.

 

Facebook:
https://www.facebook.com/lydialovelessmusic

Website:
http://www.lydialoveless.com/

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
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Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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