Kory Quinn w/
Eric John Kaiser
- Crystal Hotel - Al's Den |
- Sunday, February 10, 2013
- 7 p.m. |
- Free |
- 21 and over
What Kory says about Eric:
"I met Eric one rainy Tuesday night in the winter of 2009 at the Thirsty Lion Pub. He took me in and gave me a couch to sleep on since I was living out of my car. Since then he has been my closest friend and confidant, my long lost brother, while living in Portland. He soon thereafter helped in a big way to produce my first record "Waitin' For A Train". His own style of music reflects mine; A hodgepodge of the music we were influenced by as kids, what we learnt on our own, and finally what our life experiences have taught us to bring to the table. Eric's music has been label Parisian Americana but for me it is pure and simple honesty, sincerity in the highest sense.
We have in the works to produce another record based on a French Gypsy Jazz Pop theme "Sans Souci" meaning no worries."
About Kory Quinn w/
I suppose if one could pinpoint exactly what it is that separates good folk and roots-based music from mediocre schlock, everyone would be getting it right. Obviously, not everyone does-but Portland-by-way-of-Indianapolis singer/songwriter Kory Quinn is one of those whose music not only upholds well-worn traditions but also sounds fresh in the process. It might be a case of believability: Quinn's latest nine-song collection, Waitin' for a Train, carries on the tradition of wandering troubadours and train-hopping drifters, and if that's a romantic notion (it's not entirely fabricated-Quinn recently took a trip across the US by train, although it was funded by Kickstarter, so one presumes he wasn't hopping from boxcar to boxcar), it's one that Quinn imbues with authenticity. In a crowded field of local roots musicians, Quinn stands out as one who's got his bead aimed precisely at the truth.
"[VAGABOND AMERICANA] With his latest album, Waitin' for a Train, Portland troubadour Kory Quinn and his band, the Comrades, break forth with a firm, compelling sort of Americana that is at once hauntingly familiar and entirely Quinn's own. The songwriter's voice, both strained and tender, wafts through a soundscape speckled with sparse percussion and hammering harmonica, perfectly suiting somber lullabies such as the placid "In My Mother's Arms" and the raucous "Runaway Train" with equal vigor. Quinn offers timeless country folk infused with a hint of rock, the kind of music that has been listened to for generations and will remain relevant for decades. "
"Beyond that, the details of the Comrades are a mystery, but that's fine, because stark, haunting but brilliantly rendered songs such as "Shoes of the Dead," "You Ain't Coming Back," "Austin" and "Under the Gun" succeed because of their dark and twisted layers and the many lingering questions of that vaunted "old, weird America."" -Jim DeRogatis, Sound Opinions and The Chicago Sun-Times
"Train-Hoppin, Foot-Stompin', Hobo-Blues" --Rob Stroup, Eight-Ball Studios, Portland, OR
"Kory Quinn is a writer of personal experience and a singer of cross-country adventure, frequently woven into a prayer rug of justice. With a hobo twang as sharp as a 9-ball break, Kory Quinn effectively transposes the eternal troubadours like Woody Guthrie, Ramblin' Jack Elliot, and Bob Dylan into Two-Thousand-and-Ten. Since April, 2010 Kory Quinn has self-released one EP, "The Drifter" and one Album, "Bound for Glory" through his record label Ma and Pa Records and with the help of Rob Stroup of Eight-Ball Studios. He is set to self-release his second album on October 31st "Shoes of The Dead". There is also in the works a third Album "State of The Union" to be released in January. Kory is also co-founder of the Portland Field Recording Project. --Matt Kalinowski, Noctilucent PR
About Eric John Kaiser
"Since the June, 2010, release of his third CD, "Portland Rendez-Vous," Eric John Kaiser ("Portland's French Troubadour") has logged close to 10,000 miles via air, land and sea. Exploring North America on multiple lengthy tours, the Paris native has gigged his way up through Canada and down through the South, as far as New Orleans and Washington D.C., where he performed as an "Artist in Residence" for the Smithsonian Museum.
Sometimes driving his trusty Subaru under the wide Montana sky, sometimes riding the subway under the New York City canyons... Then jetting across the Atlantic to tour through France... His music has logged as many miles and picked up accents from across the American landscape: his latest songs resonate now with a very American rhythm, like bouncing across the vast plains on horseback... some western lap steel guitar... some dirty roadhouse blues... The culmination of this musical evolution is Eric John Kaiser's latest CD (produced in part thanks to fan-funding through RocketHub.com), "Dehors c'est l'Amerique" ("Outside, It's America")"
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