Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Friday, October 20, 2017 McMenamins and Beloved present Rising AppalachiaGill Landry 7 p.m. doors, 8 p.m. show $23.50 advance, $28 day of show All ages welcome Add to Calendar Rising Appalachia Rising Appalachia brings to the stage a collection of sounds, stories, and songs steeped in tradition and a devotion to world culture. Intertwining a deep reverence for folk music and a passion for justice, they have made it their life's work to sing songs that speak to something ancient yet surging with relevance. Whether playing at Red Rocks or in rail cars, at Italian street fairs or to Bulgarian herbalists, this fiercely independent band has blazed a unique and colorful path across the globe. 11 years into their movement, Rising Appalachia believes that the roots of all these old songs are vital to our ever evolving soundscape. Led by the collective voice of sisters Leah and Chloe, and joined by their beloved band - percussionist Biko Casini and bassist/guitarist David Brown - Rising Appalachia is a melting pot of folk music simplicity, textured songwriting, and those bloodline harmonies that only siblings can pull off. Listen for a tapestry of song, clawhammer banjo tunes, fiddle, double bass, acoustic guitar, djembe, barra, bodhran, spoken word, and a wealth of musical layering that will leave you called to action and lulled into rhythmic dance simultaneously. It is both genre bending and familiar at the same time. Proudly born and raised in the concrete jungle of Atlanta, Georgia, sharpening their instincts in the mountains of Appalachia, and fine tuning their soul on the streets of New Orleans they have crafted a 6-album career from the dusts of their passion. In 2015 Rising Appalachia founded the Slow Music Movement, to help maintain an independent musical spirit in the face of such a fast-paced world. They are creatively committed to keeping their work accessible at the local street level as well as expanding to larger audiences abroad, and have continued to maintain autonomy by self- managing, recording, producing and creating, and directing their work.They are greatly honored to do the work that they do. "Music is the tool with which we wield political prowess. Melody for the Roots of each of us...spreading song and sound around the globe. Music has become our script for vision- not just for aural pleasure, not just for hobby, but now as a means to connect and create in ways that we aren't taught by mainstream culture. We are building community and tackling social injustice through melody, making the stage reach out with wide arms to gather this great family. It has taken on its own personality, carrying us all along the journey. Heres to poetic observations, social change, lyrical messages, political focus, symphonic coercing, ferocious bantering, bicycles and train tracks, primal will, fresh air, harmony, flow, and beautiful noise."- Leah Song. Website:http://www.risingappalachia.com/ Gill Landry Love and hate need each other for either to have meaning and I feel like it's the same way with people. I'd like to believe love always wins coming down the stretch-it just might not be the way you envisioned it. In my experience love often isn't what I expected and wouldn't be half as good if it was. That basically is what I wrote this album about. Townes Van Zandt once said "There's only two kinds of music: the blues and zippety doo-dah." I've always loved that. In my opinion, labeling music sucks, but clearly marketing and classifying music without some label is near hopeless, so here we are. This is not a blues album, though if someone asked me what kind of music I write, I'd like to say blues. Blues singing is an exorcism of the blues itself, and that's how I relate to what I write. This album for me is an attempt to shine a light on my various traps and sorrows as well as explore their emotional depths. I try to purge hard times in song and can only hope that through sharing these glimpses of hard-to-pin-down emotions, others may feel less alone. So that's how I approach songwriting-hopefully not wasting anyone's time, and contributing meaningfully to the conversation within the songs of man. Since making my last record, I destroyed all the pillars of my life intentionally and by accident. I found myself wondering what the hell I was doing, and had to slowly start rebuilding. When you go back to the ground level in any field, with your toes in the dirt, you've got to really want to do it. I already came up through the clubs, playing all the small gigs, busking the streets, and also got the delusions of grandeur that come from playing in much bigger places. When you've been through it and you know how much work it is to start from the bottom, you have to ask yourself if it's truly what you want. Here we are, so I guess the answer is yes. A little over two short years ago, I was set to be married to a woman I loved very much, had just won my second Grammy with Old Crow Medicine Show, and life was good by all perceivable standards. However, I was deeply unsatisfied artistically and needed to leave the band. After the first year of touring my last album, I swore to myself I wasn't writing another goddamned broken-hearted love song, but then my lover took flight and I found myself alone, worn out, disillusioned, and heartbroken in a way I hadn't known before. The future was looking like an exhaustingly long walk through a knee-deep tunnel of shit ending in death, so, it seemed like it wasn't going to be an overly joyous next record after all. BUT, I wanted to find a light in the darkness. This album is more of ‘a map out of the darkness' than ‘an invitation to it.' In writing this album, I wanted to paint a vision of the prison of expectations that eat loving relationships at their core and can turn them into a mechanical farce. The premise through most of this album can be summed up by the title "Scripted Love". The songs reveal characters trapped in scenes they didn't create as much as rehearsed. Their roles are played through narratives either engrained or sold to them through: Hollywood, social norms, family, fairy tales, etc. Hung up on "what's supposed to happen" over what's happening. They find themselves disappointed with the reality of relationships due to their false idealizations. Love becomes a possession rather than a presence. This isn't to say I don't think that there aren't millions of people living in harmonious, real, and loving relationships. I don't happen to know an overwhelming amount of them, but I know they exist. In December, I spent two weeks on the Washington coast at a friend's place where I wrote over half of these songs. I was alone with the cold wind and rain pounding in from the North Pacific. Then I ended up back in Nashville living above my friend Nikki Lane's for a few months where I wrote the rest of them. I moved to a cabin in the country outside Whites Creek, Tennessee to record the album and then took it on the road where I finished vocals and bits in Stockholm, The Isle of Skye, and Blue River, Oregon. I wanted to personally tell the story behind this record, but there are some things I can't write so freely. Here's all the name-dropping, self-congratulatory bits that I'd feel like an ass saying myself, written by a professional. Gil Landry's ‘Love Rides A Dark Horse' follows his critically acclaimed self-titled 2015 ATO debut, which featured appearances by Laura Marling and Robert Ellis among other musical pals. Rolling Stone raved that the record landed at "the four-way intersection between Dylan-inspired folk-rock, atmospheric Americana, dusty cowboy songs and street busker ballads," while American Songwriter hailed it saying "these songs, and especially Landry's honest performance, resonate long after the last note fades. They beckon you back to further absorb his heartfelt, occasionally comforting, musings on the trials and tribulations of romance-gone-sour. It's a subject most of us have experienced, can easily relate to and one that Landry explores with taste and subtle, refined passion." The album earned Landry dates with Ben Harper, Laura Marling, Brandi Carlile, Justin Townes Earle, Warren Haynes, Bruce Hornsby, The Wood Brothers, and more, in addition to festival appearances in the US, UK, & Europe. 'Love Rides A Dark Horse' breaks new ground for Landry with contributions from fiddler Ross Holmes (Mumford & Sons, Bruce Hornsby), keyboard player Skylar Wilson (Andrew Combs, Rayland Baxter), and drummer Logan Matheny (Roman Candle, Rosebuds), the songs explore a more seductive, stripped-down sound built upon a hushed sense of intimacy that calls to mind Leonard Cohen and Tom Waits. The album's tattered narratives cast aside romanticism in favor of reality. Landry sets the tone from the outset with the alternately joyous and ominous album opener "Denver Girls," singing, "If it's not paradise now / Tell me what you're waiting for / Don't you know there is no evermore?" The song features haunting background vocals from First Aid Kit's Klara Soderberg, who joins Landry again later for a proper duet on the driving "Berlin." Additional female vocals appear throughout the album, some from Karen Elson and others from Odessa, their presence a gentle reminder that, as Landry puts it, "it takes two to disagree." On the spare "Bird In A Cage," Landry searches for escape from the prisons we build inside our own minds, while the classic country of "The Only Game In Town" offers up biting wit in its take-down of love for love's sake. It's a sentiment he explores from a number of angles, perhaps most poetically on "Scripted Love," which looks at the ways we set ourselves up for failure by aspiring to unrealistic standards. The scope of Landry's songwriting extends beyond just romance, though. On "The Real Deal Died," he laments the performance nature of style-over-substance art, while "The Woman You Are" finds solace in the company of a partner equally alienated by gentrification and sanitization of contemporary culture. I hope you dig it. Sincerely, Gill Landry Website:http://www.gilllandrymusic.com/Facebook:https://www.facebook.com/gilllandrymusic Upcoming Events Similar Events Upcoming Events at Crystal Ballroom Video Dance Attack Holiday Party Friday, December 15 Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, December 16 Crystal Ballroom Breakfast with Santa Sunday, December 17 Crystal Ballroom Breakfast with Santa Sunday, December 17 Crystal Ballroom Portugal. The Man Sunday, December 17 Crystal Ballroom X Thursday, December 28 Crystal Ballroom Beats Antique Friday, December 29 Crystal Ballroom Fruition Saturday, December 30 Crystal Ballroom Similar Events at Crystal Ballroom Video Dance Attack Holiday Party Friday, December 15 Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, December 16 Crystal Ballroom Breakfast with Santa Sunday, December 17 Crystal Ballroom Breakfast with Santa Sunday, December 17 Crystal Ballroom Portugal. The Man Sunday, December 17 Crystal Ballroom X Thursday, December 28 Crystal Ballroom Beats Antique Friday, December 29 Crystal Ballroom Fruition Saturday, December 30 Crystal Ballroom Video Dance Attack Holiday Party Friday, December 15 9 p.m. 21 and over at Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, December 16 9 p.m. 21 and over at Crystal Ballroom Breakfast with Santa SoldOut Sunday, December 17 8:30 a.m. All ages welcome at Crystal Ballroom Breakfast with Santa SoldOut Sunday, December 17 11 a.m. All ages welcome at Crystal Ballroom Portugal. The Man SoldOut Sunday, December 17 6:30 p.m. Doors, 8 p.m. Show All ages welcome at Crystal Ballroom X Thursday, December 28 7:45 p.m. doors, 8:45 p.m. show All ages welcome at Crystal Ballroom Abstract Earth Project Presents Beats Antique Friday, December 29 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Fruition Saturday, December 30 7:30 p.m. doors, 8:30 p.m. show 21 and over at Crystal Ballroom New Year's Eve with Fruition Sunday, December 31 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Dead Moon Night: A Tribute to Fred Cole Friday, January 5 7:30 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom The BIGGEST Clothing Swap in the NW Sunday, January 7 12 p.m. doors All ages welcome at Crystal Ballroom Steel Panther Friday, January 12 6:30 p.m. Doors, 8 p.m. Show 21 and over at Crystal Ballroom Monqui Presents Wolf Parade Sunday, January 14 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Emporium Presents Randy Rogers Band Thursday, January 18 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Hippo Campus Saturday, January 20 7:30 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Excision Monday, January 22 6:30 p.m. Doors, 8 p.m. Show 18 and over at Crystal Ballroom Showbox Presents Excision Tuesday, January 23 6:30 p.m. Doors, 8 p.m. Show 18 and over at Crystal Ballroom True West present Josh Ritter & The Royal City Band Wednesday, January 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Hammerhead's Birthday Thursday, January 25 All day All ages welcome | 21 and over to drink at All Locations Live Nation and McMenamins present Meshuggah Thursday, January 25 6 p.m. Doors, 7:30 p.m. Show All ages welcome at Crystal Ballroom Video Dance Attack and J-Fell 80s Weekend Night #1: 80s Video Dance Attack Friday, January 26 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom J-Fell Presents and 80s Video Dance Attack 80s Weekend Night #2: 80s Tribute Bands Saturday, January 27 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Phil Lesh & The Terrapin Family Band SoldOut Friday, February 2 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Phil Lesh & The Terrapin Family Band SoldOut Saturday, February 3 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Friday, February 9 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Monqui Presents Dan Auerbach and the Easy Eye Sound Revue Sunday, February 11 7 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom Monqui Presents Walk The Moon Monday, February 12 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Presents Walk The Moon Tuesday, February 13 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Abstract Earth Project Presents Lotus Thursday, February 15 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom McMenamins and Portland Mercury present "Sabertooth Micro Fest" Friday, February 16 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom McMenamins and Portland Mercury present "Sabertooth Micro Fest" Saturday, February 17 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom McMenamins and Portland Mercury present "Sabertooth Micro Fest" Sunday, February 18 (Times to be announced) All ages welcome (Al's Den is 21+) at Crystal Ballroom Mat Kearney Thursday, February 22 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Typhoon Friday, February 23 7:30 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom True West Presents The Wood Brothers Thursday, March 1 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Live Nation BROCKHAMPTON Friday, March 2 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom MarchFourth Family Matinee Saturday, March 3 2 p.m. doors, 3 p.m. show All ages welcome at Crystal Ballroom MarchFourth Saturday, March 3 7 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom MarchFourth 15th Anniversary Spectacular Sunday, March 4 7 p.m. doors, 8:30 p.m. show 21 and over at Crystal Ballroom Showbox Walk Off the Earth Tuesday, March 6 6:30 p.m. Doors, 8 p.m. Show All ages welcome at Crystal Ballroom They Might Be Giants Thursday, March 8 7:30 p.m. doors, 9 p.m. show 14+ at Crystal Ballroom Monqui Presents The Infamous Stringdusters Friday, March 9 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Mike Thrasher Presents AWOLNATION Saturday, March 10 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Mike Thrasher Presents AWOLNATION Sunday, March 11 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Why Don't We Wednesday, March 14 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Friday, March 16 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents Umphrey's McGee Saturday, March 17 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Galactic Saturday, March 24 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Monqui Presents Clean Bandit Wednesday, March 28 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Abstract Earth Project Presents Emancipator Ensemble Saturday, March 31 6:30 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox presents The Darkness Monday, April 2 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom An evening with Amanda Palmer Saturday, April 7 6:30 p.m. Doors, 8 p.m. Show All ages welcome at Crystal Ballroom AEG PRESENTS Kelsea Ballerini Thursday, April 19 6:30 p.m. Doors, 7:30 p.m. Show All ages welcome at Crystal Ballroom Emporium Presents An Evening with Steven Wilson Wednesday, May 9 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West Presents The Weepies Wednesday, May 16 6:30 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Sasha Scarlett Presents Portland Erotic Ball Saturday, October 27 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $850 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 8 p.m. The box office is open later on nights when there is a performance. Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.