demo
McMenamins Music

1332 W. Burnside, Portland, OR 97209

Friday, February 24, 2017

"Desert Daze Caravan" featuring

Temples
Night Beats
Deap Vally
Froth
JJUUJJUU
Door

Buy Tickets

7 p.m. doors, 8 p.m. show
$25 advance, $30 day of show
All ages welcome

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Night Beats

Night Beats

Night Beats play pure psychedelic R&B music that spikes the punch and drowns your third eye in sonic waves of colour. Theirs is a bastard blues, contorted and distorted into new shapes for 21st century wastoids - once tasted never forgotten. This is music to melt your sorry little minds.

Make no mistake: their new album Who Sold My Generation sounds like it has been created against a backdrop of burning Stars and Stripes flags and with the whiff of napalm hanging in the air - an alternative universe where ‘Helter Skelter' is the national anthem and Charlie Manson is still on the loose. Acid-test heaviness is Night Beats' currency, but this is no out-right nostalgia trip either. Instead of Nixon and Vietnam, Night Beats have their own epoch of God and guns and bombs and drones to rail against...or flee from. Besides, bad vibrations, blues jams and id-shattering explorations are timeless pursuits - why shouldn't today's young generation be allowed to take a ride down the slippery spiral that sits within the centre of each of us?

On their third album - and first for Heavenly Recordings - Night Beats perhaps most recall their Texan forefathers and psyche-rock originators 13th Floor Elevators at their ‘69 peak, just before The Man busted young Roky Erickson and dragged him to the psyche ward for barbaric doses of shock treatment. These boys represent the best of the Lone Star State's flipside - that vast dusty hinterland of the soul where it's easy to drift off the map and reinvent yourself as part of the long lineage of creative cowboys who prefer psychotropics to rodeo riding, guitars rather than firearms.

"Old cowboy culture is alive and well in Texas," says frontman Danny Lee Blackwell. "I grew up with Texan mythology all around us, so as a band its instilled in our blood. My Dad didn't wrangle steers but he did pick cotton when he was young. But then cities like Austin and Dallas, where we spent most of our time growing up, have a real sense of musical history that runs deep, so we feed off legacy that too."

From the Elevators and The Red Krayola on to pre-ZZ Top band The Moving Sidewalks, Butthole Surfers and The Black Angels - whose record label Reverb Appreciation Society have released Night Beats - and a clutch of other early cult bands besides (Bubble Puppy, Shiva's Headband and the Golden Dawn, anyone?), Texas has always been a prime breeding ground for such outlaw music. "The Elevators were one of the reasons I decided to become a singer and form the group," says Blackwell. "I loved their attempt to play R ‘n' B music, but from a distinctly Texan approach. I'd say they have profoundly influenced the group, but it's now our job to take it to another level in a new age."

It took a cross-country relocation to instigate their formation. Night Beats were born when frontman Danny Lee Blackwell upped stick from Dallas to Seattle, Washington and was soon joined by childhood friend James Traeger. "James got me a copy of Ginsberg's Howl when I was around 15 and it changed everything," remembers Blackwell of his old friend. "We grew up together and once he moved up to Seattle we did everything together there too. I wanted to try out a different place, a new city, where no one knew my music and there wasn't anything remotely similar going on. Coming from Dallas, Austin seemed like the obvious choice but I needed something more. Seattle was at one time the home to people we love like Ray Charles, Jimi Hendrix and Quincy Jones so I didn't feel too disconnected."

The two existed initially as a guitar and drums duo, named in honour of Sam Cooke's 1963 album Night Beat, before fellow Jakob Bowden Dallas resident joined on bass after a stint in Austin. Filtering a collective love of pioneering artists as disparate as Buddy Holly, Fela Kuti, Etta James, James Brown and Leonard Cohen, Night Beats dropped a clutch of singles, split-singles, cassette release and two albums - their self-titled debut in 2011 followed by Sonic Bloom in 2013 - as well as featuring on all manner of compilation albums that document the cutting edge of the head-bending, modern counter-cultural US underground.

Night Beats hit the road too, touring extensively with Roky Erickson, The Zombies, The Jesus and Mary Chain, The Strange Boys, Black Lips, The Growlers and The Black Angels in North America, Europe, Israel, South Africa and Australia.

Recorded on old two-inch tape in Echo Park, Los Angeles at the home of producer Nic Jodoin and featuring co-production and guess bass playing from Robert Levon Been of Black Rebel Motorcycle Club, new album Who Sold My Generation goes beyond merely being a retreading of well-worn garage / R&B path. Instead it offers a contemporary take on the psychedelic experience, a heady set of hoodoo voodoo songs. Mordant and corrosive opener ‘Celebration #1' sets the tone with its wailing guitar jams and Messiah-like monologue, while ‘No Cops' makes like the imaginary soundtrack to an orgiastic party somewhere in the LA hills as the summer of love gave way to an era of greed and paranoia. ‘Sunday Mourning' is the sound of blood dripping on the twitching remains of a generation's super ego and with a rockabilly strut, ‘Egypt Berry' chases the White Rabbit down into a cosmic underworld while shaking its burning tail feathers

With new Who Sold My Generation, Night Beats have not only painted it black, they've torched the fucker and driven it off the cliff, crashing and burning into the arid canyon below.

In its afterglow only the lone howl of a solitary coyote remains.

Ben Myers. October 2015.

 

Facebook:
https://www.facebook.com/thenightbeats.u.s

Deap Vally

Deap Vally

Deap Vally landed in ‘2013' with their rock debut ‘Sistrionix'. The LA duo bombed down the Transatlantic speedway, lighting psych-blues fires throughout the US and Europe. Lindsey Troy's whiskey-soaked vocals and killer guitar riffs were chaotic, but found a degree of order in the heat of Julie Edwards' drumming. After several loops around the world, they returned from their travels and decided it was time for a gear shift. The change was inspired by the pair's need to create their vision on their own terms, without label input. Lindsey and Julie needed to be able to operate in a way that didn't suck the living joy out of their creations, otherwise that blues synergy of rock'n'roll (forged between them at a knitting club in Echo Park some five years ago) would simply not be able to reach its pinnacle.

So the two-piece took a risk, parted ways with their label (amicably so), and wielded the time they needed to reassess matters by themselves, even doing short stints as touring bass players: Lindsey in White Lung and Julie in JJUUJJUU. "We were given this gift of time to make the record," explains Julie, optimistically. "We kept writing, recording, exploring all these flavours. It was a real luxury."

It's a luxury many bands don't get, and it's strengthened their identity, which has now become an "ism": specifically ‘Femejism'. That's the name of the second record. "We don't ever wanna do what people expect of us, we always want to do the opposite of that," says Lindsey, ever the rebel. "Like after a break-up when you cut your hair, dye it, and just explore being free on so many levels." Julie intercepts, "But, y'know, within the confines of guitar and drums." Their new labels - Cooking Vinyl and Nevado Records - have put their faith in the ladies' vision entirely.

‘Femejism' has been two years in the making. "This is what we wanted: total freedom," says Julie. The pair explored new territory at recording studios in Downtown LA and the San Fernando Valley. They had a third character in the mix, too, Yeah Yeah Yeahs guitarist Nick Zinner, who lent key production skills to the pair's own chemistry. "He's pushed our songwriting a lot," says Lindsey. The pair also explored new territory at recording studios in Downtown LA and the San Fernando Valley, this time honing their producing skills too. The track ‘Julian', for instance, was produced entirely by them. Both ladies insist that theirs is a love/hate relationship they're incapable of explaining. "It's a mystery that neither of us understand," says Julie, the yogic yin to Lindsey's dramatic yang. "We're giving ourselves to an alchemy we don't control but it creates art. It's raw, hot and loud, you know?"

The duo always keep their cards close to their chests when it comes to offering explanations. "What do you think it means?'" defers Julie on the subject of titles, lyrics, etc. Although they take what they do seriously, Deap Vally try not to take themselves too seriously. There's a sense of humour that catches you off guard. The only thing they do offer is that true crime and historical characters have inspired some songs. Maybe the self-produced ‘Julian' or ‘Little Baby Beauty Queen', but who knows? They both kick like a mule regardless.

"I always want there to be some philosophical endgame," adds Julie. "They're personal songs and they're universal. Nothing's too mired in emotion." Lindsey agrees. "We wanna give people music they deserve." Take ‘Teenage Queen', which comes over like an Alex Turner anthem. //I'm gonna live forever, Snapchat, sex and cigarettes, life is but a dream for a teenage queen// hollers Lindsey. It's a feverish poke at societal ills, without getting too preachy. In ‘Critic' there's a stripped-back grunge vibe as Lindsey drawls //everyone is a fucking critic, a fucking cynic// in a way that's so blasé as to be positively liberating. The song is sonically the "biggest departure" for them.

"It was hard sitting on this record for so long, not knowing what was gonna happen," says Lindsey. But that waiting made the pair even more ambitious. Julie went ahead and had a baby. "The baby came out, then we found the perfect partners. It was like it had to happen that way," Julie muses. Lindsey adds, brazenly, "Now that we have a home I just wanna put out a tonne of records."

 

Website:
https://deapvally.wordpress.com/

Facebook:
https://www.facebook.com/deapvally

Froth

Froth

Formed in 2013 in Los Angeles, Froth first garnered attention with their debut LP, "Patterns." Originally intended as a small-run cassette release, the album quickly became an underground sensation in the Southern California music scene, catapulting the band to local fame and prompting a vinyl re-release in 2014.

2015 saw the release of the band's sophomore album, "Bleak." A more dynamic, adventurous effort, the record matches lush shoegaze soundscapes with driving krautrock beats. Froth toured extensively across the U.S. and Europe in support of the album, opening for acts such as The Drums, Tamaryn, Pond and Craft Spells.

After signing with Wichita Records in 2016, Froth is set to share their third album, "Outside (briefly)," on 2/10/2017. This time around, the band has dialed back the noise, revealing delicately beautiful melodies, intricately arranged instrumentals and some of their most experimental songwriting to date.

 

Facebook:
https://www.facebook.com/frothla

JJUUJJUU

JJUUJJUU

JJUUJJUU is an astral union, an arcane ritual, and above all, a conversation.
Harnessing an unspoken energy, the duo have exponentially blossomed from a sonic experiment to a forceful, telepathic dialogue of distinct-but-aligned vibrations. Releasing this dynamic on an expanding spiral of planned and impromptu live shows in the American southwest, the magnetism of the duo only continues to grow, along with its devoted, traveling coterie of entranced acolytes. - S.M. 2012

Facebook:
https://www.facebook.com/jjuujjuuband/

Events

The Crystal Ballroom

1332 W. Burnside
Portland OR 97209

(503) 225-0047
Contact us

Where On Any Night, Anything Can Happen!!

In these walls...

The historic Crystal Ballroom -- now over a century old -- is one of those rare concert halls that can point to a proud, diverse history while also laying claim to an ongoing musical legacy. Every time you enter this majestic ballroom, let your imagination sense the tremors resonating from a century's worth of gatherings, and realize that you are joining a thriving, generations-long procession of show-goers. Welcome!

Looking for your Crystal Ballroom Passport Stamps?

Crystal Ballroom, Lola’s Room & Crystal Brewery Tour occurs daily at 2 p.m. - meet at Ringlers Pub (street level below the Crystal Ballroom.) The tour takes about half an hour to complete. Any questions may be directed to the Crystal box office, 503-225-0047.

Stamps for the Crystal Ballroom and Lola’s Room are also available when you see a show – ticketed or free – in either venue.

Please note: Due to private events, concert setup needs and brewers’ schedules, not all spaces are guaranteed to be available to tour daily, but our staff will give it our best shot and show you the spaces that we can.

Tech Specs

Floor and stage plan
PDF download

Lighting diagram 
PDF download

Sound manifest
Crystal:
PDF download
Lola's Room: 
PDF download

Technical and logistical packet
For Crystal Ballroom & Lola's Room
PDF download

Ballroom height and beam-to-beam dimensions
16' 11" from beam to floor
19' 11" from floor to ceiling
14' 6" in between beams

Promoter Info

Rental Expenses To Outside Promoters

RENT VARIES, PLEASE CONTACT A BOOKING COORDINATOR
$850  SOUND & LIGHTS
$365  PRODUCTION MANAGER ($54.75/hr OT)
$255  STAGE MANAGER ($38.32/hr OT)
$255  FOH TECHNICIAN ($38.32/hr OT)
$255  MONITOR ENGINEER ($38.32/hr OT)
$255  LIGHTING DIRECTOR ($38.32/hr OT)
$150  HOSPITALITY ($20/hr OT) [mileage is 33 cents per mile]
$1,000*  SECURITY ($100/hr OT)
$100  BOX OFFICE STAFF ($20/hr OT)
$200  ADMINISTRATION FEE
$ ----  PARKING HOODS
$ ----  CHAIR RENTAL ($2 per chair)
$ ----  ADVERTISING
$500  PIPE AND DRAPE/BARRICADE
$175  STAGEHANDS
$ ----  BOX OFFICE CREDIT CARD FEE (3% of Box Credit Card Sales)

* Security cost is an estimate. Additional security may be required depending on the nature of the event. 

Overtime: All expenses incurred by the Crystal Ballroom for Catering, Advertising, requested stagehands, overtime (anything over 10 hours), backline, barricade, risers, etc. will be added to total rental rate.

Deposits: A non-refundable 50% room deposit and a $2,500 'untenured promoter fee' (UPF) is due immediately in order to secure the room. If ticket sales exceed 500 the 'UPF' will be refunded; if ticket sales are below 500 the room keeps the entire $2,500 to make up for less than 1/3 capacity and corresponding lack of sales. The 'UPF' will not be refunded if the event cancels within 60 days of the event.

Settlement: Venue will pay renter with a company check at the immediate conclusion of door sales. Venue will not provide any cash at settlement.

Late Night Fee: There is a $1,000/hour additional fee for any events after 3 a.m. We may also require additional security for events of that nature.

Merchandise: Merch rate is 20% they sell. We can provide a seller with advance notice and will keep 30% of sales. The outside promoter will receive no revenue from the merchandise as that is the prerogative of the house. House keeps a percentage of all transactions.

Tickets: All tickets must be placed through the venue onto the Cascade Tickets system. All comps, label buys, and holds must be approved by the venue. There is a $1/ticket venue fee at the Box Office.

Refunds: All refunds will be directed to the outside promoter. In the absence of an outside promoter representative, the venue shall use its own discretion regarding refunds and all refunds shall be deducted from settlement.

Insurance and Licenses: Renter must provide liability insurance not less than $1,000,000 for any single occurrence naming McMenamins Inc. d.b.a. Crystal Ballroom as additionally insured. Tickets will not be placed on sale until binder is received. Promoter is responsible for all ASCAP, BMI, and SESAC fees.

Production Advance: Performers or their representative must contact venue's production manager 5 days prior to the event in order to advance production needs, otherwise runner will arrive at 6 p.m. and all rider items/requests will be greatly limited if provided at all.

Layout: The Crystal Ballroom is located on the 3rd floor. The first floor is Ringlers Restaurant and the 2nd floor is Lola's Room, both of which may have a public or private event simultaneously with the Crystal.

Cancellation/Postponement: The contract covers the specified event for the specified date. No substitution will be accepted for a cancellation. If the event is postponed the room deposit will be transferred to the date of the new event but the $2,500 'UPF' will be applied toward the date of the originally scheduled show and an additional $2,500 will be required in order to reschedule.

Capacity: The venue's capacity is 1500*. All artist and promoter guests and comps will be deducted from sellable. Comp and guest space must be reserved in advance. House is entitled to 20 guests. House guests will not effect sellable. Promoter must have guest list to house no later than 2 hours prior to doors. VIP cap is 25.

* Seated capacity is 850. Seated shows must be 21 and over. There is a $2/chair rental fee.

Venue and corporate sponsor banners may be present during event.

Marketing your event at the Crystal Ballroom

Please contact Mike Walker for information about marketing your event through McMenamins resources.

Box Office

Please note! Both the Crystal Ballroom and Lola's Room specialize in open-floor shows with a very limited amount of seats. The rare seated events will be clearly denoted as such, within the event description on our schedule page.

Box Office Information

Tickets for all McMenamins shows are ticketed by Cascade Tickets, and may be purchased at the Crystal box office (located under the Crystal's awning) and McMenamins Edgefield, by phone at 1-855-CAS-TIXX, or by clicking the "Buy Tickets" link located at the event listing on our schedules.

Tickets bought directly at the Crystal box office or any of our four ticket outlets will only incur a $1 facility charge. (Please note! Tickets to Edgefield Concerts on the Lawn will incur additional service fees.)

Crystal Ballroom Box Office Hours 
Daily, 11:30 a.m. to 8 p.m.
The box office is open later on nights when there is a performance.
Tickets may also be purchased in Ringlers Pub, Monday through Friday from 6 to 11 p.m., and Saturday and Sunday from 11:30 a.m. to 11 p.m.

The box office accepts cash, VISA, MasterCard, American Express and DiscoverCard.

Will Call

Will call is located at the box office.

Refunds

All ticket purchases are non-refundable.

Parking

There are three pay lots nearby, and street parking is available.

Accessibility

Those with disabilities may call (503 225 0047) or email in advance to arrange early admittance.

There is an elevator located in the lobby.

Hold your Private Event at Crystal Ballroom

Weddings  Meetings  Social Events

The Crystal Ballroom is a truly awe-inspiring venue with its vaulted ceilings, grand chandeliers, giant wallscapes and famous "floating" dance floor. Accommodating groups from 100 to 1000 people, this 7,500-square-foot space includes access to the Ballroom's classic corner stage, floor-to-ceiling windows, swooping balcony, and full bar service.

Tucked in the Crystal’s second story is Lola’s Room accommodating events of up to 200 guests.  Lola’s comes with a handsome fully stocked bar, original artwork, and a floating dance floor all it’s own.

For overnight accommodations, our Crystal Hotel is just a block away!

Art

Artwork plays an important role in the character of McMenamins locations throughout Oregon and Washington. We believe art makes life richer and more enjoyable. So, you'll often find paintings covering our walls, ceilings doors, overhead pipes, and equipment -- works as diverse and entertaining as our places for family and friends. Many artists have contributed to this vast variety of delightful eye candy. Jump in and enjoy some now!

History

 

 

Explore the Crystal Blocks

Our Crystal Hotel and legendary Crystal Ballroom are just across the street from each other, each offering their own unique spaces for live music, Northwest style fare and McMenamins hand crafted beverages.  Explore these properties and all they have to offer. 

Crystal Ballroom Property

Crystal Ballroom  Lola's Room  Ringlers Pub  Crystal Brewery

Crystal Hotel Property

Crystal Hotel  Al's Den  Ringlers Annex  Zeus Cafe

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