demo
McMenamins Music

1332 W. Burnside, Portland, OR 97209

Tuesday, August 15, 2017

Reckless Kelly

Cascade Crescendo

Buy Tickets

7 p.m. doors, 8 p.m. show
$21 advance, $30 day of show
All ages welcome

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Reckless Kelly

Understanding the virtuosity of Reckless Kelly requires the perspective of where the band has been. Cody and Willy Braun grew up in the White Cloud Mountains of Idaho. They moved to Bend, Oregon, and then migrated to that great musical fountainhead, Austin, Texas.

?The band's co-founders and frontmen toured the country as part of their father's band, Muzzie Braun and the Boys, as children. They performed on The Tonight Show twice. Their father taught his four sons a professional ethic - integrity, persistence, hard work and professionalism - honed over three generations. They overcame hardships, struggled for recognition, and learned the lessons of the trial and error that defined them.

In one sense, it's remarkable in the way of any musician, athlete, or businessperson who bucks the odds.

In another, though, it's utterly natural that Reckless Kelly, born in the dreams of the two Braun brothers and their heritage but nurtured in the bumpy road of maturity, became the very essence of Americana music in all its far-flung glory.

"We came along in that second wave of the movement," Cody Braun says. "Son Volt's album Trace had a major effect on us. People like Joe Ely, Ray Kennedy and Robert Earl Keen were always big supporters. Our goal was to make music that had a country vibe but a solid rock edge."

In the end, all the recipe required was to just add water. Water facilitates life. It enriches the soul.

As Music Row magazine proclaimed, "In my perfect world, this is what country radio would sound like."

"This" is Reckless Kelly.

?The heartland gave the band authenticity. Musical lives honed its skill. Adversity instilled its persistence. Moving to Austin gave it wings to fly.

?As kids, the Brauns - Cody, Willy, Micky and Gary - shared a stage with the likes of Johnny Cash, Glen Campbell and Merle Haggard. Micky and Gary Braun now helm their own band, Micky and the Motorcars. In Bend, Cody and Willy added drummer Jay Nazz, who brought with him his own unique experience.

?"I had grown up in the Northeast, performing at clubs and weddings with my dad and brother from the age of 13," Nazz recalls, "so, when I met Willy and Cody, we already had that in common. Both of our dads were musicians with a very similar kind of performing discipline. That helped us bond immediately."

?The band took its name from the legend of Ned Kelly, the Australian highwayman, and the three moved to Austin in the autumn of 1996, where they carved a niche of their own. Early on, Keen, a Texas legend himself, took them under his wing and became their first manager. They listened, watched and interacted with the creative dynamos of the outlaw country scene - Townes Van Zandt, Steve Earle, Billy Joe Shaver, Guy Clark and others - and joined them in a redefinition of what contemporary country music had become. Theirs was gritty, hard-edged, uncompromising and convincing. They turned country music real again.

?Willy Braun wrote half the songs of Millican, 1998's self-released debut, in an abandoned school bus, where he had lived for six months in Bend. The effect of that album was to emblazon Reckless Kelly with a reputation as a band of no-nonsense insurgents that could raise the rafters while still retaining a heart and soul of honesty, soul and conviction.

?They evolved, adding David Abetya, a graduate of the Berklee School of Music, on lead guitar in 2000. Kansas-bred bassist Joe Miller -- who had grown up on a family farm before becoming a broadcaster at his college radio station and migrating to Austin - signed on 2012.

?Reckless Kelly's string of critically acclaimed albums - Under the Table and Above the Sun (2003), Wicked Twisted Road (2005), Bulletproof (2008), Somewhere in Time (2010), Grammy-nominated Good Luck & True Love (2011) and Grammy-winning Long Night Moon (2013) - set a standard of reliable excellence and commitment to an instinctive vision of Americana. No band exemplifies the broad genre better.

?Independent? Oh, yeah. Doggedly so. Nothing demonstrates it more than the band's path through a succession of prestigious record labels - Sugar Hill and Yep Roc, among them - en route to a label, No Big Deal, of their own.

?For two decades, the band has toured coast to coast relentlessly. It has demonstrated its longevity in a world where trendy newcomers are proclaimed the Next Big Thing by spinning a couple pop hits. They disappear from the radar, doomed by the very fad that invented them. Not unlike the pioneers who preceded them on the western frontier where the Brauns were raised, they have forged their survival without compromise, combining hard work with a resolve that success is only satisfying when achieved by their own standards and definition.

?The group's new album, Sunset Motel, is, like all its predecessors, distinctive in its own way while true to form. Self-produced and recorded in Austin's renowned Arlyn Studios (where Millican was made two decades ago) and mixed by Jim Scott (Rolling Stones, Dixie Chicks, Tom Petty, Sting, Roger Daltrey, Crowded House, et al.), it reflects Reckless Kelly's attention to craft and continuity.

?Twenty years since its founding, Reckless Kelly continues to fight for wider recognition, secure in the knowledge that fans, critics and contemporaries will continue to sing its praises.

?The songs hit one emotional peak after another: the infectious "Volcano," the urgent "One More One Last Time," the desperate desire that comes full circle in "How Can You Love Him (You Don't Even Like Him)" and the bittersweet title track. With steady guitar drive and a series of insistent choruses, they all ring with power and conviction that make Sunset Motel a breathtaking listening experience.

"Willy wrote 30 or 40 songs for the new album and we cut about half of them," Cody says. "We ended up using 13 of them, but there were still some good ones left on the cutting-room floor."

?Cody, Willy and Nazz have been constants since the beginning. Abeyta and Miller add their own wrinkles to a signature sound that remains intact. The populist following grows, but the band has also moved on to play in performing arts centers and listening rooms that provide more focused encounters.

?"We're at the point where we're not content to be categorized as simply a party band anymore," Willy says. "We would like folks to really hear these songs, to be able to hear the lyrics and appreciate the musicianship that goes into the arrangements. Yes, we still want our audiences to have a good time, but we also want to show that this is a real band with a cohesive attitude and a muscular backbone, as well. We don't want to be pigeonholed as simply a Texas-based, beer-drinking, rowdy bunch of party boys. There's a lot more to it than that."

?"This is a really good place to be," Cody adds. "We've built a solid fan base, which gives us a nice safety net. At the same time, we can take things at a more leisurely pace because we can control our own destiny."

?Great bands know good music. They make it the way they like, confident that what they love, what excites them, will also gain traction with thousands and thousands, perhaps even millions, of passionate fans.

?Reckless Kelly is, by the best possible definition, a great band.

?Freedom to pursue its own destiny has always been at the center of the band's ambitions. Their fate is as much in their own hands as is reasonably possible.

?"We've toured extensively over the course of our career," Cody says. "We've traveled front and back, up and down, across this country. Happily, we're at a point where we're not killing ourselves to pay the bills."

?That point liberates them to be true to their background, their heritage and, most importantly, themselves.

"We've always been hands-on in terms of our marketing and our delivery," Willy says. "The labels always gave us the freedom we asked for, but an A&R person doesn't always know what's best for the band."

?The fierce self-reliance and independent spirit keeps Reckless Kelly happy, appreciative and charitable. Their annual festival, The Braun Brothers Reunion, in Challis, Idaho, has been ongoing for 37 years now. They reunite with their brothers, Gary and Micky (and the Motorcars). The Brauns run it without major sponsors or outside promoters.

?The band also hosts the yearly Reckless Kelly Celebrity Softball Jam to raise money for Austin-area youth charities, putting $300,000 in those coffers over the past seven years.

?"It's a great way to give back," Cody says. "It's great to be able to share our success in such a positive way."

Collectively, they've played over 3,000 shows and traveled over 1,500,000 miles to 49 states.

?Reckless Kelly is a great band with an apt name. The outlaw's spirit pervades the ambiance. They are rugged individualists who dedicate themselves to advancing the state of their art.

?They're good guys, too. Their hearts dwell in the right places, and those are where the music follows.

 

Website:
http://recklesskelly.com/

Cascade Crescendo

Cascade Crescendo

Cascade Crescendo, from Portland, Oregon has been crafting their own brand of bluegrass since 2013. Pulling from their vast range of collective influences, they play original, high-energy bluegrass, jam, and Americana music with captivating lead vocals by Hunter White, blazing fast mandolin licks by Aden Beck, and creative, thumping bass lines by Taylor Skiles. Duluth, MN banjo player, Harrison Olk (formerly of Tin Can Gin) joined the band in late 2015, bringing with him solid Scruggs-style banjo sounds and high lonesome harmony vocals.

Cascade Crescendo recorded their first studio album in Spring 2016 at The Hallowed Halls in Portland, OR. The album features fiddle player, Allie Kral (Yonder Mountain String Band) on five tracks and a guest appearance by drummer Nick Werth (Yak Attack, Ghost-Note). Cascade Crescendo is gaining steam in 2016, quickly winning over fans across the Pacific Northwest and beyond. They performed at the 2016 Northwest String Summit and have been invited back for a second year. Keep an eye out for Cascade Crescendo on their first national tour in the Spring of 2017.

Website:
http://www.cascadecrescendo.com/

Facebook:
https://www.facebook.com/cascadecrescendo/?fref=ts

Instagram:
www.instagram.com/cascadecrescendo

Twitter:
www.twitter.com/cascadcrescendo

YouTube:
https://www.youtube.com/watch?v=64-pOHvugr0

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$850  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 8 p.m.
The box office is open later on nights when there is a performance.
Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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