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Thursday, May 23, 2019

Live Nation presents

Elle King: Shake the Spirit Tour

Barns Courtney

8 p.m. doors, 9 p.m. show

$32 advance, $35 day of show

All ages welcome

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Elle King: Shake the Spirit Tour

gritty retro pop

Elle King: Shake the Spirit Tour

When it came time for Elle King to choose a title for the follow-up to her 2015 gold-certified debut album Love Stuff, she thought, "How do I sum up ‘The year I lost my fucking mind' in an album title?'" she says. "Because that's really what this record is about. I decided to call it Shake The Spirit because I was shaken to the core over the last year and half. I was literally talking to ghosts. But making this album not only changed my life, it saved my life. It's like when you see somebody who is struggling, what do you want to do? You want to shake them! Putting this record out is like shaking myself awake."

Over the past few years, King seemed to be leading the charmed life of a rising star. Love Stuff - a sultry mix of rock and roll, blues, and country, with a twinge of pop - featured the breakthrough single "Ex's & Oh's," which earned her two Grammy nominations and was certified double platinum. The track, about leaving behind a string of brokenhearted exes, hit No. 1 on Billboard's Hot Rock Songs Chart, and topped the AAA, Hot AC, and Alternative Radio charts, leading King to become the second female artist in 18 years to reach No. 1 at the latter format. Other career highlights included performing for President Obama at the 2016 Kennedy Center Honors, being featured on Dierks Bentley's Grammy-nominated No. 1 Country Airplay hit "Different For Girls" (she performed it with Bentley at the CMA Awards and took home an award for "Musical Event of the Year"), and seeing "Ex's & Oh's" featured on Kidz Bop. ("Whenever I was having a bad day, I'd watch videos people sent me of their kids singing along to my song," she says.) King earned critical accolades - The New York Times described the Ohio-born, New York-raised artist as "a sassy, hard-drinking, love-'em-and-leave-'em hellion with bad tattoos and a broad pedigree across rock, pop, and country. She has Adele's determination and Joan Jett's stomp, Brenda Lee's high-voiced bite, and some AC/DC shriek."

For three years, King worked tirelessly to promote Love Stuff, performing on every morning and late- night talk show and touring the world, during which time she says, "I partied harder than anybody and their brother and their brother's cousin. I was staying up later than everybody else and still getting up earlier than everybody else. I'd play a show, take a red-eye, wake up, do a morning show, and never cancel a performance."

Though King's hard work was paying off professionally, personally, she was falling apart. "I was struggling with mental health issues and exhaustion and literally felt like I was losing my mind," she says. "I was so lonely and broken and desperate for love that I was reaching out for anything." Then the day before the 2016 Grammy's, King secretly eloped with a man she had met in London three weeks before. The marriage unraveled quickly, marked by substance and physical abuse. "It was happening behind closed doors on the back of the tour bus. It was really scary and made me start to keep everything inside because I couldn't tell anyone we were married." After the couple separated, King suffered from PTSD, became severely depressed, and took to self-medicating. "I was struggling and I wasn't really able to talk to anyone because the nature of everything was so dark that people started to pull away from me," she says.

King left the couple's home in Brooklyn and moved to Los Angeles with the intention of staying in a detox facility, followed by rehab, but left after seven days. "I convinced everyone I was cured and, I'll be damned, everyone believed me," she says. She arrived in L.A. with one suitcase "and a bad habit." She also reached out to the members of her band, The Brethren, about reconvening to write a new record. "My band are not hired guns," she says. "They are my family. These characters changed me as a musician and helped make me the person I am. They didn't give up on me in literally my darkest and most insane time."

A natural-born story-teller, King can reel off multiple highly engaging tales about making Shake The Spirit, but here are the facts: The album was written and recorded with The Brethren partly in Los Angeles and partly in a small studio in rural Denton, Texas, with King herself producing many of the tracks. She wrote most of the songs on her own, but did work with a few key collaborators including Tim Pagnotta (on the album's first single "Shame") and Greg Kurstin (on "Baby Outlaw" and the ballad "Runaway"). "Greg has his own studio, but he came to my crazy house where I had a pinball machine, pink and blue shag carpet, three fucking pianos, and disco lights, and he didn't judge me," she says of the producer, who has written hits with Sia and Adele. "I have video of him playing drums in a sombrero and me in leopard pants and a disco top recording ‘Baby Outlaw' and having a great time. He made me feel very comfortable." During the process, King learned to play bass, which she credits with changing the way she listened to music, "which changed the way I wrote music," she says. "I started writing songs on bass guitar and it set a different groove. I was so emotional and had such big feelings, they all just kind of came through me."

Shake The Spirit is an album that transcends its influences, with emotionally cathartic songs that manage to be both witty and vulnerable (from "It Girl": "In middle school I wasn't very cool / but slutty girls taught me the golden rule"). They are also relentlessly candid. On "Man's Man," King cops to infidelity while calling out an ex's transgressions. On "Sober," she insists she's fine and will fix everything when she's clean. On "Good Thing Gone," which was written during a particularly stressful time in her marriage, King laments its demise. "Look at this good love we've wasted," she sings.

For King, the highlight of the album is its gutsy final track, "Little Bit of Lovin'" - an uplifting song about emerging hopeful after a breakdown. "The original lyrics were, ‘I don't need nobody. I don't need no one. There just ain't no lovin' left in this heart of mine,'" she says. "I looked at them and thought, ‘You know that's not true, Elle, and you don't want to put that out into the world.' So I changed it to, ‘But I still got a little bit of lovin' left in me.' When I sang it with the band for the first time, I felt this joy coming through me. I'll never forget it. Instead of having an out-of-body experience, I had an into-my- body experience. I felt myself snap into my body and I fell to my knees and burst into tears. I just started weeping. And I looked up at my bassist and he looked at me and he said, ‘It's really nice to see you again, Elle.'"

King views Shake The Spirit as an evolution not only of herself as a musician and writer but "as a human being," she says. "This music is truly me. I said what I wanted and what I believed in and I really wouldn't take a step back. It's exciting for me to show people that you can struggle, but if you don't give up on yourself you can get through things and become a better person. I have my year and a half summed up in one crazy-ass, goddamn album and I'm proud of that. I'm ready to bare my spirit and soul and heart and hardships to the world and say, ‘You know what? I got through it. And this is how I did it.'"

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Website:
http://www.elleking.com/

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$900  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $2/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 6 p.m.
The box office is open later on nights when there is a performance.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Contact our sales team to inquire or book your event.
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Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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