demo

Thursday, January 18, 2018

Emporium Presents

Randy Rogers Band

Shane Smith & The Saints

6:30 p.m. doors, 8 p.m. show

$20 advance, $25 day of show

All ages welcome

Randy Rogers Band

Randy Rogers Band

Authenticity isn't something that can be manufactured in a studio. It's not a craft that can be learned or artfully practiced. It comes from living life. It's the byproduct of blood, sweat and tears and as the foundation for music, it elevates mere entertainment to compelling art. Every note, every word on the Randy Rogers Band's new album Nothing Shines Like Neon rings with authenticity that makes each song linger with the listener long after the music fades.


"You've just got to be true to yourself and you can't fool anybody," Rogers states matter of factly of the band's philosophy. "As a whole, our body of work is pretty consistent to our live show and the band that plays on the record is the band that you go see."


The same line up has been performing together since 2002 and the music has evolved as they've soaked up life experience. "As men we've all matured and lived a lot of life together," Rogers says. "We've had a few breakups happen to us. We've had babies. We've had life changes. We've been on the road 200 shows a year. I've been in this band 15 years so a lot has changed. I still listen to Merle Haggard every night. I mean that hasn't changed, but a lot has changed for us musically and privately. We all are in a good spot and we all are just as good friends as when we started."


Camaraderie and creativity have made Rogers and bandmates Geoffrey Hill (guitar), Johnny "Chops" Richardson (bass guitar), Brady Black (fiddle), Les Lawless (drums) and Todd Stewart (utility player) one of the top bands on the competitive Texas music scene. Nothing Shines Like Neon continues the momentum established by the band's four previous albums-Randy Rogers Band, Burning the Day, Trouble and Homemade Tamales, each of which went to No. 1 on iTunes. Earlier in 2015, Rogers joined friend Wade Bowen to record the critically acclaimed album Hold My Beer Vol. 1.


Produced by Nashville legend Buddy Cannon (Willie/Merle) at Cedar Creek in Austin, RRB's news album Nothing Shines Like Neon showcases the band's taut musicianship as well as Rogers' earnest vocals and insightful songwriting on such instant classics as the groove laden "Rain and the Radio," the heartbreak anthem "Neon Blues" and the playful "Actin' Crazy," a duet with Jamey Johnson. "Jamey and I wrote that song together," Rogers notes. "I met a movie star a few days before Jamey and I were going to write. I was in LA playing at the House of Blues and he came out to the show. I was thinking about him ...and thinking about being a struggling actor living in LA and having to put up with all the bullshit that LA is. I just wrote that song about him."


The album opens with the fiddle driven shuffle "San Antone". "That is a Keith Gattis song. He wrote by himself. Being from Texas and living so close to San Antonio, I don't think that song is going to hurt me at all," Rogers laughs. "It's one of those songs when I heard it I was like, ‘Oh hell! Why didn't I write this song?'"


"Takin' It As It Comes" features Lone Star legend Jerry Jeff Walker. "I've been a big fan of Jerry Jeff's all my life," Rogers says. "He came in the studio with us, got in there with the band, jumped around and played guitar and sang. We had a great time."


"Rain and the Radio" is Rogers' homage to Ronnie Milsap. "I wrote that with Sean McConnell. He and I have written a lot of songs through the years. I've always been a huge Ronnie Milsap fan and to me that song has a little Milsap feel to it, kind of a bluesy country thing, which we haven't done before. Any artist that I look up to always tries to create something different and pushes the envelope a little bit. I think we do with that song in particular. It's very country. It's just very different. As a band, we're trying to broaden our horizons and I don't think that's a bad thing. If we were all just stuck doing the same old thing, we would all be bored. We probably wouldn't still be here. It's just a matter of spreading your wings a little bit."


"Look Out Yonder" is a poignant tune Rogers recorded in honor of his mentor, the late Kent Finlay. "Kent gave me my start in the music business. Up until the day that he died, we talked about songs and about music," Rogers says. "We actually named the record, Nothing Shines Like Neon after a lyric in one of his songs as a tribute to him. Alison Krauss and Dan Tyminski are singing on ‘Look Out Yonder', which was written by Earl Bud Lee, who is most famous for writing ‘Friends In Low Places'. He and I have been friends for 10 years and he has always wanted me to cut that song. I've never had a record where it fit and just thinking about losing Kent and Kent going to heaven and joining his mom, ‘Look out yonder coming down the road' it just fit. I haven't performed that song yet live, but I know I'm going to have a hard time getting through it. The day we started our record, I got a call that Kent passed away so this record is definitely dedicated to Kent. That song makes me think about all of us musicians and how we are crazy as hell and lead the most unorthodox lives. Most of us return back to our roots, so hopefully this is an album that glorifies Kent's life and is also a nod to the traditional sounds that we all grew up loving."


A native of Cleburne, Texas, Rogers grew up addicted to traditional country music. "I wanted to be George Strait when I was in the sixth grade," he says with a smile. "And I grew up listening to Willie Nelson and Merle Haggard, I've listened to them more than anybody else, my whole life. I always liked songs. I always wanted to find out who wrote the songs and what the songs were about. I always liked the art and the craft of being a songwriter. My dad's Beatles records got played a lot and Michael Martin Murphy is another one I listened to a lot as a kid. My dad was a huge fan."


Like many artists, Rogers got his start performing in church and then expanded to local venues. "I could write a song when I was pretty little, 11, 12 or 13," he says. "It's like a kid who could do calculus or something. It was just something that clicked in my brain for me. I went and finished college and got a degree in public relations and then started a band."


Since then the Randy Rogers Band has steadily built a following that has spilled beyond their native Texas. For the past 10 years they've recorded for Universal Music Group, but on Nothing Shines Like Neon, Rogers again takes the reins, releasing the album on his own Tommy Jackson Records, named after a song he wrote for their very first album. "It's a very obscure Randy Rogers Band song and to this day there is always this one drunk kid at a show that says, ‘Play "Tommy Jackson!" Play "Tommy Jackson!"' It's kind of a running joke within our band. It's like, ‘How in the hell did this kid in Iowa City, Iowa remember that stupid song "Tommy Jackson?"' It's about a guy who is on the run from the cops, wanted for murder. It's a story song and we just felt like it was a unique way to name a record label."


Nothing Shines Like Neon is a stellar collection in an already impressive body of recorded material that owes a lot to the band's potent live show. "You come to a show, you know what you're going to get," Rogers says. "We've worked hard at making ourselves better on stage and we care about our live show. It's a way to come out and unwind, and we've stuck to writing songs that are about real life, about breakups or divorces, falling in love or babies being born, and in the case of this record even death, the ups and downs of life. People can relate. That's what country music is supposed to be. Our band has been around for a long time because there's no bullshit to us. We're not in it to be rich and famous. We're in it to make a living, provide for our families and do something that we all love. You can't fool people and we haven't ever tried. I think that's the key."

 

 

 

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$850  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 8 p.m.
The box office is open later on nights when there is a performance.
Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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