Thursday, October 18, 2018

Old Salt Union

Mission Spotlight

White Eagle Saloon & Hotel - White Eagle Saloon

8 p.m.

$12 in advance, $15 day of show

21 and over

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About Old Salt Union

Old Salt Union

A great band is more than the proverbial sum of its parts, and in the pursuit of becoming something that can cut through the clutter of YouTube stars and contest show runner-ups, a great roots music band must become a way of life.  Less likely to rely on production or image, they've got to connect with their audience only through the craftsmanship of their songs, the energy they channel on the stage and the story that brings them together.

Old Salt Union is a string band founded by a horticulturist, cultivated by classically trained musicians, and fueled by a vocalist/bass player who is also a hip-hop producer with a fondness for the Four Freshmen. It is this collision of styles and musical vocabularies that informs their fresh approach to bluegrass and gives them an electric live performance vibe that seems to pull more from Vaudeville than the front porch.

In 2015 they won the FreshGrass Band contest and found the perfect collaborator in Compass Records co-founder and GRAMMY winning banjoist and composer, Alison Brown, whose attention to detail and high standards pushed the group to develop their influences from beyond a vocabulary to pull from during improvisation and into the foundation of something truly compelling in the roots music landscape.

Violinist John Brighton mentions some names familiar to the Compass roster as key influences, musicians like Darol Anger, Edgar Meyer, Mike Marshall and Mark O'Connor, all of whom have collaborated with Brown in the past.  Primary vocalist and bassist, Jesse Farrar (for the indie rock heads - yes, he's related - Son Volt front man Jay Farrar is Jesse's uncle) brings an alternative rock spirit as well as his unique formative experiences as a hip hop producer and bass player for a national tour of The Four Freshmen.  The band's self-titled Compass debut combines these instrumental proclivities with pop melodies and harmonies into a coherent piece of work that carves out a road-less-travelled for the band in the now crowded roots music genre.

The album kicks off with a nod to alternative rock sensibilities - a deconstructed symphonic drone creeps in slowly, while Farrar emerges through the atmospherics to deliver the first lines "Stranded on a lonely road/Trying to find my way back home/A dollar and a broken heart/Didn't seem to get me very far".  His words are followed by a dramatic moment of silence (a trick often used in hip hop) that quickly launches into "Where I Stand", a hard-driving bluegrass track that gets moving so powerfully you almost don't notice the layer of angelic harmonies flowing consistently underneath.

Mandolinist Justin Wallace takes over lead vocal duties for the second track "Feel My Love" as well as a version of Paul Simon's "You Can Call Me Al".  He pops up again on  his composition "On My Way" and his no-frills, approachable voice is the perfect complement to Farrar's more gymnastic style.  The two work together beautifully on the Wallace-penned, "Hard Line".  Wallace is further showcased on the disc's lone instrumental "Flatt Baroque", composed by Brighton, who joins him in some twin mandolin, and it's this more contemplative moment on the album where the listener hears him reaching to be in perfect sync with his bandmate, that best reflects Wallace's role in the evolution story of the band.  If Farrar has emerged as the heartbeat, then Wallace is the soul.

Perhaps most surprisingly, the band was founded by banjoist Ryan Murphey, the aforementioned horticulturist who came to bluegrass music and the banjo later in life.  Finding a kindred spirit in Dustin Eiskant, the band'sformer guitarist and Farrar's cousin, the pair started the band in 2012 and Murphey played the banjo and led the band's business through its early incarnations, including the recruitment of Farrar in 2014.

When Eiskant quit in 2016, just as the band's already impressive trajectory seemed to be taking a significant step forward, Murphey and the band were able to reset, adding guitarist Rob Kindle to the lineup.  Kindle brings a bluegrass foundation from his early exposure to the music as a child in family settings, as well as a degree in jazz performance to the mix.

Though the band had established themselves as a growing festival act with performances at LouFestStagecoach FestivalBluegrass Underground, Winter Wondergrass, Freshgrass, Wakarusa, Yonder Mountain String Band's Harvest Festival, and the 2014 Daytona 500, it was their breakout track on Spotify, "Madam Plum" that seemed to amplify awareness of the band beyond the bluegrass bubble.

Of working with the band in the studio, producer Brown says, "These post modern bluegrassers are true renegades.  While they look like a bluegrass band, their musical sensibilities run much deeper and broader, borrowing as much from indie rock and jazz fusion as from Bill Monroe.  And, even more exciting to me, they know no fear!   They are wide open musical adventurers and we had a great time experimenting in the studio at the crossroads of these disparate influences."

The most unexpected but possibly most fascinating song on the album is a ballad entitled "Bought and Sold".  Its earnest beauty is balanced with a youthful inventiveness that leaves a solemn mark on the listener who might wake up at the end of it thinking, "What just happened?".

At this point, the future of the band seems marvelously unclear. The album closes with "Here and Off My Mind" which seems like the bluegrass song that Conor Oberst never wrote featuring a lyric that ends with the promise of "a better life" though from the all-hands-on-deck jam session that breaks out in the middle (is that a kazoo?) one gets the sense that the band can't imagine a better one than they have in the beat up Winnebago they currently call home.

About Mission Spotlight

Mission Spotlight

After escaping a dry, fundamentalist town in eastern Washington, three of the members of Mission Spotlight moved
to the big city (Portland, Ore.) where they met two bourbon-drinking atheists who would help them fulfill their
dream of starting a country/indie/folk band.

The band's sound is built around singer/songwriter Kurt Foster's baritone voice.
Foster grew up in the church in Southern California. His musical education was a a mix of hymns, Joy Division on the
radio and the Buck Owens and Gram Parsons songs family friend and country musician Jann Browne taught him.

After moving to the Northwest in 1990 and playing in several indie rock bands, Foster's divorce helped him find
focus in the stories he wanted to tell in his music.

Once the alcohol haze of those years lifted, Mission Spotlight was born. The band explores the classic country and
western themes of love and loss and mixes them with the post-punk rock sounds they grew up on. Sad stories,
soaring vocal melodies and dramatic guitar hooks. It's more Magnolia Electric Company than George Jones.

Mission Spotlight performs regularly at the Pacific Northwest's finest venues. They have been privileged to play with
greats like Sturgill Simpson, American Aquarium, and Lindi Ortega.

The band's first two albums (Everything That Floats and Keep The Good Ones Close) were recorded with the
legendary Larry Crane at Jackpot! Studios.

Mission Spotlight's newest album (Remember The Time) finds the band collaborating with one of their musical
heroes, Jason Lytle (Grandaddy). The band met Lytle through mutual friend Howe Gelb and quickly bonded over a
love of the wilderness and early country music.

The new album (coming in Sept. 2018) was recorded at Lytle's home studio in Modesto, Calif. and The Map Room in


"Their high-and-lonesome country sound is easy on the ears while it tugs at the heartstrings."- Portland Mercury

"Mission Spotlight has crafted a modern soundtrack suited for the American West, and it feels pretty damn sincere." -
Willamette Week

"A handsome compendium of twang and tears..." - Portland Mercury

Mission Spotlight is:

Kurt Foster - Vocals, guitar
Danny Facinetti - Drums
Fasil Debeb - Guitar
Ryan Lynn - Pedal Steel, lap steel, guitar
Jeremy Dietz - Bass