Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Saturday, September 23, 2017 Ride Buy Tickets 7 p.m. doors, 8 p.m. show$30 advance, $35 day of show (VIP tickets available)All ages welcome Add to Calendar Ride Waving farewell to the Eighties: it was biggest pop kick there'd been in, ooh, ten years. During that godforsaken, musically atrocious decade, it was them and us. We hadn't got a prayer. Our stuff didn't register in corporate demographic terms, it was too vague and indefinable. And it didn't register in the charts. There would be the occasional triumph, as the The Smiths, the Bunnymen or the Mary Chain made a lightning raid on the Top 20, only to limp back to obscurity the following week. So, come the tail end of 1989, there was a mood of battered, hopeless optimism. As we took our huddled flight into the Nineties, a bolt from nowhere, from Oxford, overturned the inherent pessimism in that optimism and gave us something to believe in. Ride had tunes, noise, looks, style, confidence, everything. And they had youth: their two guitar-playing singers Mark Gardener and Andy Bell were both just 19, as was drummer Laurence ‘Loz' Colbert. Stephen Queralt, the bassist, was an oldster at 21. They'd come together on a foundation course at North Oxford Art College and had been playing around the Thames Valley area for less than a year. Already, though, they looked and sounded supreme, like they'd been born with their guitars strapped on and had been jamming together ever since. Justifiably mistrusting the A&R scramble that ensued, they instead signed up where they felt they belonged, Alan McGee's Creation Records. The cover of the ‘Ride EP', released in January 1990, showed a bed of roses. The symbolism there, and in the first words on the first track was lost on nobody. A new decade was rung in with a possibility that guitars gone into overload might become pop music - as in actually popular, in the charts and stuff. ‘Take me for a ride away from places we have known,' Mark crooned on ‘Chelsea Girl'... implicit in the song's delirious melody was a reaching for new heights, a belief in better things to come. It went to Number 71. In those days, for an independently released debut, with next to no radio airplay, this was a result. Creation had never slipped inside the Top 75 before. There hadn't been such a buzz about a UK group in aeons. Ride were hungry to perform, and when they did, they blew everyone away. It all kind of centred on Loz. He was a hurricane behind the drums, you'd just see this blur of sticks and hair. Stage right was Steve, staring intently downwards, snapping the groove tightly down. Off to the left was Andy, in his own world. And right up front you had Mark, thrashing wildly at the six strings, but cooing like an angel into the mic, the Ride duality in one body. By April, they'd charged up enough audiences for there to be real anticipation for their next record - the ‘Play EP' - and on that buzz alone, it went in at - unthinkable! - Number 32. Bands just didn't happen that quick. Even the Roses and the Mondays and the Scream, who'd all been going for years, had only just started to hit. ‘It took Primal Scream six years to become a genius band,' gushed McGee at the time. ‘Ride have managed it in six months.' Eager anticipation now shifted onto Ride's debut album. Preceding it by a month came the ‘Fall EP', the band's third, with a foreboding atmosphere about it that those hooked on the noise/pop pleasures of ‘Chelsea Girl' and ‘Like A Daydream' might not have foreseen. After the Smithsian daffodils last time out, the sleeve showed penguins freezing to buggery in the snow. The four tracks were headed up by their darkest composition so far, ‘Dreams Burn Down'. For all the uncompromised storm clouds, ‘Fall' near as goddammit matched the success of ‘Play' at Number 34. When ‘Nowhere' dropped in October '90, it not only became Creation's first ever Top 75 album, but shot in at Number 11, to blanket critical appreciation. It was angst, but it was ecstatic, as witnessed by Bell's awesome closing track, ‘Vapour Trail', its brooding bassline/cello finale leading up and away into infinity. A fitting climax to the finest debut album of 1990. The rest of the world was listening. In Japan, Australia and America, the ‘Smile' mini-album was released, compiling the eight killer tracks from those first two EPs. Press excitement exploded around the globe. The band did an extensive European tour in the Winter of '90, followed by a debut trip to Japan. They landed at Osaka airport to be greeted by 200 girls all clutching bunches of daffodils (how did they do that - in December?!). Ride were pop stars. Where so many of their contemporaries had failed to stretch their fame beyond the British coastline, Ride were truly a global success. The 4000 tickets for the Japanese tour sold out in 12 minutes, and ‘Nowhere' went Top 10 there. ‘Vapour Trail' from the album was also a huge US radio hit. As people, the band's time wasn't their own anymore. In March '91, Ride Mark 1 released the ‘Today Forever EP', with a killer shark's jaws warning off competitors from the sleeve and the mesmerizing lead tune, ‘Unfamiliar', doing much the same in music. It leapt into the singles chart at No 14, a career best, but already they were planning Ride Mark 2, to leave their peers for dust. ‘All that stuff just means we do something different next time,' Queralt informed Select magazine's David Cavanagh at the time. ‘We're now very aware of what we don't want to sound like.' In 15 months, Ride had released two albums' worth of material. For the rest of '91, they played live all over the world. They toured the US for the first time, nipped down to Australia and back up for a second visit to Japan. Headlining the one-off Slough Festival in July, they aired some of their work-in-progress. Withdrawing to rural Chipping Norton with Alan Moulder at the production controls, they recorded some 25 tracks, from which the ten great ones formed ‘Going Blank Again'. It was an astonishing LP that bore no trace of ‘difficult second album' syndrome, soaring off boldly beyond anything that they, or any of their piddling peers, had achieved thus far. Its title sarcastically swiped at critics who alleged that Ride were vacant, had nothing to say. And ‘Leave Them All Behind', which trailered it in February '92, was as eloquent a mission statement as you could've wished for. Without giving any ground (hell, by stealing more!), ‘Leave Them All Behind' went in at 9 (Creation's first ever Top 10 hit). In March, the LP went further, racing in at 5. These were glory days for Ride. They'd very effectively legged it clear of the pack that had formed around them, and scaled the industry ladder to the point where, following an exhaustive and exhausting world tour - their second in as many years, they would play one slot below Loz's all-time heroes Public Enemy at Reading '92. If you're holding the full-tilt box-set version of this ‘Best Of', you can hear for yourself just how mind-meltingly brilliant they were live around this time. The four of them spent much of that year getting fired up. They ventured out for the occasional live show including the spectacular Daytripper weekend, where they co-headlined the Brighton Centre and the Blackpool Empress Ballroom with The Charlatans - Ride closing the show down South with the bill flipped on The Golden Mile. And once their songs were close to ready, they went back to Oxford with producer George Drakoulias (Black Crowes, Jayhawks), to hone and re-arrange the next ‘difficult' album, their third. Pre-production over, George had to leave to take the helm of Primal Scream's ‘Give Out But Don't Give Up', but there was a producer lined up - John Leckie, who could reel off a litany of classics he'd worked on, from John Lennon's ‘Plastic Ono Band' and ‘Meddle' by Pink Floyd, right through to ‘The Stone Roses'. Initially bound tight as an insular band/gang, Ride's gates had blown open and the world around them came flooding in. It was like swapping black/white for Technicolor, everyday life for hyperreality, With its opening minute of chirruping / chattering, this was not the stuff of radio dreams. Having been AWOL during the first tremors of Britpop (Suede/Auteurs, and in January, ‘Supersonic' by Oasis), Ride came back as a ball of confusion. The single stalled at 38, but it set the stage for the main feature, ‘Carnival Of Light', unleashed in June. The fish-eye sleeve shot of the band spoke volumes to fans of lysergic history. The grungy cover of ‘How Does It Feel To Feel?' by The Creation (the '60s garage-psych band who'd given McGee's label its name) harked back to familiar sounds, but for the rest, Ride strode boldly forward from behind their habitual wall of feedback and, as they'd promised before, just let it flow. At Christmas, the band played as un-billed support to Oasis at their biggest gig to date, the 5,000-capacity Brighton Centre. Without realising at the time, this was to be the band's last UK show, the only dates that followed in 1995 were a fourth tour of Japan and one festival in Spain. However one Noel Gallagher watched the whole Ride set from the mixing desk at the back of the hall, commenting at the end ‘It's just as well we're fucking good'. With wives, babies and new homes they'd barely had time to decorate yet, the four now had lives of their own. They'd been at this for five years, and while they'd all grown up together, they'd developed their own domestic agendas away from the gang ethos. It must've been a bastard to know what to do next. They each had their own ideas. It's a miracle that they came up with anything at all, but what they recorded through 1995 was ‘Tarantula', another quantum leap forward. However, by the time it was released in March '96 the band had announced that they had effectively split up. To hear what a high Ride flew out on, how far they'd travelled since ‘Chelsea Girl, ‘Leave Them All Behind', even ‘Birdman', just cue up ‘Black Night Crash': a blast of bad-ass blues, based on the car-smash voyeurism of JG Ballard's ‘Crash'. Despite the lack of gigs, the album still charted at 21. 2001 saw the release of the re-mastered catalogue albums from the original analogue tapes, "OX4 - The Best Of Ride"; a timely reminder of just how brilliant, how different, how influential, and how fundamental they were to what has since followed. Alongside this was a 3xCD box set, featuring "OX4" alongside an album of previously unreleased material, "Firing Blanks", and a live album of their Reading Festival show in August 92. A series of live shows in 2015 across the UK, Europe and US have now been announced, marking 20 years since the band's last concerts. For more information go to www.ridemusic.net. Website:http://ridemusic.net/ Upcoming Events Similar Events Upcoming Events at Crystal Ballroom George Clinton & Parliament Funkadelic Sunday, July 30 Crystal Ballroom Taking Back Sunday Thursday, August 3 Crystal Ballroom Video Dance Attack: '80s VS '00s Friday, August 4 Crystal Ballroom 90s Night "Glow Night In the Ballroom" Saturday, August 5 Crystal Ballroom Lucent Dossier Experience Tuesday, August 8 Crystal Ballroom Bomba Estéreo Thursday, August 10 Crystal Ballroom DJ Quik + Scarface Friday, August 11 Crystal Ballroom 94/7's "Best Show of the Year... So Far (Part 2.5)" Saturday, August 12 Crystal Ballroom Similar Events at Crystal Ballroom George Clinton & Parliament Funkadelic Sunday, July 30 Crystal Ballroom Taking Back Sunday Thursday, August 3 Crystal Ballroom Video Dance Attack: '80s VS '00s Friday, August 4 Crystal Ballroom 90s Night "Glow Night In the Ballroom" Saturday, August 5 Crystal Ballroom Lucent Dossier Experience Tuesday, August 8 Crystal Ballroom Bomba Estéreo Thursday, August 10 Crystal Ballroom DJ Quik + Scarface Friday, August 11 Crystal Ballroom 94/7's "Best Show of the Year... So Far (Part 2.5)" Saturday, August 12 Crystal Ballroom George Clinton & Parliament Funkadelic Sunday, July 30 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Showbox Presents Taking Back Sunday Thursday, August 3 6:30 p.m. doors, 7:30 p.m. show All ages welcome at Crystal Ballroom Video Dance Attack: '80s VS '00s Friday, August 4 9 p.m. 21 and over at Crystal Ballroom 90s Night "Glow Night In the Ballroom" Saturday, August 5 9 p.m. 21 and over at Crystal Ballroom Lucent Dossier Experience Tuesday, August 8 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Double Tee & Soul'd Out Productions Bomba Estéreo Thursday, August 10 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Tastemaker Live & Sean Healy Presents DJ Quik + Scarface Friday, August 11 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom 94/7's "Best Show of the Year... So Far (Part 2.5)" Saturday, August 12 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Reckless Kelly Tuesday, August 15 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui presents Sylvan Esso Wednesday, August 16 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui presents Sylvan Esso Thursday, August 17 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Elizabeth Mollo Productions Presents "Fade To Light" - A Multidimensional Fashion Event Wednesday, August 23 6:30 p.m. doors, 8 p.m. show All ages welcome, Bar with ID at Crystal Ballroom Simple Plan SoldOut Friday, September 1 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom Monqui presents Johnnyswim Saturday, September 2 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Thundercat Wednesday, September 6 7:30 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom Manchester Orchestra Monday, September 18 6:30 p.m. doors, 7:30 p.m. show All ages welcome at Crystal Ballroom Monqui Goldfrapp Wednesday, September 20 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Future Islands Thursday, September 21 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Future Islands SoldOut Friday, September 22 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Ride Saturday, September 23 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents An evening with Apocalyptica Sunday, September 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West presents Thee Oh Sees Monday, September 25 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom An Evening with The Magpie Salute Tuesday, September 26 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Ninja Sex Party Thursday, September 28 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Jon Bellion Tuesday, October 3 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Misterwives Friday, October 6 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom Showbox Live Krewella Saturday, October 7 8 p.m. doors, 9 p.m. show 18 and over at Crystal Ballroom True West King Gizzard & the Lizard Wizard Sunday, October 8 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Showbox Live Yellow Claw Thursday, October 12 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Showbox Live Nick Murphy Friday, October 13 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom MUTEMATH Wednesday, October 18 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Rising Appalachia Friday, October 20 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Oh Wonder Saturday, October 21 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Milky Chance Sunday, October 22 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Broken Social Scene Tuesday, October 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Slowdive Thursday, October 26 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom '80s Video Dance Attack - Halloween Party Friday, October 27 TBD 21 and over at Crystal Ballroom 18th Annual Portland Erotic Ball Saturday, October 28 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom STG presents NEEDTOBREATHE Monday, October 30 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom The Noise Presents Nothing More: The Stories We Tell Ourselves Tour Tuesday, October 31 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom LANY Monday, November 6 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Blues Traveler Saturday, November 11 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Showbox Live Illenium Saturday, November 25 7:30 p.m. doors, 8:30 p.m. show 18 and over at Crystal Ballroom The Dandy Warhols: Cowboy Christmas Saturday, December 9 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Fruition Saturday, December 30 7:30 p.m. doors, 8:30 p.m. show 21 and over at Crystal Ballroom Fruition Sunday, December 31 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom True West Josh Ritter & The Royal City Band Wednesday, January 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Friday, February 9 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $850 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 8 p.m. The box office is open later on nights when there is a performance. Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.