836 N. Russell St. / Portland, OR, 97227
Tuesday, October 30, 2018
White Eagle Saloon & Hotel - White Eagle Saloon
$10 in advance, $10 day of show
21 and over
8 p.m.$10 in advance, $10 day of show21 and over
At age 5, Sarah Jane Scouten was sitting on the dining room table, singing "Lace and Pretty Flowers," by Canadian folk and country musician, Willie P. Bennett. Hank Williams and Stan Rogers were her greatest inspirations, both a staple at Sunday morning pancake breakfast and afterward, singing bluegrass and gospel music with her father. Her talent for performing came naturally, and as chance would have it, so emerged a knack for songwriting. Bringing us up to date, Sarah Jane Scouten is an international touring songwriter, loved by audiences across the Northern Hemisphere.
Based in Montreal, Sarah Jane became the leader of one of the finest folk acts in the city, as she put together her brilliant string band. With flavours of Lucinda Williams, Iris DeMent, Old Crow Medicine Show and a wealth of old-time and bluegrass music, her songs are faithful to a long-standing folk music tradition, but often spill over into modern themes that are outspoken and edgy, from homelessness to midwifery to tongue-in-cheek heartache songs and unabashed Canadiana.
In 2014 Sarah Jane released her second full-length album The Cape, named after her childhood playground Cape Roger Curtis and a stormy seven-and-a-half minute long ballad by the same name. The record throws a wake for all the things we won't have back again. You'll find it in the shameless nostalgia for place, time, lost loved ones, frayed family ties and bonds too strong to break.
A traditionalist at heart, she once again shows her signature flair for the roots of roots music, ranging from Western-swing, honky-tonk, Cajun and Appalachian string band music and a hint of the Maritimes. With respect for these roots, she writes from her own perspective, rather than taking on a persona or copying a style, and only writes about what she knows profoundly. As such, the album hits hard and close to home, but also takes off into fiction with songs like "Black Strap Sadie," "Our Small Town" and "I Had To Be Right." There are songs about the North, the South, the East and the West and songs like "When I Told You I Loved You" about traveling in between. The album finishes with an original French-language song/fiddle tune called "Change of Heart Waltz," written in a Cajun style.
The new album was recorded and produced by Juno-nominated producer Andrew Collins (The Foggy Hogtown Boys, The Creaking Tree String Quartet and Annielou) at Sytesound Studio in Toronto and was mastered by David Travers-Smith. With the string band sound at the core of the record, The Cape also features Aaron Goldstein on pedal steel (City and Colour, Daniel Romano), Treasa Levasseur on accordion (Corin Raymond and the Sundowners), Sly Juhas on drums and Sarah Jane's sister and fellow Montreal songwriter, Anna Scouten lending her arresting blood-harmonies.
The complicated heroine's / in short supply again.
Portland-based songwriter Malachi Graham writes lush, intimate Americana inspired by complicated women. It's no wonder- as the descendant of five generations of formidable, tale-telling Portland women stretching back to the Oregon Trail, Malachi learned early that great stories come from unreliable narrators and that the strongest characters are often the most flawed. Since she started writing songs five years ago, Malachi has drawn on history, poetry, and cinema in charater-rich narratives. Her sound has coalesced into something richer than the sum of its parts, her forceful and nuanced electric guitar and vocals working tightly together to tell strikingly sincere stories.
On her debut EP Selfish, recorded live to an 8-track at Mike Coykendall's Blue Room Studios and produced by Dustin Hamman (Run On Sentence), Malachi's character-driven songs come to life with percussion by Dan Galucki (Wooden Indian Burial Ground), bass by William Joersz (Nick Jaina, Ezza Rose), and slide guitar by Courtney von Drehle (3 Leg Torso). Selfish channels female voices that are- like the leading ladies of classic cinema- intoxicating, self-sabotaging, mesmerizing, and not preoccupied with being liked; the compulsive wiretapper, the jealous lover, the censored femme fatale, and the title track's confessional narcissist.
Capturing to tape in single takes, Malachi and this team of top-notch Portland players craft a punchy, electrified folk record led by her strong, unaffected voice, a sound that perfectly mirrors her honest and unapologetic heroines.
"Malachi Graham's roots in Oregon go all the way back to the folks who traveled the Oregon Trail, and her young, but wise voice sounds like it, steeped in the individualism that won the West but that also could make it, at times, a lonely place."
- Portland Tribune
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