Back to full calendar Event Info Event Calendar Venue Info Info Tech Specs Promoter Info Box Office Private Events Shop Lola's Room Discover Art History Brewery Explore the Crystal Blocks Monday, May 22, 2017 Monqui and McMenamins The Jesus and Mary Chain The Warlocks Buy Tickets 7 p.m. doors, 8 p.m. show$35 advance, $40 day of show All ages welcome Add to Calendar The Jesus and Mary Chain The Stooges, the Ramones, Einstürzende Neubauten, The Shangri-Las: an eclectic range of influences for sure, and one that inspired brothers Jim and William Reid as The Jesus and Mary Chain emerged from Lanarkshire, Scotland, to become one of the most influential bands of their era. What followed was a rush of creativity and controversy in which the power of their music - most strikingly the landmark debut ‘Psychocandy' - was matched by the volatility of their relationship. Their journey sparked a wider influence. Not only did their success help Alan McGee's Creation Records to flourish into the home of Britain's most critically acclaimed bands from My Bloody Valentine to Oasis to Super Furry Animals, but early drummer Bobby Gillespie made history of his own with Primal Scream. By 1998, however, chaos had devolved into terminal conflict and the JAMC story was over. "At the time it was the old, ‘I'm never gonna do this again, no matter what'," recalls Jim Reid. "And then as the years go by, you can't really remember the reasons why you broke-up in the first place. Maybe we could've repaired the relationship back then, and we were too quick to end it." A spirit of sibling stubbornness continued, with each Reid assuming that the other wouldn't want to reunite. Eventually they found what sounds like a reluctant common ground by agreeing, "I'd do it if you do it." As Jim adds, "We thought, ‘Well fuck it, why not?' It seems crazy not to. And if we leave it any later maybe we're gonna be too old." In their absence, the list of bands influenced by the JAMC blueprint seemed to run on and on, while Sofia Coppola's use of ‘Just Like Honey' in the closing scene of ‘Lost in Translation' allowed a new generation the chance to discover JAMC. In the years that followed, Coachella repeatedly tried to persuade them to reform the band: a ploy that was finally rewarded when JAMC made their big comeback in 2007 - accompanied by special guest Scarlett Johansson. And while the live shows kept on coming - including a special back-to-back ‘Psychocandy' tour - the prospect of a new album remained tantalisingly out of reach. The challenges were multiple: disagreements on where and how to record, together with Jim's reluctance to leave a comfortable-but-quiet life with his young family to spend months abroad. So what changed? "We started to - can you believe? - listen to each other a bit more," he explains. "In the last couple of years, we've buried the hatchet to some degree, and thankfully not into each other. Most people who know us would say that we haven't mellowed that much. I think it was to do with the fact, dare I say it, that wisdom comes with age. Let's live and let live, and let's take each other's opinions into account. The thing that surprised both me and William was that there wasn't much animosity in between us in the studio." Work on the album, subsequently titled ‘Damage and Joy' (a reference to the English translation of schadenfreude), began in September 2015, with producer Youth also contributing bass and diplomacy to proceedings during sessions in London, Dublin and Granada, Spain. It was a process, notes Jim nonchalantly, "that didn't feel as weird as you might expect." News of the album broke to the world at large via Alan McGee - now again their manager - in November 2016 and the lead track ‘Amputation' emerged just a few weeks later. Its waves of distorted guitar flow under Jim's insouciant vocal delivery collide to create a hypnotic address to his feelings of "being edited out of the whole music business and wondering what had gone wrong. We didn't seem to fit in anywhere and I felt like a rock ‘n' roll amputation." Elsewhere, ‘Damage and Joy' expertly judges that precarious balancing act of needing to both grow and to remain true to the spirit that captured people's imagination the first time around. William's ‘All Things Must Pass' is a refined re-energised version of the song that previously appeared on ‘Upside Down: The Best of The Jesus and Mary Chain' in which tales of hedonistic excess simultaneously feel like both a cry for help and an extension of their sardonic black humour. That's a trait that emphasised in ‘Facing Up To The Facts' with the couplet "I hate my brother and he hates me / That's the way it's supposed to be." It's also not a lyric that Jim considers to be at all remarkable. "At times we do hate each other, it's been largely what's fuelled the Mary Chain. It would be just as correct to say that I love him too, but that doesn't sound so good, does it?" It's easy to assume that McGee's management of the Reids was effectively his training ahead of guiding the Gallaghers. "There are a lot of similarities, it's quite spooky actually," laughs Jim. "We certainly laid the groundwork for him in terms of having to deal with sibling rivalry within a band, and being brothers that wanted to kill other." Not that he's so interested in tracing the impact of JAMC upon their many followers. "If you've listened to music for as long as I have, you find a cycle. You start off with Joy Division and if you stay tuned there'll be some young band like them decades later. Rock ‘n' roll is a borrowed art form. I'm sure when Mary Chain came along there were old guys calling us to the new Velvets or what have you. Personally I'd rather listen to my old Beatles, Joy Division and Velvet Underground records, and not bother with the bands that sound like them." Ultimately, the triumph of ‘Damage and Joy' is one in which its sonics transcend its story. "The interesting thing about this record is what comes out of the speakers. To make a good record is an achievement if you're twenty-two, but to do it in your fifties, the way we are, I think is a minor miracle." Facebook:https://www.facebook.com/JesusAndMaryChain/Spotify:https://open.spotify.com/artist/4rjlerN21ygkIhmUv55irsWebsite:http://thejesusandmarychain.uk.com/Twitter:https://twitter.com/TheMaryChain The Warlocks Formed in America during 1999, The Warlocks produce a relentless, hypnotic wall of sound that suggests a collision between classic psychedelia, Krautrock and Velvet Underground style rock and roll. It's just what the head doctor orders if you wish to be an underground stateside phenomenon and that's exactly what The Warlocks became. Front man Bobby Hecksher grew up in the swamps of Tampa Bay, Florida where he was practically raised at a radio station owned his grandfather and where his mum also worked as a secretary. As a result Bobby was soon eating and breathing rock'n'roll on a daily basis. Bobby recalls, "My granddad was an inspiration. He created the radio station out of thin air. And from it all these nuggets of rock'n'roll came toward me". At sixteen his family left the swamps and moved to LA where Bobby soon found kindred spirits. He jammed with Beck, playing bass on Stereopathetic Soulmanure, Beck's second independently released album. He hung out in the decadent atmosphere of the Mad Hatter club and moonlighted in the Brian Jonestown Massacre whilst also attending parties with legendary acid guru Timothy Leary, a potent cultural and creative mix that led to the formation of The Warlocks. Their debut album Rise & Fall (Bomp 2000) set out their template, allowing The Warlocks to build upon their reputation as a forceful live act. But it was the band's signing of a worldwide deal with Mute (in conjunction with City Rockers in the UK and with Birdman in America) that led to the release of Phoenix (2003) a record that raised their profile significantly. The album's varying moods and atmospheres range from the driving power of "Shake the Dope Out" to the 14-minute, hallucinogenic opus "Oh Shadie." International touring in support of the release and the sheer power of Warlock's gigantic live sound built a worldwide cult following for the band that has only grown and intensified. 2005 saw Hecksher and company team up with veteran producer Tom Rothrock (Beck, Elbow, Motörhead) for the band's third album, the dreamy blissed-out Surgery. After some significant changes in personnel, the band returned just 2 years later with the darker Heavy Deavy Skull Lover released on Tee Pee Records, followed by 2009's The Mirror Explodes produced by Rod Cervera and Joey Santiago of The Pixies. All the while, the band continued to develop their sound and grow their fanbase, and after a somewhat longer hiatus, the Warlocks returned in 2013 with Skull Worship. For The Warlock's newest album, Hecksher has dug deep into the demo vault for the most promising, undiscovered musical treasures, which the band then reworked and re-recorded to bring you Songs From The Pale Eclipse. Hecksher explains, "Songs From The Pale Eclipse is a collection I've been wanting to get to for the last decade or so. We've sifted through stacks of demos, odds and ends on my 8-track...not everything fits like it's one cohesive album; it's not supposed to! In this modern age, you can pick and choose as you like!" The first single from Songs From The Pale Eclipse, "Lonesome Bulldog," features Hecksher's solemn, yet seductive, raspy voice paired perfectly with melodic guitars that chime and swirl and sharp, tight drums. Hecksher's poetic lyrics, such as "trying to unwind the time, falling through the mirror, with acid on my mind" from the track "We Took All The Acid" are playful yet articulate. "Drinking Song" is complete with visionary themes of the personification of alcohol and deep moods that reveal the pain of alcoholism, expressed by the line "oh alcohol, you know me too well." The album's deft production illuminates the multi-textured instrumentation and harmonically-rich vocals. All together, the effortless sounds of Songs From The Pale Eclipse will leave the listener intoxicated. Website:https://thewarlocks.bandzoogle.com Upcoming Events Similar Events Upcoming Events at Crystal Ballroom Modified Style Portland's 8th Annual Fundraiser Fashion Show Thursday, June 22 Crystal Ballroom Dru Hill feat. Sisqo, Nokio, Jazz & Tao Saturday, June 24 Crystal Ballroom Celebrate Life! Sunday, June 25 Crystal Ballroom Streetlight Manifesto Friday, June 30 Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, July 1 Crystal Ballroom The Avalanches Wednesday, July 12 Crystal Ballroom Sabrina Carpenter Thursday, July 13 Crystal Ballroom "Rockin' For Tony" Sunday, July 16 Crystal Ballroom Similar Events at Crystal Ballroom Modified Style Portland's 8th Annual Fundraiser Fashion Show Thursday, June 22 Crystal Ballroom Dru Hill feat. Sisqo, Nokio, Jazz & Tao Saturday, June 24 Crystal Ballroom Celebrate Life! Sunday, June 25 Crystal Ballroom Streetlight Manifesto Friday, June 30 Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, July 1 Crystal Ballroom The Avalanches Wednesday, July 12 Crystal Ballroom Sabrina Carpenter Thursday, July 13 Crystal Ballroom "Rockin' For Tony" Sunday, July 16 Crystal Ballroom Modified Style Portland's 8th Annual Fundraiser Fashion Show Thursday, June 22 6:30 p.m. doors, 7:30 p.m. show All ages welcome at Crystal Ballroom Over The Top Entertaiment Dru Hill feat. Sisqo, Nokio, Jazz & Tao Saturday, June 24 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Make-A-Wish Celebrate Life! Sunday, June 25 2 p.m. doors, 3 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Streetlight Manifesto Friday, June 30 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom "Come As You Are" - 90s Dance Flashback Saturday, July 1 9 p.m. 21 and over at Crystal Ballroom Double Tee & Soul'd Out Productions The Avalanches Wednesday, July 12 7:30 p.m. doors, 8:30 p.m. show 21 and over at Crystal Ballroom Sabrina Carpenter Thursday, July 13 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom "Rockin' For Tony" Sunday, July 16 6 p.m. doors, 7 p.m. show 21 and over at Crystal Ballroom McMenamins Soul Clap presents Musiq Soulchild Wednesday, July 19 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom George Clinton & Parliament Funkadelic Sunday, July 30 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Showbox Presents Taking Back Sunday Thursday, August 3 6:30 p.m. doors, 7:30 p.m. show All ages welcome at Crystal Ballroom Lucent Dossier Experience Tuesday, August 8 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Double Tee & Soul'd Out Productions Bomba Estéreo Thursday, August 10 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom 94/7's "Best Show of the Year... So Far (Part 2.5)" Saturday, August 12 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Reckless Kelly Tuesday, August 15 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui presents Sylvan Esso Wednesday, August 16 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui presents Sylvan Esso Thursday, August 17 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Simple Plan Friday, September 1 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom Monqui presents Johnnyswim Saturday, September 2 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Thundercat Wednesday, September 6 7:30 p.m. doors, 8:30 p.m. show All ages welcome at Crystal Ballroom Manchester Orchestra Monday, September 18 6:30 p.m. doors, 7:30 p.m. show All ages welcome at Crystal Ballroom Monqui Goldfrapp On SaleJun 23 Wednesday, September 20 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Future Islands Thursday, September 21 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Future Islands SoldOut Friday, September 22 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Ride Saturday, September 23 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents An evening with Apocalyptica Sunday, September 24 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom True West presents Thee Oh Sees Monday, September 25 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom The Magpie Salute Tuesday, September 26 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom Ninja Sex Party Thursday, September 28 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Jon Bellion Tuesday, October 3 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Misterwives Friday, October 6 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom True West King Gizzard & the Lizard Wizard Sunday, October 8 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Showbox Live Nick Murphy Friday, October 13 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom MUTEMATH Wednesday, October 18 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Oh Wonder Saturday, October 21 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Presents Milky Chance Sunday, October 22 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Monqui Slowdive Thursday, October 26 7 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom '80s Video Dance Attack - Halloween Party Friday, October 27 TBD 21 and over at Crystal Ballroom 18th Annual Portland Erotic Ball Saturday, October 28 8 p.m. doors, 8 p.m. show 21 and over at Crystal Ballroom STG presents NEEDTOBREATHE Monday, October 30 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom The Noise Presents Nothing More: The Stories We Tell Ourselves Tour On SaleJun 23 Tuesday, October 31 6 p.m. doors, 7 p.m. show All ages welcome at Crystal Ballroom LANY Monday, November 6 7 p.m. doors, 8 p.m. show All ages welcome at Crystal Ballroom Showbox Live Blues Traveler Saturday, November 11 8 p.m. doors, 9 p.m. show All ages welcome at Crystal Ballroom Super Diamond - The Neil Diamond Tribute Friday, February 9 8 p.m. doors, 9 p.m. show 21 and over at Crystal Ballroom Info Tech Specs Promoter Info Box Office Private Events Shop The Crystal Ballroom 1332 W. Burnside Portland OR 97209 (503) 225-0047 Contact us Where On Any Night, Anything Can Happen!! In these walls... The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome! ♦ Looking for your Crystal Ballroom Passport Stamps? Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047. Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue. Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can. Tech Specs Floor and stage plan PDF download Lighting diagram PDF download Sound manifest Crystal: PDF download Lola's Room: PDF download Technical and logistical packet For Crystal Ballroom & Lola's Room PDF download Ballroom height and beam-to-beam dimensions 16' 11" from beam to floor 19' 11" from floor to ceiling 14' 6" in between beams Promoter Info Rental Expenses To Outside Promoters RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR $850 SOUND & LIGHTS $365 PRODUCTION MANAGER ($54.75/hr OT) $255 STAGE MANAGER ($38.32/hr OT) $255 FOH TECHNICIAN ($38.32/hr OT) $255 MONITOR ENGINEER ($38.32/hr OT) $255 LIGHTING DIRECTOR ($38.32/hr OT) $150 HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile] $1,000* SECURITY ($100/hr OT) $100 BOX OFFICE STAFF ($20/hr OT) $200 ADMINISTRATION FEE $ ---- PARKING HOODS $ ---- CHAIR RENTAL ($2 per chair) $ ---- ADVERTISING $500 PIPE AND DRAPE/BARRICADE $175 STAGEHANDS $ ---- BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales) * Security cost is an estimate. Additional security may be required depending on the nature of the event. Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate. Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event. Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement. Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature. Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions. Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office. Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement. Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees. Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all. Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal. Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule. Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25. * Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee. Venue and corporate sponsor banners may be present during event. Marketing your event at the Crystal Ballroom Please contact Mike Walker for information about marketing your event through McMenamins resources. Box Office Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page. Box Office Information Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules. Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.) Crystal Ballroom Box Office Hours Daily, 11:30 a.m. to 8 p.m. The box office is open later on nights when there is a performance. Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m. The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard. Will Call Will call is located at the box office. Refunds All ticket purchases are non-refundable. Parking There are three pay lots nearby, and street parking is available. Accessibility Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance. There is an elevator located in the lobby. Hold your Private Event at Crystal Ballroom Weddings Meetings Social Events The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service. Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests. Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own. For overnight accommodations, our Crystal Hotel is just a block away! Art History Brewery Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now! Explore the Crystal Blocks Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages. Explore these properties and all they have to offer. Crystal Ballroom Property Crystal Hotel Property Movie Showtimes Select Showtime Select Showtime Property Name Property Name Property Name Property Name Property Name Property Name Property Name Choose date above and click showtimes on the right for online ticket purchases... All seats are reserved. Doors open 45 minutes before each showing for food and beverage service. We recommend arriving 45 minutes early if you would like to order food to enjoy with your movie. Minors (under 21) are allowed only with parent or guardian 21 and over. Finding Dory (TBC) Running time 1:43 Buy Tickets 12:00 pm 4:00 pm 7:00 pm 10:00 pm Please be patient while we process your order.