836 N. Russell St. / Portland, OR, 97227
Tuesday, December 11, 2018
White Eagle Saloon & Hotel - White Eagle Saloon
21 and over
8 p.m.Free21 and over
At first glance, the word association of "Alaska" and "punk rock" might seem like something out of a cunning psychological method, but for singer-songwriter Michael Howard, they represent elemental forces that have helped form his creative voice. "I grew up playing in punk bands around Anchorage, putting on shows at rec centers and such," he says. In many ways, he fits in among a generation of ex-punk rockers and now happens to be a songwriter. As such, Howard is, in a way, an outsider. Born and raised amid the long winter nights and extended summer days of the Last Frontier, Howard knows what it is to be removed, living on the edge of civilization. Being formed as an adolescent by punk's do-it-yourself ethic, he is an explorer and an inventor, creatively speaking. After many dark Alaskan winters touring the rest of the State and long Arctic summers as a community organizer and activist, Michael Howard's unique perspective has come to fruition in his latest album, GASOLINE DREAM, a collection of poetic Americana born from life on the road.
Recorded at San Francisco's Tiny Telephone Studios, the album was produced and engineered by Jacob Winik (Magnetic Fields, John Vanderslice). In keeping with Howard's DIY punk roots, many of the songs, such as "Hog Butcher, Hog Butcher," and the title track, were recorded entirely live. Though a largely stripped-down recording, Howard brought in friend and part-time co-writer Kevin Worrell (upright bass, piano, pump organ) and Andrew Maguire (percussion) for other instrumentation.The songs on Gasoline Dream share a certain unvarnished, prophetic story-song quality with those of early Bob Dylan. Where the songwriting on Howard's previous album, The Martyr & The Magician, was more ethereal and spiritual, here it is more poetic and concrete. "These are a lot of stories inspired by being on the road," says Howard. "There's a touch of the personal along with the universal. It's more of a coherent collection of songs addressing community and global issues, references to veterans of the Afghanistan war and the Arab Spring, for instance."Like many prophets and dream interpreters of history, Michael Howard originates and speaks from the edge of society.
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