demo

Monday, September 18, 2017

McMenamins and KINK-FM

Manchester Orchestra

Tigers Jaw

Foxing

6:30 p.m. doors, 7:30 p.m. show

$22.50 advance, $27.50 day of show

All ages welcome

Manchester Orchestra

Manchester Orchestra

"Cope, to me, means getting by. It means letting go, and being OK with being OK," says Manchester Orchestra's Andy Hull. "You can cope in a positive way when bad things happen or a negative way, and that blend was a big lyrical theme for me on this album." The Atlanta band found itself at a crossroads as they approached making their fourth studio album -- in between labels, uncertain of Manchester Orchestra's future for the first time since Hull started the band almost a decade ago. He was barely finished with high school back then, and now Hull and his bandmates were transitioning into the adult reality that shit happens. They'd learned a bit about letting go themselves.

So Manchester Orchestra regrouped. They built a studio with their own hands, and spent month after month workshopping new tunes, writing and demoing together in a room -- a process that was completely new for them. The change did them good. Witness the title track: COPE takes its name from the track that closes its unrelentingly heavy thirty-eight minutes with the strongest blow of them all. The behemoth "Cope" was written during one of the earliest sessions for the album, and it helped chart the course for everything that followed. Manchester Orchestra had undertaken a process of writing and demoing a new song every single day, with Hull composing lyrics as they went. "Sometimes when you're making up lyrics on the spot, God will drop one on you that you didn't intend," says Manchester Orchestra's Andy Hull of writing "Cope." "There's a lyric, ‘And I hope if there's one thing I let go, it is the way that we cope. I remember being like, ‘Fuuuck, that's really cool,' and getting kind of teary about it. It was like, ‘alright, now we have our starting point.'"

For their previous LP, 2011's Simple Math, experimentation had been the goal. Hull conceived an epic, memoiristic concept album that featured elaborate arrangements including a string section and children's choir. Their highest charting album to date, Simple Math also earned widespread critical acclaim, with American Songwriter noting: "They've perfected the balance of gorgeous songwriting and rabid musicianship, so we can't wait to see what they do next."

But even once they had COPE, it took them a minute to figure out which sonic direction to follow. Working on and off over the course of several months between June 2012 and March 2013, they amassed 28 new songs. "We were writing all different kinds of songs in different genres," says Hull. Staring down a list of almost thirty demos from the previous year, the singer and his bandmates -- lead guitarist Robert McDowell, keyboardist/ percussionist Chris Freeman, bassist Andy Prince and drummer Tim Very -- came to a realization. "We wanted to make the kind of album that's missing at this time in rock: something that's just brutal and pounding you over the head every track, something unrelenting and unapologetic," Hull explains. "Whereas Simple Math was a palate with each song a different color, I wanted this to be black and red the whole time. Our mission statement was to make a crazy-loud rock record. We demoed some slower, introspective songs, but we had to set those aside because this album is not that. This album was about being cool with dedicating yourself to something and sticking through with it. Even the album title is bold and straight-to-the-point."

For each of their first three albums, Manchester Orchestra had worked with producers Dan Hannon and Joe Chicarelli in established studios in Nashville and Atlanta. But they wanted to try something different this time: The band bought a house in Atlanta where some of them had previously lived as roommates, and spent money they'd saved to gut, renovate and soundproof the whole building, turning it into the studio where they would record COPE. "It took us like six months, because we did it all ourselves," Hull explains. "We had a buddy who had helped Chris Walla build a home studio, so he was there as a kind of foreman. We'd gotten together a sweet amount of recording equipment over the years, because we'd always save some of our advance for gear. So we brought all of it into this awesome new space we'd built, and started going to work on recording. There was no studio clock ticking, so we had the freedom to take our time and do whatever we wanted. It was really cool, but weird, not having someone there saying ‘this is what you should do.' It was more difficult but more rewarding." They eventually did hire John Agnello (Dinosaur, Jr., Kurt Vile, The Thermals, Sonic Youth) to mix COPE at FLUXIVITY in Brooklyn.

When it came to committing the final eleven tracks to tape, Hull says the addition of new bassist Prince and the recent addition of Very on drums helped them achieve even greater rhythmic heft. Talking about album-opening track "Top Notch," he notes: "The song has a groove that's insane because the drums are really insane and the bass is insane. The trick is to write complicated things that sound simple, and simple things that sound complicated. That was a big mission statement for us on this album, as well." Regarding first single "Every Stone," Hull laughs and says, "If Manchester Orchestra wrote that song five years ago, it would have been six and a half minutes long and the ending would have never stopped. The thing I love about ‘Every Stone' is it has this massive ending, but then it's over after 45 seconds. It's a great feeling as a listener, when a song leaves you wanting to immediately hear it again."

Ten years after a then-seventeen year-old Hull started Manchester Orchestra as an outlet for his tender bedroom recordings, the singer-songwriter says this time he didn't relent until he'd achieved the exact sound he had in mind . "This was really the most hands-on I've ever been," he says. "I wanted to drive it home completely and so we did, and I'm more proud of it than any record we've done before. Of course, as soon as this one is out, I'm gonna start thinking about how we can make the next one better."

website:
http://www.themanchesterorchestra.com/

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$850  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 8 p.m.
The box office is open later on nights when there is a performance.
Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

Contact Us  | Join Our List  |  Music Booking Inquiry  |  Employment  |  Privacy Policy  |  Accessibility  |  Gift Cards  |  Donations

Site handcrafted in Ashland, Oregon by Project A
Copyright © 2017 McMenamins Inc. All rights reserved.